In the book, The Bean Trees by Barbara Kingsolver, there are many different moments in the book that show what women may go through in their lifetime. Getting pregnant, moving away, people leaving, being alone, and other situations that still occur today. The main character Taylor moves in with Lou Ann, and young woman who was just left by her husband. She is caring for a child on her own and didn’t understand the struggle some women go through, until she decides to visit the strip club in her town, with a painting lady on the wall. “Lou Ann shuddered.…
In Tartuffe (1664), as in his other plays, Moliere employs classic comic devices of plot and character. Here, a foolish, stubborn father blocking the course of young love: an impudent servant commenting on her superiors’ actions; a happy ending involving a marriage facilitated by implausible means. He often uses such devices, however, to comment on his own immediate social scene, imagining how universal patterns play themselves out in a specific historical context.…
What would you have done if you were in the Revolutionary war? In this essay I am compare and contrast two novels. One is My Brother Sam is Dead by James Lincoln Collier and Christopher Collier. The other novel is Colony of Fear by Lucy Jane Bledsoe. The topics to be discussed are setting and characteR in the novels.…
The opening of the play clearly delineates he players in the conflict between good and evil. We are shown, for example, that Goneril’s speech seems rehearsed and the close-ups of the faces of Goneril and Regan demonstrate a lack of sincerity behind their words. Their self-satisfied smiles after delivering their professions of love indicate their calculating natures. By giving Cordelia’s reaction to her sisters as a voiceover, Blessed leaves us in no doubt as to her sincerity. The conflict between good and evil is highlighted by Blessed’s dramatisation of the battle scene in Act 5. tight close-ups of Goneril’s face as she venomously insults Albany and the deliberate, strongly evoked sadism of Regan in the scene when Gloucester’s eyes are put out are used to represent the extreme side of evil. Blessed contrasts these with tight close-ups of Edgar’s face after the “suicide” scene at Dover, showing the love and pity of son for father and the gentle persistence of Kent’s behaviour towards Lear in…
This playright of two star crossed lovers leads to a tragic ending between lovers of disparate families. Whose fault remains Friar Laurence’s for the death of Romeo and Juliet. Friar got too involved with their relationship and made more than three wrong choices for the couple. thought he was helping them out but he was just making it worse. There was also a family feud between the Montague’s and Capulet’s which would make things worse if they found out what Friar was doing for Romeo and Juliet. They would all be executed or banished for choosing love before family and disobeying their parents. Lord Capulet also wants Juliet to marry Paris. Which causes division in the situation because Juliet wants to marry Romeo and not Paris.…
In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate and have control over social order. Mariane's strong obedience to her father (Orgon) supports the Neo-Classical element that the individual is not as important as society. Moliere discusses logic and reasoning by blindfolding Orgon to the reality of Tartuffe's intentions that causes him to make dumb decisions. In the process, Orgon disregard's his family when told of Tartuffe's intentions. After Tartuffe cons Orgon into believing that Damis's accusation is false Orgon replies, "I know your motives, I now you wish him ill:/Yes, all of you - wife, children, servants, all - /Conspire against him and desire his fall." (Moliere 341-342,46-48) Orgon then excommunicates his own son, indicating that his reasoning is deferred due to his ignorance. This in due course challenges the Neo-Classical belief that logic and reasoning is more important than emotion because Orgon acts solely on his emotions. He feels as if his family has turned against his friend so he operates upon his feelings. When Damis returns home and Tartuffe (instead of Orgon) gets locked up, order is restored. At the end, the family commends the officer for apprehending the true criminal by saying, "Heaven be praised! / We're safe.…
If it were that Antigone was passionate about something trivial, the dramatic fear and urgency would be lost. Antigone’s surreal draw to remaining loyal to her family is what designs the play and is what sets it aflame. Passion generally has a positive connotation; nevertheless, Antigone’s downfall stems off her perseverance. With the help of fate, passion was her noose.…
The play focuses on the exploration of romanticism and the pursuit of love. The story revolves around the upcoming marriage between Duke Theseus and Hippolyta, Queen of the Amazons. The Duke is approached by a man named Egeus who is in complaint of his daughter’s choice of men. He wishes that his daughter, Hermia, will marry Demetrius in which she declines. She is in love with Lysander and proclaims “O hell, to choose love by another’s eyes” (Shakespeare 1659). The Duke gives Hermia an ultimatum to either marry Demetrius or accept the penalty. The penalty is “Either to die the death” or “To live a barren sister all your life” (1657). Hermia and Lysander make plans to run off and get married. Hermia’s friend, Helena, comes into the picture. Helena is in love with Demetrius, but he is not in love with her. Helena tells Demetrius the plan of the elopement in an attempt for him to fall in love with her. While this is happening, a group of craftsmen are putting together a play for the Duke’s wedding. This comes into play because they are practicing in the woods where Hermia and Lysander are waiting to run off to get married. Also in the woods are the Fairy King, Oberon, and Queen, Titania. The fairies have a magic love dust works when sprinkled in one’s eyes. When the person awakes, they fall in love with the first thing they see. The play continues with Lysander and Hermia in the woods with…
In Tartuffe, a play by Moliere, one of the main characters named Orgon brings in a hypocrite named Tartuffe, who is the antagonist of the play, into his household. Tartuffe pretends to be very religious and Orgon falls for his act. The scene I am selecting consists of Cleante, Organs’ brother-in-law, trying to convince Orgon of Tartuffe’s deceit . Cleante, in a secondary role in the play, is actually a strong character who voices reason to stabilize the conflicts of other individuals in the household. He is very contemplative and rational throughout his conversation with Orgon.…
The tragic act of violation and large capacities for suffering are shown throughout this story. These elements are part of what make Antigone a tragedy and are manifested well.…
Internal conflict in the play helps us understand character motivations and decisions. Their decisions drive to the plot, and the audience feels tension waiting for outcomes of decisions. Conflict is the secret ingredient to the drama it really pulls in the viewer to create suspicion and help them understand the character and the plot more. One such internal conflict is when Juliet debates with herself to whether take the potion or not. Friar Laurence gives Juliet a potion to make her fall asleep and slow down her heart rate as if she’s dead to cancel the wedding with her and Paris so she can be with her beloved Romeo. But she has thoughts that she will see…
a) The opening Act of King Lear evidently portrays Lear’s downward movement as it coincides with Aristotle’s structure of Greek tragedy. The play begins with Lear, a hero of noble birth and ruler of Britain, in an ordered society soon to be disrupted by a fatal flaw that is the result of his excessive pride. His journey from the ordered to the disordered world becomes apparent after he hands his land over to his two elder daughters and banishes his youngest daughter Cordelia from the kingdom. The initial situation began when Lear asks Cordelia, “What can you say to draw / A third more opulent than your sisters?” (I i 87-88), in which she answers “Nothing, my lord” (I i 89). This demonstrates Lear’s arrogance and triggers the rash decision he makes that would greatly impact the tragic events that follow. At the end of the scene, his two elder daughters immediately work to conspire against him so that he would be left with no power at all. Goneril says to Regan that they “must do something, and i’ th’ heat” (I ii 311). This foreshadows Lear’s impending downward movement and begins the reversal of his fortunes as things go from bad to worse. Lear’s recognition of the truth and the existence of his tragic circumstance becomes slightly clear to him when he wonders whether he has lost his mind and cries out “O let me not be mad, not mad, sweet heaven!” (I v 46). Act I leaves off at this stage where Lear is about to suffer tremendously before further stages of recognition, retribution, and restitution occur later in the play.…
The tragic heroines Antigone and Juliet share characteristics that delineate their personal dispositions and the qualities that all tragic heroines share as well. In the play Romeo and Juliet, a young girl named Juliet defies the will and regulations of her parents when she falls in love with a young boy names Romeo. Their love is forbidden because they come from rivaling families. Many unfortunate events occur including the death families and friends; due to the forbidden love, Romeo and Juliet result to suicide to freely love each other without the burden of a family name. In the play Antigone, a young girl, Antigone, feels obligated to bury her brother Polyneices knowing lucidly the penalties that will occur; her rash decision to entomb her brother comes from moral respect and the laws of the gods. When Antigone learns that both of her brothers are dead, she soon discovers of the injustice choices that King Creon, her uncle who has inherited the throne of Thebes, has decided by banning the burial of Polyneices. Antigone defies the law, buries her brother, and, as a result, is caught. When Creon locks her away, she kills herself. Both Juliet and Antigone share vital traits that identify themselves as unique tragic heroines. The traits that Juliet and Antigone display throughout Romeo and Juliet and Antigone include being honorable, emotional, and secretive.…
The play exemplifies the love that a family can protect each other with, and how this can connect an audience to the characters. Antigone’s love and respect for her brother was unlike any other character in an ordinary story. Her sacrifice of her life for her family makes her a true tragic hero, especially because she does not hesitate to bury her brother’s body. The emotions of fear, love, pity, and more are aroused from the play and entice the reader further into the story. Antigone is a true classic example of tragedy, and the tragic qualities found in this play can assist the audience in analyzing other tragedies as…
The plays most obvious display of mimetic rivalry is displayed between the two sisters Goneriel and Regan. Both sisters are in constant pursuit to obtain affection from King Lear, as they both have their own ulterior motives. Poor Cordelia, daughter who is portrayed in the play as being “honest” and “heroic” is first to fall victim to the mimetic rivalry. Not in the sense of participating in the mimetic behavior, but as an…