The various masculine-specific wording work to create a scene in which the audience feels Jane 's inferiority to Rochester during his rage, yet not to the point where she feels victimized.
Bronte 's use of harsh words such as “seize” and “devour” suggest that Rochester has complete control over Jane, seemingly both physically and emotionally. Physically, Jane notes his strength and her inability to resist his grip on her waist and arm, and noting her “strength almost exhausted” further implements this idea of Jane as a submissive woman. Having Jane notice his “stubble” and then fall powerless under him is a prime example of masculine power over women, seeing that facial hair is symbolic of the typical manly
man. The contrast of Rochester 's intense expression and mannerism lie in Jane, specifically in her ability to remain calm and try to read him in the midst of the tussle. Her regard for her soul suggests her independence and knowledge of herself, and with that turns to Rochester and attempts to understand the meaning of his actions towards her. Her wanting to look into his eyes and see into his soul also expresses her compassion and desire to find a solution. This is, although recognizing her unfeminine-like intelligence, has some semblance to the ideal Victorian woman who is mainly focused on peace and unity rather than independence and smarts. Furthermore, the scene not only depicts the struggle between genders for dominance, but the underlying passion between the two lovers. References to the “glow of a furnace” and usage of “fierce face” and “flaming glace” suggests that despite the struggle, Jane and Rochester share this mutual passion for one another underneath their fighting for dominance in their relationship.