Cruse pays homage to the artistry of early Harlem while detailing the social climate of the time. Cruse believed severely in his culture and power in which it holds. Yet, his focus on Harlem, though done much justice, does not give the proper representation of a secular Black experience, let alone an American one. The time period discussed was the bulk of the shift in America from Negro to Colored to Black from border to border. Cruse was firm in his stance against intergrationalist but lacking in cultural inclusion. He includes every Negro writer, musician and artist that feet ever graced Harlem, and by and far, their stories deserve praise, but so do our other leaders and ground shakers of the Black early…
Bill Crow has compiled a great collection of stories. This book looks into the personalities and humor of the Jazz world. Being a jazz player himself, Crow is obviously familiar with the life of a Jazz musician, and he has written down some hilarious tales that Jazz players have passed on to one another. This book shows how the jazz world as it really is. The entire book is filled, page by page, with hilarious stories of pranks, goofs, getting hired, getting fired, stuff that happened while on the road, jokes, nicknames, and unforgettable moments while playing at clubs. It also gives you a good feel for what the lives of jazz musicians were like the camaraderie and competition, the struggles over money, and the terrible working conditions.…
Quincy Jones’ ‘This is how I feel about jazz’ (1956) takes a different approach in the chosen album cover. During a time where jazz presented a very ‘upper-class’ type of music and that the viewer was demanded to be as enigmatic as the artist appeared, Quincy Jones took a much more common…
This is where we see black society emerging into the lives of white society in a more positive way. Although segregation was still prominent in the 20’s and 30’s, many of the most famous jazz musicians were black. Throughout the movie jazz is played excessively. In one scene, an African American woman is shown singing at a party, in another scene; Amelia and Putnam are dancing to jazz playing on the radio. The movie shows how the music was played during this time period. It was generally on the radio or played during live performances in small cabarets, dance halls and ballrooms.(10) Throughout the movie music is shown in these ways, giving the audience a feel of what it was like to listen to music and how music would be played during this time…
Chapter 4 in the book Dancing in the Street: Motown and the Cultural Politics of Detroit by Suzanne E. Smith focuses primarily on Motown’s popularity and “the question of the relationship of the negro artist and his or her art to black struggle”(Smith, 139). Langston Hughes believed that “all forms of black culture, including popular music, confronted these issues (black struggle) in some way during the civil rights years, and Motown music was no exception”(Smith, 139). Throughout the chapter, the author discusses the evolution of Motown during an extremely pivotal time in the country, and the artists associated with this genre.…
Throughout this course, I’ve been introduced to and learned about many events in history. One topic in particular that fascinates me is the era of the 1920s, also known as the Jazz Age. Following World War I, a movement began in America which caused dramatic political and social changes. One of the major changes included a new genre of music. With inventions such as the radio, Americans had easier access to music. Jazz was born, and with the help of new technology, became popular throughout the country.…
Described as “dual citizens,” the brass band performers have two drastically different identities (5). Although their performances enable them to be “exceptional icons,” these musicians suffer from poverty. They struggle to earn a living, as they are paid with little salaries. Most of the musicians are not full-time performers; in order to keep the livelihood, they cannot focus solely on their career. During the “New Orleans Jazz & Heritage Festival,” Keith Frazier, the member of Rebirth Brass Band, questions that “‘We know who we are. Do you know who we are?’” (100). The musicians themselves have a clear interpretation of their duality. However, there is a confusion of identities from the outsiders’ view. People focus only on their iconic appearance and hardly notice their poverty. As Sakakeeny remarks, it is problematic that the performers are the one who create the brass band culture, while the “cultural economics ends with these same workers, who are the last to receive any financial return” (86). Sakakeeny illustrates several vivid contrasts about musicians’ life stories. That is, the musicians work too much; however, they receive too little. Additionally, their second-line performance exhibits an up-beat tempo and mobilizing atmosphere, while the musicians endure an insecure and tragic life. In order to provide a…
After growing up having a privileged life and going on to pursuing his dream, African American singer Cabell “Cab” Calloway devoted his professional life to entertaining his audience to a great extent and putting international spotlight on “The New Negro.” Indeed, Calloway stands as a monument against the popular stereotype of catastrophic black jazz musicians being tormented by racism and drug addiction. Even though Calloway was exposed to these social struggles, he was eventually able to overcome them by focusing on the integrity of his music. As Calloway reported in a 1990 Chicago Tribune interview, “ you tried to concentrate on your performance and tried to forget that there were hardly any blacks in the audience.” It was this kind of determination,…
Jazz’s growing popularity in the United States in a time known as the Roaring Twenties, was a dramatic turning point in the American life. The growing of this musical industry meant jazz would be thrived in adversity and come to symbolize a certain kind of American freedom, and would be called upon to lift the spirits and raise the morale of a frightened country. The growing of this genre would break barriers between Americans.…
Jazz has been called, among other things, America's "only original form," showing it's clear cultural roots in America. In addition, jazz historians have touted jazz's pedigree as "American's Classical Music." An appreciation and analysis of jazz history forces one to question both the "American" and "Classical" descriptors that past historians have used to label jazz music. Using primarily sources such as "From Somewhere in France" by Charles Delaunay and "An Interview with Wynton Marsalis" by Lolis Eric Elie, I argue that although jazz grew out from a distinctive African American tradition, the influx of influences in its development throughout the years as well as it's transcending appeal have made jazz much universal as opposed to American.…
Charles Mingus was one of the most influential and groundbreaking jazz musicians and composers of the 1950s and 1960s. The virtuoso bassist gained fame in the 1940s and 1950s working with such jazz greats as Louis Armstrong, Duke Ellington, Charlie Parker, Art Tatum, and many others. His compositions pushed harmonic barriers, combining Western-European classical styles with African-American roots music. While examining his career is valuable from musical standpoint, his career also provides a powerful view of the attitudes of African-American jazz musicians (and Black America as a whole) towards the racial inequalities in America during that time. In addition to being a successful musician, Mingus was a very outspoken social commentator. Through his music, Mingus expressed the frustrations of African-Americans and supported Black Nationalism.…
The Jazz music of the Big Band Era was the pinnacle of more than thirty years of melodic advancement. Jazz was so creative and diverse that it could truly clear the world, changing the melodic styles of about each nation. Enormous band Jazz that makes the feet tap and the heart race with fervor that it is perceived with almost every kind of music. The melodic and social upset that achieved Jazz was an immediate consequence of African-Americans seeking after vocations in expressions of the human experience taking after the United States common war. As slaves African-Americans has learned couple of European social conventions. With more opportunity to seek after vocations in expressions of the human experience and conveying African imaginative customs to their work, African-Americans changed music and move, in the U.S., as well as everywhere throughout the world. For after the war, African American artists and performers…
One of the greatest tragedies in the 20th century can be seen in the debasing of the Jazz genre as a unworthy equal to it's predecessor, European Classical music. This can be seen in various statements about Jazz, such as Boris Gibalin commit, "The "Jazz Mania" has taken on the character of a lingering illness and must be cured by means of forceful intervention."1 This conflict can be traced through out the history of Jazz, as Classical composers have relatively disregarded this new type of music. Before Duke Ellington's Cotton Club performances, Jazz play on the radio was delegated for late night audience only. This sub-culture treatment has led many critics to disregard the Jazz movement as a dance craze, or unsuccessful recreations of Classical pieces. This slandering of Jazz has not only created a false image of the music, but it has also lead to a full disconnection between the two genres. It is for this reason that I propose in my paper to show the relationship between these two musical categories. My hopes in demonstrating these similarities is to disassemble the schism of ignorance built between the two, and place both Jazz and Classical music on equal footing.…
While walking through an art museum, one might stop and read the artwork labels for more insight or details on a piece. Too often, these descriptions will point to the political and social climate as heavy influences of the specific artist or movement. It is natural to generalize a time period and attribute historical events to new elements of art. Like the visual arts, music is no such stranger to academics drawing weak links between historical events and new music styles. In our case, the origins and influences of free jazz are being called into question.…
Text Box: Louis ArmstrongJazz is a popular type of music which combines Black Spirituals, African Rhythms, and Cajun music. It began in New Orleans in early 1900’s and traveled to St.Louis, Kansas City, and Memphis, Chicago and New York and these cities musicians developed local styles of Jazz.Over the years different sounds emerged-swing, big band, bebop, fusion and others. So, according to Louis Armstrong’s, Jazz is, “If you have to ask what Jazz is, you’ll never know.”…