The narrator violates all bedroom etiquette, by exploiting the vulnerability of one who is sleeping. We are perhaps most vulnerable in bed, and we sleep well in our bedrooms. Poe turns the symbol of the bed on its head. The narrator uses the bed as weapon to snuff out the old man. And since the bed is the murder weapon, it's logical that the bedroom is the burial place. There are two physical settings in Edgar Allan Poe’s “The Tell-Tale Heart”: the house the narrator shares with the old man where the murder takes place and the location from which the narrator tells his story, presumably a prison or an asylum for the criminally insane. However, the most important setting for the story is within the obsessed mind of the narrator..When the police question him about the old man’s scream in the night. He bade the gentlemen welcome and said the old man was absent in the country.Then later he confess the murder because his head ached,and I fancied a ringing in his ear. Poe also use example of Allegory.The narrator mentions a "watch" in the story. A watch is a visual and auditory representation of time. The watch watches time, and tells tales of time. Poe presents this subtly in the story's first mention of the watch: "A watch's minute hand moves more quickly than did mine.”Each tick of the watch symbolizes a movement closer to …show more content…
In the conclusion of the short story 'The Tell-Tale Heart' by Edgar Allen Poe,narrator totally loses it - and gives the game away all by himself. In the opening paragraphs of the story, the narrator goes out of his way to ensure the reader that he is not mad. He then goes on to tell that the weird eye of the old man for whom he cares has caused him to want to kill him. Having murdered and dismembered the old man and disposed of all traces of him under the floorboards, he goes through all the painstaking interviews, questions of the interrogating detectives without a hitch. As Poe builds the suspense and tension to fever pitch, the narrator does not think he can bear a minute more of keeping up appearances and imagines the victim's heart giving the game away under the floor by ticking louder and louder. In the end, it is a game of 'mind over matter' of his own choosing that lets him down at the conclusion of an almost 'perfect murder.' Guilt and fear of discovery bring his mental defences crashing down in