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Is the Importance of Being Earnest a Satirical Play?

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Is the Importance of Being Earnest a Satirical Play?
‘It’s tone is that of satire, but of a satire which, for lack of a moral point of view, has lost its sting’ (Edouard Roditi)
To what extent do you agree with this response to the play?
By Molly Campbell

With the definition of a satire being, ‘the use of humour, irony, exaggeration, or ridicule to expose and criticize people’s stupidity’, it is ludicrous to even propose that The Importance of Being Earnest is anything other than a satirical play, as the characters relishing in the upper class of the Victorian period unknowingly mock their own habits acquired to them due to the luxury they are spoilt with. Despite this, it is evident that the use of satire is feckless and lacks a moral point of view, in contrast with the moral point expressed through satire in other Victorian plays such as Mrs Warren’s Profession, which ‘exposes the corruption and hypocrisy of the ‘‘genteel’’ class’. Ergo, we acknowledge that the play is an ‘invention of a truly serious work of triviality has neither ancestors nor descendants’ and was unique to its genre at that period of time, yet the frivolousness of the plot results in ‘the audience freely and genuinely laughs without quite being sure what it is laughing at’ – hence The Importance of Being Earnest is indisputably satirical, but a satire that has lost its sting. Lady Bracknell’s view of marriage is expressed through her account of visiting Lady Harbury, ‘I hadn’t been there since her poor husband’s death. I never saw a woman so altered; she looks quite twenty years younger’; she implies marriage is a burden and that life is only regained once freedom from marriage is embraced. Such opinions are heavily satirical and ironic as Lady Bracknell is herself married, and so by praising the widower she mocks herself. It is evident from this that Wilde is ridiculing the epitomes of the upper class and their absurd attitudes to marriage, however the ‘ridiculousness of portrayed by Wilde in the play, especially when the

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