“The four major soliloquies in Hamlet are cunningly set, one in each of the first four acts, so that each replaces and displaces action, until in Act V the soliloquy disappears, and Hamlet kills the King. Language - those words, words, words - is in itself a delaying tactic, as Hamlet himself repeatedly …show more content…
Once the relationship between playwright and audience seemed sincere, before a decade of grinding out performances and seeing his work misinterpreted and misunderstood. Hamlet dismisses Rosencrantz, Shakespeare hurries to dismiss the audience’s role in his play, but only through the death of the vassal characters does the Bard’s true conclusion about the audience’s role come to light. When speaking of the issue of Rosencrantz and Guildenstern’s death to Horatio, Hamlet states that the concern “will be short.../A man’s life’s no more than to say ‘one’” (Shakespeare 5.2.83-84). Essentially, while the meaning and proper performance of his plays will occur during his lifetime in which he can dictate and weigh in on, Shakespeare realizes his life is only one and his works will transcend his life. More importantly to the play, Hamlet’s final dismissal of the vassal characters marks the transition of no longer needing vassal