| | |Reed placed her in a seldom visited room. It was as if her |…
Bronte demonstrates her stance on feminism by creating characters that defy the stereotypical ideal woman during the Victorian era. Jane’s characterization opposed many desired virtues of the Victorian era because the ideal woman at the time was docile and selflessly devoted to her family as demonstrated in Patmore’s poem which reads, “ Man must be pleased, but him to please/ Is woman’s pleasure.” (Document E) As opposed to the character of Jane Eyre portrayed as a strong, stubborn woman who isn’t afraid to speak her mind and has control of her own choices. Since she has no familial male figures present in her life, Jane has the opportunity to make autonomous decisions on what she wants, contradicting the standard rule of male ownership of…
She doesn’t want to condemn Rochester to further misery, and a voice within her asks, “Who in the world cares for you?” Jane wonders how she could ever find another man who values her the way Rochester does, and whether, after a life of loneliness and neglect, she should leave the first man who has ever loved her. Yet her conscience tells her that she will respect herself all the more if she bears her suffering alone and does what she believes to be right. She tells Rochester that she must go, but she kisses his cheek and prays aloud for God to bless him as she departs. That night, Jane has a dream in which her mother tells her to flee temptation. She grabs her purse, sneaks down the stairs, and leaves…
“A busy vibrant, goal-oriented woman is so much attractive than a woman who waits around for a man to validate her existence” (Hale). One such woman, author Jenna Price, wrote “Marry down: why more women are doing it,” published in 2017 in the Sydney Morning Herald, and she argues ” it is a truth universally acknowledged that a single woman in possession of a good fortune must be in want of a husband”. The author raises some interesting points, but her argument has several fundamental problems: Price begins building her argument with personal facts and sources, using rhetorical appeals.…
Victorian mores are the unspoken rules known and observed by society. In the eighteen-hundreds several mores were very important including justice, Christianity, high standards of honesty and morality, and women’s roles. All good people are part of a family, a Christian family and women are to serve men as they stand unequal to them. Marriage is simply a tool to gain more money and connections, and only people of the same social class are worthy of each other. Whichever social class someone is born into they remain in unless of course they are rich or beautiful, the poor and plain are simply there to be the butlers, maids and governesses of those who are high up. Several of these mores are demonstrated and contradicted in Charlotte Bronte’s 1847 masterpiece Jane Eyre. Jane Eyre is the life story of a young heroin that faces incredible odds and terrible situations and still manages to follow her heart and morals through an exciting life that leads her to a blissful ending. Charlotte Bronte uses her narrative to display several of the Victorian mores and demonstrate why they’re important, and alternately disprove the significance of others.…
Though Blanche, from Jane Eyre by Charlotte Brontë, thinks that opposites attract and thus that she will marry Rochester, Brontë has different ideas about foils. Near the end of the novel Jane marries Rochester effectively quieting Blanche’s ideas. However, Brontë does use foils in the novel for a different reason. She uses characters will opposite personalities to reveal more about them, and to keep the reader from overlooking many of the major characters’ traits. For instance, without Blanche, who is a foil of Jane, one may have thought Jane a simple and plain governess and nothing more. Similarly, without St. John the reader could have missed Rochester’s passionate side, or with no Mrs. Reed how supportive Miss Temple really is. Using foils, Brontë reveals more about the personalities of the major characters, and keeps the reader from overlooking many traits. One can see that Jane and Blanche are opposites from before they even meet. While Jane is rather plain and unattractive on the outside, Blanche is described as beautiful with, “the noble bust, the sloping shoulders, the graceful neck, the dark eyes and black ringlets” (183) Even Jane cannot deny that Blanche is beautiful. In addition, Blanche grows up in a rich noble family while Jane is an orphan who was sent to a lowly boarding school. The opposites do not stop at their looks and backgrounds, for even Jane and Blanche’s personalities are completely different. Jane is an independent, passionate, and respectful young woman, although she often seems very practical and rational. Blanche flaunts herself, gossips, talks about marriage, and can be very rude as shown when she says “she (Jane) looks too stupid for any game of the sort” (194). While Jane was in the room, Blanche speaks loudly and rudely of her without a second thought. In addition, Blanche only wants Rochester as her husband for his money, and for the title of a wife. She likes the fact that he is not handsome because as a…
Charlotte Brontë’s novel, Jane Eyre was produced in the Victorian era, when social elitism was in its prime and there was great segregation between the upper and lower estates. The former was composed of the clergy and nobility and was defined by wealth, privileges and lavish lifestyles. The middle class, conversely, were the most frustrated by the exclusiveness of the upper estate. Possessing skill, intelligence and assertiveness, they believed that rank and power should derive from talent and merit, rather than from noble birth. Through the demonisation and infliction of a tragic downfall upon “Master Reed”, Brontë condemns the life of pleasure and honour, the lifelong inactivity so heavily indulged by those born into the aristocracy. By characterising Mr Brocklehurst as excessively and hypocritically pious, Brontë highlights the upper clergyman’s propensity to masquerade as a great nobleman, rather than to exercise the competence and benevolence integral to his role. Finally, Brontë implements a love of “servitude” and disdain for a “still … doom”, as well as the ambiguous social position of a governess in her protagonist, Jane Eyre, rendering her an agent for the middle class’ philosophy on worthiness of privilege. Ultimately, Brontë’s Jane Eyre calls for the reformation of the Victorian social structure as the extremities involved in social elitism ignore the inherent needs of man.…
Throughout ’Pride and Prejudice’ Jane Austen conveys the theme of marriage of being of paramount importance. The first line of ‘Pride and Prejudice’ defines the main themes of Austen’s’ novel, as well as subtly giving the reader an insight of Austen’s views of marriage. Her use of hyperbole ‘That a man in possession of good fortune, must be in want of a wife’ hints at a somewhat mocking and ironic tone on Austen’s part, which indicates to the reader that Austen doesn’t agree with the general perception of marriage during her time.…
While reading this book, the reader may pity Jane. Charlotte Bronte creates a consistent thread until the end of the book. Jane struggles with the same problem throughout the work, which is betrayal. She deals with it a place that was supposed to be her home, school and the work place.…
She impedes Jane’s happiness and her union with Rochester, but she also catalyses the growth of Jane’s self-understanding (Jane’s double, her alter ego).…
This study guide is meant to serve as an outline for independent study for “The Odyssey” Unit Exam. The Exam will be fifty questions total and will include the following testing formats: multiple choice, True/False, one essay question and matching. Student will need a #2 Pencil for testing.…
In chapter XI, Jane explains her restlessness by describing how it is in human nature to find or create action. Jane’s unhappiness with her stagnation at Thornfield begins to wear her down, with no company of her own age or emotional/mental state to help absorb her heat. When the other people of thornfield are engaged in their own personal activities, Jane looks from the attic out towards the horizon longing for “a power of vision which might overpass that limit.” Jane wants to see more, she wants to be able to go into a world that is busy and full of life, somewhere that can tend to her flame instead of simply holding it. Agitation arises from within Jane when she is tranquil. Jane thinks to herself that “human beings” aren’t to be content with “tranquility”.…
Ellen DeGeneres, Oprah Winfrey, and Tyra Banks, modern-day renowned television celebrities, are examples of strong, independent women who influence and inspire many people. In Charlotte Bronte’s novel Jane Eyre, the main character of Jane is an orphaned girl who feels abused and neglected living with the Reed family. As the story progresses and she gets older, she makes friends such as Helen Burns, the girl she met at Lowood, and sheds her feelings of loneliness. As she befriends more people, she overcomes her hesitant tendencies and expresses herself openly. In the same way as the aforementioned celebrities, Jane develops into a strong and confidant woman who ends up falling in love with Mr. Rochester. Jane is initially lonely and doubtful but throughout the book her personality blossoms into one of confidence as she learns to stands up for herself. As a result, she becomes a strong and assertive woman who expresses her opinions candidly and grows to love Mr. Rochester.…
They both become financially independent women who need not rely on a man's income. Both Lucy Snowe and Jane Eyre, create themselves to be equal to their partners on account of their financial independence as a result of their education. In this respect, it is impossible to believe that any man in their lives would ever control these two women. Having stated this however, the endings of their narratives can hardly be described as happy ones. Rochester after the fire is blind, maimed and loses his impressive estate for Jane to become independent of needing him to support her. And as for Lucy and her happy ending, Paul disappears for three years, and the ambiguous ending leads the audience to believe that his is unlikely to return. By putting…
Jane Eyre by Charlotte Brontë and A Passage to India by E. M. Forster are novels that both hold beliefs and prejudices, religion and culture, agreements and disagreements, which resultantly connect and divide characters. The novels primarily focus on the characters, Jane Eyre and Mrs. Moore, who both, consciously and unconsciously affect the lives of the men (Mr. Rochester and Dr. Aziz) they involve themselves with. There are several other characters that play significant roles in the novel as well. The character role adaptations within the film versions though, deviate from the one’s within the novels. The director’s (Cary Fukunaga and David Lean) for the films attempt to follow the novel’s storyline, though particular scenes are depicted differently in order to induce visual audiences. However, the effect of changing the scenes makes it harder for these viewers to understand the characters in depth since they cannot grasp certain details that lay within the character’s mind. Scenes within the novel get substituted in the film with ones that seem more suitable and by doing this, the director’s accomplish an equally substantial storyline in comparison to the book. Although the director’s aimed to convey the message of the novels in the films realistically, they ended up making changes and resultantly portrayed it differently. Lean and Fukunaga both lost touch with true meaning behind the novels in their films.…