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In the end it all resumes to the requirement that Mr. Rochester be “like” Jane, only then her fulfilment of passionate love will occure…
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Bronte demonstrates her stance on feminism by creating characters that defy the stereotypical ideal woman during the Victorian era. Jane’s characterization opposed many desired virtues of the Victorian era because the ideal woman at the time was docile and selflessly devoted to her family as demonstrated in Patmore’s poem which reads, “ Man must be pleased, but him to please/ Is woman’s pleasure.” (Document E) As opposed to the character of Jane Eyre portrayed as a strong, stubborn woman who isn’t afraid to speak her mind and has control of her own choices. Since she has no familial male figures present in her life, Jane has the opportunity to make autonomous decisions on what she wants, contradicting the standard rule of male ownership of…
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She doesn’t want to condemn Rochester to further misery, and a voice within her asks, “Who in the world cares for you?” Jane wonders how she could ever find another man who values her the way Rochester does, and whether, after a life of loneliness and neglect, she should leave the first man who has ever loved her. Yet her conscience tells her that she will respect herself all the more if she bears her suffering alone and does what she believes to be right. She tells Rochester that she must go, but she kisses his cheek and prays aloud for God to bless him as she departs. That night, Jane has a dream in which her mother tells her to flee temptation. She grabs her purse, sneaks down the stairs, and leaves…
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At Thornfield, Jane has finally found someone who loves and cherishes her fervently. Jane discovered that Mr. Rochester covered up his marital status and she felt betrayed and hurt by his deceit. After deciding unbendingly to leave Thornfield and Mr. Rochester behind, in this passage, Jane bids farewell to her master though Rochester continuously pleads for her to stay. From Rochester’s speech, he finally realizes that Jane is not going to yield to his wishes from her indomitable manner, but he still yearned for her to be by his side. Rochester passionately uses anaphora to emphasize that no matter how he implored Jane to stay, he vested no power over her. Besides Jane’s thirst for approval from others, another motif in the book is that she submits to no one and sacrifices her principles for nothing, such as her rejecting St. John’s proposal of marriage. Rochester juxtaposes the Jane that loved and treasured him to the Jane that repulsed and broke free of his love with an image of a “resolute, wild, free” and triumphant creature that refuses being controlled and held captive in its cage any longer. He also confessed that although he is the master of the house, he is not able to posses Jane’s self-willed soul. Jane’s character shines as she develops into a mature woman who dictates her own destiny. She would rather break free of Rochester’s…
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Jane expresses her desire to be with Rochester when she says, "I'll not leave you on my own accord" (Bronte 546). This is the first time in the novel that Jane expresses content with who she is with where she is living. Jane describes her marriage by saying, "I am my husband's life as fully as he is mine. No woman was ever nearer to her mate than I am" (Bronte 554). It is evident that Jane feels a close connection with Rochester, and this is one of the first times in her life that she does not feel isolated from everyone she is with.…
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Charlotte Brontë’s novel, Jane Eyre was produced in the Victorian era, when social elitism was in its prime and there was great segregation between the upper and lower estates. The former was composed of the clergy and nobility and was defined by wealth, privileges and lavish lifestyles. The middle class, conversely, were the most frustrated by the exclusiveness of the upper estate. Possessing skill, intelligence and assertiveness, they believed that rank and power should derive from talent and merit, rather than from noble birth. Through the demonisation and infliction of a tragic downfall upon “Master Reed”, Brontë condemns the life of pleasure and honour, the lifelong inactivity so heavily indulged by those born into the aristocracy. By characterising Mr Brocklehurst as excessively and hypocritically pious, Brontë highlights the upper clergyman’s propensity to masquerade as a great nobleman, rather than to exercise the competence and benevolence integral to his role. Finally, Brontë implements a love of “servitude” and disdain for a “still … doom”, as well as the ambiguous social position of a governess in her protagonist, Jane Eyre, rendering her an agent for the middle class’ philosophy on worthiness of privilege. Ultimately, Brontë’s Jane Eyre calls for the reformation of the Victorian social structure as the extremities involved in social elitism ignore the inherent needs of man.…
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While reading this book, the reader may pity Jane. Charlotte Bronte creates a consistent thread until the end of the book. Jane struggles with the same problem throughout the work, which is betrayal. She deals with it a place that was supposed to be her home, school and the work place.…
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We first encounter this relationship between Jane and Rochester during their first dramatic meeting. She encounters him when he falls off his horse and she is required to give him assistance. Jane’s first impression of his face is that ‘He had a dark face, with stern features and a heavy brow’. This may portray the dimness in his face awaiting to be enlightened by a woman which, in this case Jane. Further on in this chapter, unaware of who he is, on her return home, Jane is amazed to discover that the gentleman she assisted in the road was her employer, Mr. Edward Rochester. Jane’s future relationship with Rochester is most clearly set out in their first meeting. Although without any money, reserved and socially dependent, Jane is not afraid of this rather stern-looking man and approaches him confidently to offer her help. Rochester is given physical assistance and support, which is a target for the relationship that they may hold. In spite of her noticeable poor standard, Jane maintains the strength and power in relation to Rochester, the refusal to be dominated, which shows that she will always be the most dominating participant in this relationship.…
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Jane Eyre comes into a position to marry Edward Rochester when she receives her inheritance. Prior to the inheritance, Rochester saw her as a "dependent," who always did "her duty" (Bronte 282). Jane even refers to Rochester as "master" and makes note of the separation of "wealth, caste, custom" between them (Bronte 282). She refers to her love for him as unavoidable and beyond the bounds of class. Rochester proposes marriage to Jane and becomes intent on transforming her into his view of ideal beauty. She resists and tells him, "you…
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In particular, Jane’s conflict manifests itself in a romantic relationship between Jane and Mr. Edward Rochester, and with their eventual marriage, Jane resolves…
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Gothic novels were around from 1764 until about 1820 the gothic novels were said to have started with the castle of otranto by Horace warpole in 1764. Some features that can define a gothic novel are things such as terror, mystery, the supernatural, doom, death, decay, haunted buildings, ghost's, madness, hereditary problems and so on. Jane Eyre is not a gothic novel but it seems to have elements which are like that of a gothic novel.…
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One of the main things noticed when reading the novel, Jane Eyre, is how Jane puts men and woman on the same level; she sees them as equals. “Women are supposed to be calm generally: but women feel just as men feel…” (Bronte 111). Throughout the novel, Jane always strives for equality and was even willing to give up marriage to keep it so. As Jane builds a relationship with Mr. Rochester, she begins to fall for him and vice versa. But even when Mr. Rochester asks for her to become his dearly beloved, Jane refuses until she is certain that \he intends to marry her because his “equal is here, and [his] likeness”…
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It always comes back to the classics. Anyone old enough to live during a time where a certain culture was at its peak will always be the first to tell everyone about it. Whether it be music, film, or literature, the classic pieces are always the trailblazers. When one thinks of modern classics in terms of novels, a few names come to mind. Infinite Jest, House of Leaves, or even Alan Moore’s Watchmen have all made a significant impact on the world of literature. Nearly every piece of modern art takes from their predecessors. For example, Hamlet is the story of a prince who tries to avenge the death of his father, killed by his own brother for the throne. This sounds very similar to the plot of Disney’s The Lion King, a movie that…
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Bronte's Jane Eyre is about love: a strong affection for or devotion to a person or persons (Webster 1070). For instance a dog will at first fall in love with you, and then it will hate you and again fall in love and live happily ever after. Love is a process and you must go through all the steps of this process in order to reach your ultimate goal of happiness. Love is something that we all must endure and desire. For some of us this can even be more of a challenge and perfection may never seem in reach.…
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Although at a high social status, amongst them Rochester is an outcast. Through a large portion of the novel, Rochester remains a mysterious figure to the reader. He conceals a great portion of his life to Jane, such as Bertha. Rochester has a great distaste for normal society and lifestyle. Rochester does not marry another wealthy and beautiful female such as Lady Ingram, but instead confesses his love toward the penniless plain Jane. Both he and Jane think differently than others during the era. Jane’s feminism and Rochester‘s indifference separate them from the rest of society. Rochester…
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