This is a very elegant looking gown. It consists of mainly different shades of purples. The bodice of the gown consists of a layer of tightly attached silk, covered in jewels and rhinestones. The top of the bodice has a bow shaped pattern attached. This draws your eyes to the top of the bodice. By having the bow on the top of the bodice the same material as the bottom of the gown, it shows how the designer has reused used materials in an effective way. The bottom of the gown is made of a purple shade of silk. Alex Perry has designed the bottom of this dress so that the layers are given with a multiple layering effect; make the gown look ‘fuller’. This photo has been taken with the layers…
The mask simulates a face of a person using orange cut out eye holes, and orange eyes and mouth. Around the face is many little beads sewed to the black cloth to symbolize wealth during this time period because these beads were hard to get at this time. The part of the costume that grabs the viewer’s attention the most is the large circular ears that stick out from the mask. The ears are not proportional to the body which gives the piece animal like characteristics. A brown tunic hangs from the shoulders of the costume all the way to the feet.…
The six dancers move in unison working together to again prove that this work requires everyone’s help, Duato choreographs the dancers to move into a canon working in a linear pattern across the stage to reinforce the work that needs to be done in the fields and how it takes ‘all hands’ to complete this arduous task. The group then pairs up and begins to work in male/female duos. Each duo represents different ages of the group. Starting with the older, more respected elders of the community, their movement is very tender, supportive and loving towards each other. The man lifts the woman tenderly and shows what would be a lifetime of love and support. Their costumes are similar in colour and simplistic in nature to show they are a paired couple and to…
In this piece, the colours black and red seem to represent love, passion, anger and aggressiveness. With these costumes, the women have red in their dresses so they have no way of getting rid of it. They are all dressed identically because it represents the way men used to see women; all the same as if they were only objects. The men are all dressed in different colours to show that they are all unique in some way, making them superior to the females.…
Choreographers always have an intention for their dance works, but can a dance work be complete without the aural setting to communicate the dance intention?…
Three dancers wore not like professional dance-wear by Reid Batrthelme and Harriet Taub. They wore like practice clothes that easy to dance movement. However, the outfits made a great effect and fanciful. The flow of…
Dancers in this play used many different forms of dance, using props, having a partner, or dancing in unison with a group. The movements in their choreography were very large, incorporating the whole body, generally performed in a sensual or risqué fashion. I was familiar with a few of the steps they included in their choreography, specifically grand battements, attitude leg swings, pique turns, and pas de bourrees. The dancers, similar to teaching from our class, always had a very elongated neck, standing tall, and pointing their toes. I believe that this makes for a very confident look when on stage performing and noticed this stance in the other actors as well.…
The dancers extended their legs with pointed toes, progressing with every step; they landed in fast, fluid motions. The partners engaged in old fashioned partner dances, circling around each other. Their facial expressions of love…
The use of colors, geometrics shapes, cones, feathers and other material make the outfit unique for both men and women. Moreover, I noticed that these outfits are designed in way that allows the dancers to move freely and perform their dances at ease. No matter how sophisticated the dance is, the dancers managed to preform it in a perfect manner.…
For instance, most of the teenagers in the show are dressed in very modern edgy clothing while the adults looked more traditional. The teenagers wore mostly dark rebellious colors such as black and red that looked like punk modern fashion, they wore had fishnet stockings, shorts and other articles of clothing that would certainly be inappropriate to the deeply religious culture they were part of in the musical. Most of the adult characters wore muted colors such as navy blue and black and very traditional articles of clothing such as long dresses for the females and dressy suits for the males. This creates the first layer of contrast between the two generations but there are also differences within them. From the teenagers Wendla and Melchior were dressed differently than the others although not traditional like the adults. Wendla is always dressed in white which is a sign of her innate purity and naivety. Her limited experience with all kinds of adult issues is evident as she couldn’t understand her friend Martha's abuse or that sex is what leads to pregnancy. Out of all the teenagers in the play she is perhaps the most inexperienced and that’s why she is highlighted by dressing starkly different from the others. Melchior’s costume is sleek and has light colors such as nude and baby blue that highlight the goodness of his character. He stands up for the ideas that are wrong with the church and even confronts his teacher trying to help his best friend Moritz. As for the adults Samantha Kennedy made sure to emphasize Martha’s abusive father and the man that performed Wendla’s abortion by making them be dressed in less formal dirty raggedy clothes that made me see they were sleazy people and omens of bad things to happen. The idea of blunt costume styles to differentiate the different…
Clothes appear to have significant meaning in The Awakening, enough so that they are mentioned at almost every description of the characters. Edna Pontellier starts the novel fully dressed and appropriately dressed for a woman of her responsibilities, however, at her final moment, she is naked on the beach. Other women in the story also represent their ‘position’ and the way they feel in the way they dress. For example, Madmoiselle Reisz never changes her clothes. This could possibly symbolize her physical detachment from anything around her, including nature and any suppressed feelings. In contrast, Edna’s clothes represent her physical attachment to society. She sheds her clothes the way a snake sheds its skin when it is time for a new one and it does not fit into the old one any longer. Edna doesn’t feel like she can fit into society any longer. Madmoiselle Reisz, on the other hand, does not seem to have any desire to be more than what she has been given in the society in which she lives. Therefore, she does not change her clothes, because she does not feel the need for change in her life. Other characters, such as Madame Leburn always have new clothes to cover their bodies. This could, perhaps, represent the constant need to cover their sexuality as women in suppressed roles as wives and mothers. Ednas’ nakedness at the end of the novel symbolizes her freedom from any claims her children may have on her and shows how her lack of clothes is equal to her lack of ‘responsibility’, of her family and the 1890s’ society.…
Hustvedt used her experience in wearing a corset as part of her wardrobe as an extra in a movie she was part of, to elaborate on the factors that fashion plays in society. Fashion is used to distinguish feminine and masculine, define social status and express one’s desired image.…
The purpose of the first act was to adequately and immediately connect the audience to the familiar characters that they were seeing. In order to do this, the characters needed to be recognizable to their historical background in order to be consistent with what each spectator will be expecting. This is where costume design becomes very influential, if these characters were dressed in a way that did not align with how they are known, then it would completely change the artistic experience and the way these characters would have to be portrayed. The theme expressed by the costumes design by Patrick Holt is one of childhood innocence. These characters are familiar to the entire audience; whether it be Little Red Riding Hood or Cinderella it is important that the audience sees it this same way. The point of the costume design was to respect the time period that the story is set but also have them be recognizable as Fairy Tale characters. Through the raggedy and loose clothing of the boys and the nice proper dresses of the girls, the timeline is accurate. This factor along with…
1. He described their outfits because their pictures were posted in a lot of newspapers. In the pictures they didn’t look too bad, what the author was mostly concerned is that they both threw the ball “like a girl”. I think the author would expect them to dress different for a big ceremony like that so it may also be one of the reasons why he described their outfits.…
While watching the "Prologue" and the "Jet Song" I could see and feel a lot of energy and stealth in the dance. The way that the Jets moved in their dance fast, but they were very light on their feet. The choreography kept me on the edge of my seat because I did not know what was going to happen next, it was a great start for the show. The next big number of the show was the "Gym Dance", which was where the Jets and the Sharks were at their school dance. It was very intriguing to watch the variation of movement between the dance the the Sharks would do and the Jets. Because the Sharks were from Puerto Rico there was a lot of latin style to the choreography. The Jets did a dance that was a more popular "American" style dance at that time, it was not as energetic as the Sharks dance was, but still had a lot of variation in the style. Because there were so many people on stage in this scene it was a little difficult to see exactly what everyone was doing. The dance looked messy at times because of the number of people on stage, but it was still a good dance. Another aspect of this piece was the difference in costumes, the women who were with the Jets had on costumes that were a fitted dress and went down to about…