Moreover, it aims to reveal the consequences of the stigma associated with depression and those suffering from it. Divided into two ‘worlds’, the black on the right represents the loneliness and gloom that often accompany depression. It symbolises death in the form of self destruction, with the darkness and solidity of the colour signifying a distinct barrier and segregation from the ‘outside world’ resulting from the stigma. The grey prison bars behind which the figure sits portray the idea of institutionalisation, and the way in which it traps those suffering from depression, disabling them from reaching happiness and freedom, namely, the yellow side. Evidently, the yellow side is in open space, signifying a life that allows self-governance, unlike life in a total institution (i.e. psychiatric hospital). The painting also incorporates three stick figures, with two that are sitting in opposing sides of the canvas, pulling the figure in the middle by a rope to their sides; either to happiness (yellow), or depression (black). It can be seen that the limbs of the middle figure are reaching out towards the yellow area, however, their body is distinctly towards the black side. This signifies the desire of depression sufferers to reach contentment, but the inability of their mind and body to do so.…