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Internet Piracy and the Music Industries Business Model - Research Project

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Internet Piracy and the Music Industries Business Model - Research Project
Research Project:
The Music Industry’s dramatic business model change from physical sales to digital downloads, how much the record labels are affected by internet piracy and how to regulate it.
Information Discovery, Analysis and Interpretation

Contents Page Page

1. Executive Summery 3

2. Scope of Report 4

3. Overview 5 4.1 The Definition of Internet Piracy and the Damage it causes 5 4.2 The Decline of Physical Sales and the Rise of Digital Downloads 6-7 4. Research Methodology 8 5.3 Data Collation 8 5.4 Data Interpretation and Calculation 9 5. Findings 10 6.5 Assessing Internet Piracy and comparing physical sales to digital downloads 10-11 6.6 How Much Internet Piracy Damages the Music Industry and the Economy 12 6.7 The Factors that contributed to EMI’s near demise, and savior 13-14 6.8 A Comparative View of the Entertainment industry 14-15 6. Conclusions/recommendations 16

7. Appendix



References: Institute for Policy Innovation (2007) Policy Report 188, “the True Cost of Sound Recording Piracy to the U.S. Economy”, 2007 The Recording Industry Association of America (2012) “Piracy Online” International Federation of the Phonographic Industry (2011) “Digital Music Report 2011” Hui, Kai-Lung, and I.P.L Entertainment Retailers Association (2011) Yearbook 2011, “Distribution of Recorded Music Retail Revenue” Maltby Capital Ltd, Annual Review (2009) “EMI Acquisition & Financial Overview 2008/2009” Maltby Capital Ltd, Annual Review (2010) “EMI Financial Overview” Anon (2000), Napster shut down Terra Firma (2010) “Annual Review” Terra Firma (2011)“Annual Review” Richard Cooper (2012) Information Handling Services “Latest Industry Trends”, BSAC Film Conference British Video Association (2011) “BVA Annual Yearbook 2011” CitiGroup, (2011) “Annual Report 2010/2011” Ofcom UK (2012) “fixed-line broadband performance”, Feb 2012 Beats (2011) “HTC and Beats Press Release, 2011”

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