The thirteenth canto of Dante’s The Inferno clearly depicts several of the different themes that can be seen throughout the poem. Some of these themes are the idea of contrapasso, or the notion that the punishment dealt fits the crime committed, the portrayal of Hell as being devoid of hope, and the importance of fame. The images and language Dante uses to describe his experiences in the middle ring of the seventh circle of Hell, which houses the suicides, provide the reader with the feeling of despair and hopelessness present throughout the text, while also serving to show the idea of contrapasso and the underlying importance of fame.…
Dante, the pilgrim, experienced Hell and as he reached the bottom of Hell, he experienced something completely different opposed to what readers would have expected. Dante Alighiere’s depiction of Satan once he reaches the bottom of Hell reveals the theme, that in Hell the punishment is always befitting of the sin. As Dante and his tour guide, Virgil, arrive at the last circle, Satan is described to have, “three faces on his head...underneath each came forth two mighty wings...at every mouth he with his teeth was crunching at sinner,” (Canto 34). The illustration of Satan does not satisfy the typical reader; the reader expects to be able to visualize Satan in a more depth illusion, showing how furious he must be after the punishment he has received, of having to be placed in Hell, being frozen; the irony of the Hell described by Dante is that the reader would have expected for Satan to be located where it would be extremely hot, and for there to be uncontrollable fire, not for it to be frozen. At the bottom of the slope, Satan is placed from his mid-breast forth issued from the ice, and as night approaches everything is opposite which is why they must climb down Satan’s leg. Dante was surprised as he reached Satan to see how frozen and powerless he became in circle 9. The ultimate evil is represented in this way by Dante, because Dante wants to show the reader how Satan, and…
“The Inferno” is an epic poem following the journey of Dante a mortal man who was guided through the many circles of Hell. Through his experiences he learns that divine retribution is pure justice of God; for all the punishment the tormented souls endure in Hell corresponds to whatever sins they have committed in life. Every circle in hell has an assigned punishment for the corresponding sinners within them. At the beginning of Dante’s journey he was horrified and felt pity and compassion toward the tortured souls he encountered. Through his journey Dante’s attitude changes from pity and compassion to ridiculing and wishing more punishment of divine retribution upon the sinners within the circles of hell. Through my essay I will discuss cantos V, VIII, and XXXII.…
The very structure of Hell – a series of concentric circles – gives an sense of inescapability, since circles are boundless or have no edges, an individual can only continue tracing their arcs in a futile attempt to find a way out. He describes the entrance to hell like so: “Midway along the journey of our life I woke to find myself in a dark wood for I had wandered off from the straight path” (1.1). The very imagery portrayed introduces the allegory that Hell is dark, succulent mass astray from the “straight path.” This journey is reciprocated of his exile from Italy. In his journey, he must learn to reject the deceptive promises of the temporal world. These promises are what he deems to be the problems of Italy’s social structure derived from the renaissance era. Promises that justice shall be executed at the expense of the Church, promises that obedience to the Church will ensure one’s reservation in Heaven, promises heeding to allow a state to monopolize the violence within its asserted territory. The use of the allegory explains the means by which he came to cope with his personal calamity of exile and to offer suggestions for the resolution of Italy’s troubles as well. Thus, the exile of an individual becomes a microcosm of the problems of a country, and it also becomes representative of the fall of man. Thus, each sinner in the Inferno embodies his sin just as Dante’s…
While Dante’s imagery is sometimes straightforward, he also has disparate instances where his the elegant diction in his imagery leaves the audience haunted such as when he describes those in hell for committing suicide, “Our bodies will be hung: with every one, fixed on the thornbush of its wounding shade” (XIII. 101). The imagery of this mutilation leaves the audience wondering about the about the wounding shade.…
Dante’s journey through hell represents the different evils that identify with humanity. Each sinner will be punished in capacity befitting their crimes: the chief sin…
Liars, counterfeiters of money, and impersonators are all sinners in the eighth circle of hell in the tenth pouch, where they each suffer from some type of physical or mental disorder as their punishment. Dante describes all of their horrid and gruesome punishments with his clear imagery, as he does in most Cantos. However, what makes this Canto special is the numerous amount of references to Ancient Greek mythology and the many similes. Dante’s use of said similes and mythological stories represent how clearly he is able to describe things outside of his use of imagery alone, and it shows how much he was influenced by Virgil.…
Hell is a place of eternal punishment and torment. Mirroring Dante Alighieri's concept of symbolic retribution, sinners are afflicted by the chief sins they committed. Within my version of hell, more attention is given to the common suffering sinners experience on their journey to their individualized punishment based on whether they committed sins of thoughts or actions, thus helping underscore the idea that no matter the sin committed, they all sinned against their Creator and deserve to travel down a common path of pain and despair before being thrown into even greater horrors and being isolated for eternity in their own punishments.…
In Dante's Inferno, Hell is described in vivid detail in the eyes of Dante, the main character and author. Sinners are eternally punished with tortures that fit their sins. This idea of retributive justice and the role of human reason in the form of Virgil are the two main themes in the poem. Canto VIII contains Dis, the capital of Hell and is most representative of these themes.…
<br>This evil is evident in the right wing of The Garden of Earthy Delights, which can be used to portray scenes from almost all of Dante's circles of Hell. Fire is seen in much of the painting, which can be symbolic of death. Fire is one of the only elements man can create so fire can also be seen as a symbol of mortality. Virgil said, "I come to lead you to the other shore, into eternal darkness, ice, and fire." (Canto III: line 87) This quote shows the connection of fire and Hell. Fire can also be representative of the Holy Spirit and this relates to Dante who ties religion into the Inferno. Fire is the background of much of the top of the painting. Virgil said, "Eternal fire burns within, giving off the reddish glow you see diffused throughout this lower Hell." (VII: 73-75)…
Hell is a topic touched in many religions and many other places. People often make the common remark “it’s hotter than hell.” However, what symbolizes Hell, complete separation from God, could be a lot colder. In Dante’s Inferno, an epic poem written by Dante, the center of Hell is described as ice which encases the prince of the dark world as he eternally feasts on the three sinners worthy of this punishment. However, in A Paradise Fallen, a book written by John Milton, Hell is described as a furnace which gives off no light, but burns in a great inferno.…
In Dante’s Inferno, Dante narrates his descent and observation of hell through the various circles and pouches. One part of this depiction is his descriptions of the various punishments that each of the different sinners has received.…
Since the creation of human life there has been a battle of good versus evil. Before Christianity and non- religious or pagan culture believers often debated the ideology of heaven and “hell”. In defining “hell,” the Webster dictionary defines “hell” as a place or state of torment or destruction and the damned suffer eternal punishment. Hell has been an interest for many centuries, and according to some religions, Satan or the powers of evil live in “hell” and the spirits of all sinful people goes to hell after death. Those souls and/or people in hell are inflicted with eternal pain and misery. Hell over the century has been depicted by many authors in literary works. The Italian poet and writer, Dante Alighieri (1265-1321), created a masterpiece in the form of an epic poem, Divine Comedy and Inferno is the first part of three parts written in the 14th century. He goes into great length to provide vivid images of hell. Inferno depicts the medieval Christianity beliefs of the Creator (God) and the consequences imposed on the human souls for their worldly actions. The English poet and civil servant, John Milton (1608-1674), also penned an epic poem, Paradise Lost in the 17th century. Milton often rebelled against the church and politics in England. He too included dramatic images of hell with literal interpretations. The epic poems Inferno and Paradise Lost examine the physical descriptions of hell, the location of hell, and the form of Satan. Dante Alighieri’s Inferno and John Milton’s Paradise Lost depict different images of hell.…
One of the first things that I notice when I sit in front of Dante and Virgin in Hell is how the two figures engaged in ferocious battle in the foreground capture nearly every ounce of the viewer’s attention instantly. The two fighting figures have been accented with an intense light that seems to shine exclusively on their bodies. They clearly proclaim dominance within the painting and begin a clear line of movement. The attacker’s knee is slammed into the victim’s back, bending him over backwards and pulling his entire torso down. No matter which figure you first examine, your attention is immediately drawn up through the curvature of the man whose spine is being twisted back at an excruciating angle and out of his head. The line then travels on to the left where you see two figures that are standing in the background, hidden by a curtain of darkness. The use of atmospheric perspective is overly emphasized here as well to once again, push the battling men in the foreground even farther ahead. Dante’s eyes leads us to the right side of the painting where a winged demon is flying overhead and watching with glee on as the two fighters claw at each other mercilessly. His wings carry the visual line to the right even more and even farther back in the scene where a mountain of living and writhing…
Dante and Virgil reach the gates of Hell and read the printed inscription. When Dante is concerned, Virgil comforts him and tells him he must have courage. The two come to the first level of hell filled with people who only worked to benefit themselves and lacked conviction, including the angels who took no side in the battle between Lucifer and God. Here, the dead are seen naked, chasing after an ever-moving banner while being stung by hornet and treading on maggots. In this crowd Dante spots Popes Celestine V and Boniface VIII whom he disliked in real life. They continue on and meet Charon the ferryman who at first refuses to take Dante across the river but then reluctantly agrees. There are souls gathered along the banks wanting to cross…