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The first piece, "Wind Blues," had a very harsh sound and was hard to listen to, partly because it was very loud. The trumpet part sounded the best. It had a metered rhythm; it became faster toward the end. The second work, "Archa," was very easy to hear. It had a slow tempo at the beginning, was metered, and reached crescendo at certain points. It mostly stayed at the same volume. The trumpet players performed solos at the beginning, and provided a longer soothing piece.…
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Recordings by the Fletcher Henderson Orchestra of arrangements by Don Redman and Fletcher Henderson are some of the earliest examples of the use of “Swing Feel” in early Big Bands.…
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The quintet consisted of Adam Heller, Kendall Fowler, Chandler Boyd, Dan Sitler, and Tim Henderson. They started off with Blue Train by the great John Coltrane. It had a steady tempo and a smooth sound. The trumpet played by Adam Heller stood out during this tune. It was a great piece that the audience enjoyed thoroughly. The next tune played by this quintet is So Dance Samba by A. C. Jobim. The piano played by Chandler Boyd starts the tune out beautifully. The drums played by Tim Henderson keep the fast beat and tempo. The sax played by Kendell Fowler played wonderfully along with the trumpet played by Adam Heller. Both of these talented musicians stood out. The trumpet took the lead for most of this piece, but the bass played by Dan Sitler and the piano still stood out at portions. This piece ended on a loud note. Their next tune is Grass Fed that was impressively created by their director Scott Routenberg in one day. This tune had a fast tempo and a happy feel. The trumpet played by Adam Heller and the sax played by Kendell Fowler stood out during most of this piece. It was a very impressive and appealing piece. I enjoyed each piece of this quintet’s…
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When I think of Jazz I think of a small group of performers usually consisting of a trumpet, saxophone, and a small drum normally, enacting on the sidewalk or small building. It also brings to mind a poetry slam where everyone is snapping their fingers and there is a drum accompanying the one who is sharing poetry. The Swinging River Jazz band is a more modern jazz performance and was a little different than what I expected as far as the size and the arrangement. Jazz it a lot more classical now. I really like both the old version of it and the new version of it.…
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Charlie Parker is with no question one of the most influential and important jazz players of the 1940’s. This man had such a talent and passion for playing the saxophone, more specifically the Alto Saxophone. Charlie’s Jazz era was during the Bee-bop phase of jazz. Bee-bop jazz differed from the other types because it used scales instead of chords, had small combos, and was built on rephrases of popular songs. Charlie Parker really helped influence and guide the way for other jazz musicians during the time of bee-bop and will be remembered forever from what his talent brought to the table of Jazz music.…
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1. Joe “King” Oliver- Joseph Nathan Oliver, better known as Joe "King" Oliver was born on December 19, 1881 and died on April 10, 1938. He was a jazz cornet player and bandleader. He was recognized for his playing style and his pioneering use of mutes in jazz as well as being a notable composer.…
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It uses a section of double bass and drums for a bassline to lead the section of brass instruments like trumpets and trombones, woodwinds like clarinets and string instruments. It can be medium of fast tempo. The term swing was derived from swing feel which is the emphasis of the off-beat and the weaker pulse in music. In swing music it usually features soloists which on the melody, they improvise on the melody played by the others. There was also the swing era, where the pre dominant form of swing is clear, between 1935 and 1946. The verb “to swing” can be also used to play strong rhythmic groove and drive. In the 1920’s, performers wanted to use a larger ensemble using written arrangements. As I have said before from 1935 to 1946. In this period the big band swing reached its peak in America.…
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instruments to be used into a certain piece make them (the songs) to be more especial and…
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Bit Risner played trumpet, Michael Havens played guitar, Liston Gregory played piano, Jose Villalpando was on bass, and John Medico played drums. In Combo 2 the songs Plattsing Around by Patrick Lynch and A Night To Remember by Liston Gregory are played. Austin Routten and Chris Barber played the tenor saxophone, Patrick Lynch played guitar, Liston Gregory played piano, Thomas Milovac played bass, and Tony Fidyk played drums. In Combo 5 the songs Softly As In a Morning Sunrise by Sigmund Romberg and Ninfa Plebea by Ennio Morricone. Jordan Green plays alto sax, Jordy Motta plays the tenor sax, Joseph Vicinanza plays the baritone sax, Jorge Ramos plays the flute, Kyle Cohen plays guitar, Steven Reese plays bass, and Brian Lester plays drums. In Combo 6 the songs Bright Mississippi by T. Monk and Blue Wayne by P. Daut are played. Luke Lacher and Kevin Motta play trombone, Abigail Gruber plays violin, Patrick Daut played guitar, Johnothan Jean-Baptiste plays bass, and Darryl Frenier plays drums. In Combo 1 the songs Bye-Ya by Thelonious Monk and Bolivia by Cedar Walton are…
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The birth of jazz music is often accredited to African Americans but both black and white Americans are responsible for its immerse rise in popularity. It is present in black vocals, music-spirituals, work songs, field hollers, and the blues. Jazz united people across the world and had powerful meanings about their lives. Jazz music was completed with a trumpet, clarinet, trombone and section of drums. The music was created with passion inspired by people’s lives. Ragtime was a musical style emerged from St. Louis in the late 1890s. The swing was the new style for Jazz. Benny Goodman was the “king of swing.” and he was the first white bandleader to feature black and white musicians playing together in public. There were other different styles…
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One out of three popular genres in the 1930’s was Big Band and Jazz; its premiere changed the face of music forever. The piano, bass, and the drums are the rhythm section of Big Band and Jazz music ("Music in the 1930’s"). Then, they have two to four melody players that include the instruments of clarinet, trumpet, saxophone, vibraphone, and guitar ("Music in the 1930’s"). Finally, the people that are in the Big Band and Jazz groups consist of 15 to 20 musicians ("Music in the 1930’s") . Out of all the different Big Bands and Jazz, most have singers or vocal recording artists ("Music in the 1930’s"). In this era of music, Big Band and Jazz began to blend with urban America…
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I am doing my end of the semester paper on Jazz music. Jazz was created in the twentieth century and was said that it was, “created to bring people together.” Jazz was also known in many cities around the time of the jazz age, but the city that was known as the birthplace of jazz was New Orleans. There are many important names that people still know today from the jazz ages. One important name during the jazz age was Louis Armstrong is known for many Jazz songs like “What a Wonderful World”, “When the Saints Go Marching In” and “Go down Moses.” Another name was Billie Holiday and she was known for “God Bless the Child” and “Billie’s Blues.” The other name was Duke Ellington, who have many recordings like “Take the A Train”, “Black and Tan Fantasy”,…
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The second song was called, “Fly Me to the Moon,” which is written by Bart Howard and sung by Frank Sinatra. It is a Latin-inspired sounding consonance which set the romantic mood at the beginning of this song. A piano and saxophone then alternated the melody of the song as though they were dancing like two lovers flying to the moon. As the passion of the song heated up, the texture changed within the song as the saxophone took the melody and the piano and other instruments within the ensemble were in accompaniment. The rhythm, which was continuously steady, seemed to get faster like a heartbeat by the climax of the song. It was also at this point that…
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Contrapuntal writing for small ensemble is less common than for jazz orchestra; the ideals of Mulligan have not being followed. Nevertheless, Dave Holland…
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INTRODUCTION I. REVIEW of BASIC THEORY MATERIALS 1 2 3 4 5 6 7 Chromatic Scale Intervals and Inversions Major Scale Construction Minor Scale Construction Circle of Fifths Scale Degree Names Key Signatures and Order of Accidentals Common Notation Errors II. RHYTHM in JAZZ PERFORMANCE 10 11 12 15 18 19 21 22 28 29 38 41 42 47 48 Polyrhythms Swing Eighth Note Accents and Articulations Rhythmic Roles Harmonic Rhythm in Jazz Performance The Larger View: Form as Rhythmic Structure Placement of the Notes Syncopation Studies Syncopation in the Jazz Waltz Polyrhythms in Performance Clave Beat Odd Meters Mixed Meters Rhythmic Reading and Dictation Exercises Other Suggested Exercises Reading Exercises III. BASIC TONAL MATERIALS 52 55 56 60 60 64 Tonality Pitch Hierarchy Ear Training Beginning Singing Exercises Beginning Writing Exercises Beginning Tunes for Ear Training Application IV. TRIADIC GENERALIZATION 69 70 72 74 78 79 80 Tertian Triad Triadic Generalization Elaboration Devices Passing Tones Neighbor Tones Neighbor Tone Combinations Arpeggiated Tones Chromatic Approaches Octave Displacement and Leaps Pedal Point and Pivot Tones…
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