The song consists of singing the praises of Gaston, his appearance and his accomplishments, such as his extraordinary strength and size (Woolverton et al.). By dedicating a whole musical number to this, he showed the audience how self-absorbed his character is and that he has reached an excessive level of pride. In the movie, Gaston and Belle have a little interaction, which Belle couldn't be more eager to leave from. She proceeds to run home and later, while conversing with her father, Gaston comes up to the conversation's topic. Belle states, "He's handsome all right, and rude and conceited and...Oh Papa, he's not for me! (Woolverton et al.)" Even with the limited interaction Belle had with Gaston, she was able to catch his true personality. This demonstrates that Gaston's vanity is very prominent and undeniable. Gaston proves times and again his true self-absorbed, vain, conceited personality, but even though he has an inflated self-importance, he may not be truly
The song consists of singing the praises of Gaston, his appearance and his accomplishments, such as his extraordinary strength and size (Woolverton et al.). By dedicating a whole musical number to this, he showed the audience how self-absorbed his character is and that he has reached an excessive level of pride. In the movie, Gaston and Belle have a little interaction, which Belle couldn't be more eager to leave from. She proceeds to run home and later, while conversing with her father, Gaston comes up to the conversation's topic. Belle states, "He's handsome all right, and rude and conceited and...Oh Papa, he's not for me! (Woolverton et al.)" Even with the limited interaction Belle had with Gaston, she was able to catch his true personality. This demonstrates that Gaston's vanity is very prominent and undeniable. Gaston proves times and again his true self-absorbed, vain, conceited personality, but even though he has an inflated self-importance, he may not be truly