Imagery in Othello

The function of imagery in the mid-sixteenth century play Othello by William Shakespeare is to aid characterisation and define meaning in the play. The antagonist Iago is defined through many different images, Some being the use of poison and soporifics, sleeping agents, to show his true evil and sadistic nature. Othello's character is also shaped by much imagery such as the animalistic, black and white, and horse images which indicates his lustful, sexual nature. Characterisation of women is heavily dictated by imagery used to show the patriarchal gender system of the time. Some of this imagery is that of hobbyhorses and the like showing that they, Desdemona and Emelia, were nothing better than common whores. Othello's view at the start of the play is contradicting of these patriarchal views with Desdemona and Othellos' true love overcoming these stereotypes and we are told this through imagery of fair warriors and the like. The power of deceit is shown also through imagery of spiders and webs, uniforms and other such images. Also the power of jealousy is well defined by imagery. The handkerchief, green-eyed monster and cuckolding imagery are prominent in defining this theme.

The satanic character of Iago is depicted well though different types or imagery. His sadist intend is depicted through suffocating imagery "I'll pour pestilence into his(Othello's) ear" (II iii 356) says Iago in a soliloquy in as he is outlining his malicious intent and nature. This continues throughout the play with lines such as "The Moor already changes with my poison" (III iii 322) and "Not poppy nor mandragora, | Nor all the drowsy syrups of the world shall medicine thee to that sweet sleep | Which thou did owdest yesterday" (III iii 327-30). His malicious character is likened to a snake through this imagery of poisons like a snake has and then Lodovico calls him a "Viper" (V ii 281) which indicates how Iago's character is that of a snake, and in those times a snake was considered a