clothes, however, also show signs of decomposition and ware. The mirror that Ida is holding represents the longing for beauty and the vanity that has enveloped her.
Instead of living life to its fullest she has spent her time trying to reinvent the past. She is so concerned about her beauty that she lost the time that she had in efforts trying to make herself younger. Even with all the hopelessness that is presented she seems to have the drive to continue on the path she has chosen to travel with a refusal to give up. Albright seems to be presenting the idea that humans are susceptible to weakness and shortcomings. Humans constantly want things that they cannot obtain. Ivan observes that many people are vain; they are more concerned about their outward appearance that what is on the inside also begins to be distorted. Using the mirror as a symbol Ivan magnifies her inner desire for
beauty. Ivan surrounded Ida with many everyday objects that can be used as symbols of decay and short-lived beauty. The dresser that serves as Ida's vanity is covered in many of these objects. A burning cigarette on the back side of the table is shown and is slowing burning out. There is a vase filled with flowers that are beginning to wilt and die. Along with these items are crumpled dollar bills and other representations such as the comb with hair in it that have fallen out from combing her hair. These items are all things with a short term life span. They will not last forever, each will eventually waste away. Ivan Albright made use of the minutest detail to reveal this theme. In conclusion, Ivan Albright uses his painting, Into the World There Came a Soul Called Ida, to show the weaknesses and vulnerability that humans possess. Albright uses even the smallest factors to portray his take on what it means to be human. He sees that humans will all age and eventually pass on. A woman's vanity is the symbol that Ivan has chosen to use to show that worldly thing will not last forever. Beauty is short-lived and dieing is unavoidable. Ivan Albright took three main objects in his painting to represent this: the woman Ida, the mirror she is holding, and the dresser which serves as her vanity.