In the Gerome work, the use lines in a vertical angle on the head gear flow onto the soldier's jacket. Whereas Cranach's use of edge line on the soldier's headgear is more in a horizontal angle blending into the background horizon. Cranach use of white paint in a circular motion on top of the soldier's headgear mimics clouds which blend into the blue sky background. In Gerome's work, the overall line is a triangle where the headgear is slim on top and widens by having the soldier with his arms partly spread as if he is turning around, controls how the artist wants the audience to view the painting. Cranach work is entirely different where the overall line is a V shape, where on top of the headgear is in a horizontal angle making the to look horizontally at the upper part of the painting before looking vertically at the soldier's narrow
In the Gerome work, the use lines in a vertical angle on the head gear flow onto the soldier's jacket. Whereas Cranach's use of edge line on the soldier's headgear is more in a horizontal angle blending into the background horizon. Cranach use of white paint in a circular motion on top of the soldier's headgear mimics clouds which blend into the blue sky background. In Gerome's work, the overall line is a triangle where the headgear is slim on top and widens by having the soldier with his arms partly spread as if he is turning around, controls how the artist wants the audience to view the painting. Cranach work is entirely different where the overall line is a V shape, where on top of the headgear is in a horizontal angle making the to look horizontally at the upper part of the painting before looking vertically at the soldier's narrow