First-person narration- central characters ( think lizzie mcquire) provides only a restricted access to the events that make up the film story- can only see as far as the character can see…
This report is about how films work. In this report, I will give examples from the book and movie called ‘The Outsiders’. I will be using examples from ‘The Outsiders’ because the film has a lot of examples on camera movements, for example, close-ups, camera turning around, downward views, colored screen, camera edits, etc., and how films work.…
2) Write an analysis of the way that filmic techniques have been used to create meaning in this scene.…
7. Steven Spielberg's classic movie Jaws was a thriller about a great white shark that terrorized…
Does any of you in the class know the themed music for jaws? of course you do, we all do. Because sharks are really scary arn't they? Sadly Films such as this as well as the media have built up this huge reputation of sharks being threatening, alarming & Dangerous monsters of the sea. It's a tragedy! Today I will be arguing for the rights of these misrepresented sharks and how this new "catch and kill policy" is completely wrong.…
How does the director Stephen Spielberg use filmic techniques to build suspense and tension in the opening sequence of the film ‘Jaws’?…
The beginning of the film Jaws starts of with the first attack. This scares the viewer from the very start and excites them, wanting to know what happens next and who else will be victims. The first victim, a girl, is attacked at night, so this would mean it would have been dark. This is done for two reasons, one the dark is scary to everyone as no one can see what is coming for them, or what it out there, and that links into the second reason, so we don’t see the shark, leaving a sense of mystery. The camera shot changes from being at eye level with the girl to the point of view of the shark. Being at eye level with the girl makes the person watching feel as if they are in the film itself, and can make the person feel more fear as they also know that there is something fast approaching because the shot keeps changing to the point of view of the shark, looking up at the girl swimming. When the shark attacks the girl it keeps the shot at eye level with the girl making the viewer feel as if it could be them. Then the girl is dragged under the water right in front of the camera, making it feel as if it is close to the viewer but also confirming that the girl defiantly has gone under the water. Then in the next part of the movie where they find the body one the beach, the viewer is the last to see the body. This holds suspense and makes the viewer want to see it more as they see everyone else see the body of the girl and reel back in horror, but also makes them not want to see it, as they can see it will be gruesome. When the report is being filled out for the death there is a close up shot of ‘shark attack’ being typed, this is the first time there is some confirmation that it was a shark that killed the girl, and also it makes the viewer look out for a shark in all the other scenes to come.…
My recent suspenseful movie I saw was Finding Nemo. Some of things that made this movie suspenseful was the music, lighting, background, and camera angels. The music is played when the shark comes in distance and closer to the characters. First the music very slowly and when it gets louder and louder we feel…
TOPIC: ‘Kazan uses a range of cinematic techniques to reveal the emotional and moral struggle of Terry Malloy’…
In the 1975 film Jaws, cinematography, sound, and visual design work together to enhance the tone and mood of this classic action, adventure tale. During two key scenes, "Blood on the Beach" and "Chrissie's Last Swim", these elements add intensity to the suspenseful and believable storyline.…
Spielberg recommended Williams to his friend George Lucas, who needed a composer for Star Wars. Williams delivered a grand symphonic score in the style of Hollywood's swashbucklers of the 1930s and 1940s. The soundtrack is still the best-selling non-pop record of all-time - and Williams won another Oscar for Best Original Score. He was also nominated for the follow-up scores for The Empire Strikes Back and The Return of the Jedi. The Star Wars soundtrack is one of the most recognizable music score. Believe it or not he has not actually watched any of the Star Wars movies. He also composed the movies Jaws’ score, which earned him an Academy Award, his second win and first for Original Score,[1] and was later ranked the sixth greatest score by the American Film Institute. The main shark theme became a classic piece of suspense music, it made people terrified of going into the water. He spent two months writing more than 50 minutes of music for the movie and recorded with a 73-piece orchestra. People can recognize it almost immediately when they hear…
First, I will intend to take you on a brief journey through the horror genre and the conventions that have been associated with this type of film. Second, I will show you how these conventions are used in Spielberg’s Jaws (1975). To get started, we are going to investigate the first era or as it was called, the silent era. This era was based on monsters such as Frankenstein (1910), Dracula (1912) and The Hunchback of Notre Dame (1923). These black and white horror films were all about the make-up and the clever use of lighting, to add their thrills and chills. The first conventions that we see are the ‘revealing of the monsters’ and the use of ‘isolated houses’ where the monsters are based, this shows the isolated aspects. This left audiences feeling panicky and unnerved. These films had to rely on the music, yet they still lack the big horror genre fear factor. Through the talkies (1930s-1940s) little changed, they still had the monsters, the same monsters, the same storylines, but the Atomic Phase of the 1950s soon made its impact. Sci-fi and hammer movies took centre stage, Godzilla (1954) and The Blob (1958) were hug box office hits because the films grabbed the audience attention as they were based at nuclear war as science was really important then.…
Steven Spielberg created a film based off the thriller novel, Jaws, by Peter Benchley. Both the movie and the book tell the story of a giant man-eating great white shark and focus on the terror brought to the people of Amity Island. The movie does follow the novel’s main story line closely, however, when a producer turns a book into a film, it’s practical for one to thicken its plot line, and for two, tell the original story. The horror brought by the shark’s attacks are illustrated vividly throughout the text, as the film on the other hand , does not express the genre as the way the text does.…
One of the most influential film movements in the 1940's was a genre that is known today as film noir. Film noir was a recognizable style of filmmaking, which was created in response to the rising cost of typical Hollywood movies (Buss 67). Film noir movies were often low budget films; they used on location shoots, small casts, and black and white film. The use of black and white film stock not only lowered production costs, but also displayed a out of place disposition that the conventions of film noir played upon. It is these conventions: themes, characters, lighting, sound, and composition, which are seen in the movie LA Confidential (Curtis Hanson, 1997). This paper discusses the techniques used in LA Confidential that link the movie with the typical cinematic conventions of the film noir style.…
For my final project, I choose to watch Jaws directed by Steven Spielberg, 1975. Jaws is set on Amity Island known as a popular summer tourist destination. As the town prepares for its annual Fourth of July parade, a shark lurks in the waters threating the town’s main source of summer income. After multiple shark attacks, three men take it upon themselves to catch the great white shark that has plans on ruining the summer.…