Within the core of every text lies a set of distinctive ideas. Well-known Australian poet, John Foulcher, composes poetry that explores the underlying violence he finds in all levels of nature. The reality of nature is beautiful yet at the same time has a cruel and savage underbelly. Foulcher’s poem ‘Loch Ard Gorge’ distinctly exposes ideas and images communicating the fragile balance between places and the natural world, as well as the passions that reside within us all. ‘For the Fire’ captures the same notion as well as the idea that life works as a cycle in which humans are involved, and similarly ‘Summer Rain’. The distinctive ideas found in the heart of all texts allow responders to gain insight and understanding of themselves, others and the wider world.…
The concept of belonging to a place has been shown through Billy’s perspective in the poem ‘Longlands Road’, it has shaped his identity as well as given him a reason to hate the place he grew up in drawing a lack of connection to his father. Billy tells the readers how much he hates the town he lives in and feels that he doesn’t belong “deadbeat no-hoper shithole lonely downtrodden house in Longlands Road, Nowheresville.” By the use adjectives, negative tone and expletives it shows Billy’s resentment he has towards his home town as well as suggesting negative experiences he’s encountered. Billy feels he doesn’t belong and even though there’s a sense of history, it has been a negative experience and has urged him to leave. At the start of the poem Billy describes that the house “this place has never looked so rundown and beat” showing the physical degradation of the house not being looked after symbolising the way Billy wasn’t looked after. Furthermore, suggesting that he doesn’t belong or have a positive connection to Longlands Road. By Billy’s actions of throwing rocks onto the roofs of the houses in Longlands Road additionally adds his negative attitude he has towards his street and the rest of the place situated in it. The increase of negative diction in the quote “I throw one rock on the roof” highlights his…
In his introduction, Sykes compares Phoenix Jackson with the blind prophet in T.S. Eliot 's epic poem “The Waste Land.” He notes that Tiresias “serves as a medium through which characters can transform themselves, a character who links both past events and future occurrences” for Eliot. He goes on to explain that Jackson herself is somewhat of a “blind seer of sorts” and through her, and the journey she must make, Welty illustrates the theme of “impending black equality and amalgamation in the South after the Civil War.” Sykes asserts that Phoenix Jackson 's thoughts and perceptions, along with her encounters with others along the way help to mirror the “Southern black 's transformation from slave to citizen.”…
One of the other main ideas that Robert Gray discusses is the accumulation of unrenewable waste that is damaging our natural world. He illustrates this uncomforting tone through “the tons of rotten newspaper and great cods of cloth “The image resembles a scene of undigested food which is unsettling and created a sense of urgency within us to change as it is directly relatable to us. The amount of wasted material is seen in the line “a landscape of tin cans”. Landscape is linked to natural scenes as tin cans are man-made therefore irony is created. This line shows the vastness ad the staggering amounts of the tin cans produced by metaphorically calling it a landscape. The image of the man cutting out a slice of the tree emphasises that we create masses of waste just to get the things…
Gray explores humanity’s blindness towards society’s corruption and lack reflection of the consequences brought upon by urbanization. The aesthetic of myopia is used as a reoccurring motif across the whole poem to carry out the allusion of blindness and lack of clarity and reflection. “ now the distant buildings are stencilled in the smoke.” The smoke alludes to pollution, lack of slight and clarity, Creating an unclear and hazy image of man-made infustructures, suggests that the pollution created by humanity is covering our own view of human society and civilisation’s greed and selfishness enabling us to see the truth in the situation and cause a lack of enlightenment.…
In the fourth stanza the poet describes what lies beneath the ocean. People look at nature as being beautiful but Foulcher’s uses the adjective ‘savage’ to describe the fish in the ocean as a symbol of aggression. The writer describes the depths of the ocean as ‘dark’ as well as the instinctive behaviour of the fish. The line ‘savage dark fish’ is a short intense line that creates a threating rhythm; this line is a strong symbol of people’s fear of the danger that exists in nature.…
The impact of a discovery can be far reaching and transformative for an individual and a broader society. As conveyed in Robert Gray’s poem, “Flames and Dangling Wire”, the audience is invited to discover both the grim experiences at a rubbish dump and in turn uncover the frightful vision of carelessness and environmental degradation in our world. From stanza one, we as an audience are presented with an the visual imagery of an ever burning rubbish dump. As a society, we are lead to believe that harsh environmental impacts are out of our reach, due to the far distance between us and the problem. From this oblivious mindset, we are often provoked to ignore the negative connotations, that we as humans are having on our earth, from simply being swept up in a daze of ignorance. From stanza one, we are introduced to see our world through a different perspective. We are placed mid action, in a scene where the protagonist is driving to a rubbish dump from the concrete jungle city. The protagonist is in turn, travelling from the familiar into the unfamiliar over the metaphorical border, which in turn enables him to rediscover and discover aspects of himself and in turn his surroundings. From stanza one, we are presented with an image of the distance between the rubbish dump always burning and the city, “driven like stakes into the earth..behind us”. This portraying that our waste is not in foreign locations, but in turn closer than we ever dare thought, like a predator slowly crawling towards its prey. In stanza 2, we are confronted with visual imagery of “Fog over the hot sun”. Unclear, and unable to see our true source of light, Gray references both our destruction of natural elements in life and in turn the suspension in horror films, where the moon is blanketed by a heap of clouds, to allow the true monsters to come out in the dark of night.…
In the first phase of the experiment, the 25 ml Pipette is used to measure the volume and mass of the solution. Another beaker was in grams. Pipette was used to measure 25ml of regular Sprite. The solution was drawn the beaker and its mass was measured on the electronic balance. Mass of the solution was then calculated by subtracting beaker's weight and beaker with solution's weight.…
At the beginning of the poem, there is a use of cacophonic sounds of “branching vines.” “Burred faintly belching bogs” are used to describe the ugly sounds of the swamp as the character takes a step forward; which only add more to the misery and struggle of the speaker. The repetition of the word “Here” is also very unique because it is emphasizing the location of where the character is being tortured by having to walk into this swamp of misery and struggle. There is another sound the speaker describes “that sink silently on to the black slack earthsoup” (lines 20-22). This diction considered as imagery, because it is making a comparison between the swamp and earthsoup.…
The entirety of the poem is a metaphor of a man's crisis in life. The first part of the poem, or until "into the black, slack," is dark. This portion depicts the darkness's of life, such as death and the hard ships. The third stanza mentions " here/ is struggle, / closure --/ pathless, seamless / peerless mud "which is a reference to life. Life is full of struggles like the struggles one would have trying to cross a swamp. There is no clear path or a person aiding you while you cross the mode, as there is no one to help you through the "hipholes, hammocks" in life. The mans' " bones / knock together at the pale / joints " which shows that the man's struggles in life have been long and tedious. The struggle has been so lengthy that it has even begun to wear on the bones and joints in his body. Imagery is used to give the readers feeling of disgust and sorrow. Words such as "mud," "dark blurred / faintly belching bogs" give a negative connotation and make people think of darkness, specifically, the darkness's in life.…
Susan Signe Morrison’s essay titled “Waste Aesthetics: Form as Restitution” is an example filled article that argues that literature plays a huge impact on the way in which we see waste. Morrison begins with explaining that in society, waste is seen as the “Other” therefore suggesting that waste has become something that humans don’t associate with, creating the idea that there is no connection. But, Morrison introduces the concept that no matter how hard we try, there will always be a connection between “us” and the Other. She determines that literature will help us in seeing this connection; “Literature enables culture to acknowledge what it has to deny” (Morrison, 464), through both a material sense and a metaphorical sense. The materiality…
As i read the chapters from American Wasteland by Jonathan Bloom and uses phrases in order to get his message across to the readers such as culture of waste, redistribution, and food insecurity. The author reflects on these phrases to discuss and argue his message. Bloom was successful in getting his message across and i will explain how.…
3. "Miller owns this field, Locke that, and Manning the woodland behind.” Unlike everyday humans eyes sees the world, Poets see the world with other eyes beyond the physical of an…
Laurence’s essay evokes the feeling of pride and compassion for the home that I live in because it reminds me that this is the area that I grew up in and is the first place that I can ever truly call my home. Her essay also reconstructs memories of the familiarities that I see on a day-to-day basis. Laurence also recognizes that “the oddities of [her] place were endless” (Laurence 329). This idea that “all of us cast stones in one shape or another”, touches me most because it reminds me that everyone is…
The media is an integral part of mankind’s history and progression. It has undoubtedly played a large role in influencing society, for better or for worse. Therefore, I qualify Newton Minow’s “Vast Wasteland” (May 1961) that “The power of instantaneous sight and sound…has limitless capabilities for good-and for evil.”…