Multiple characters change throughout the course of the book. The most important of the dynamic characters is Melinda, seeing as she is the protagonist. In the beginning of the book, Melinda goes to school terrified…
A lot of the readers can relate to this because everyone goes through that stage of not feeling wanted. For Jig she was referring to her baby that was not wanted. Personally, Jig wanted the baby. Notice when she said “They’re lovely hills, (Hemingway, 1927)”, meaning that Jig was trying to get off the subject. The America man was trying to persuade her to abort it. Noticing that, when he said, “It’s really an awfully simple operation, Jig, (Hemingway, 1927).” Then, he continued, “It’s not really an operation at all, (Hemingway, 1927)” Anyone could clearly see that he was talking about aborting the baby because he kept repeating sentences like “I know you wouldn’t mind it, Jig. It’s nothing. It’s not as painful, as you think, (Hemingway, 1927)”. In the end, Jig doesn’t want to abort the baby, but does anyway because it seemed like she just wanted the situation to end and also the manipulation by her man who keeps saying that if you get rid of the baby everything will go back as it…
On one side of the valley, it contained trees and long white mountains, which resembled white elephants to the woman. This side of the path symbolizes life and happiness, the white elephants is seen to symbolize the child she is carrying. Therefore, identifying that Jig desires motherhood and wants to settle down in a family with the American. The other side of the valley, is the complete opposite of life, it was empty with no shade nor trees. This side seems to represent the outcome of the relationship if they do proceed with the abortion and the danger of the operation for the woman, and perhaps it can also be identified as the emptiness of this couples dynamic.“I wanted to try this new drink. That’s all we do, isn’t it look at things and try new drinks?”(476). Jig seems to desire more than just an adventurous lifestyle, such as the American. She wants to settle down and start a family with this man. The painful choices Jig has to decide is whether to bear the child and possibly losing her lover, or want to be with this man enough to get an abortion and forget her wants and needs. The junction not only symbolizes the decision of whether to keep this child or continue on with the abortion, it also seems to highlight that these two people are at different stages in life, one is still looking to have fun while the other is ready to settle…
The narrator in, “The Yellow Wallpaper,” suffers from depression, although her husband, who is a doctor, does not consider it an illness. Therefore, he keeps her on a strict rest cure. She is not allowed to do work of any form, not even care for her baby. All she allowed to do is rest in her room and breath in the air as prescribed by her husband. Because she spends most of her time in her room, she becomes obsessed with the yellow wallpaper in the room and it drives her to insanity. The lack of creative stimulation and relationships with others causes the narrator’s obsession with the yellow wallpaper which leads her to believe she is trapped behind bars in this yellow wallpaper.…
Within the room that Jane spends most of her time, one of the first things she describes in detail is the wallpaper. Jane believes the “wall and paint look as if a boys’ school had used it” and she continues, “I never saw a worse paper in my life” (Gilman, “The Yellow Wallpaper, 610). As the weeks pass, Jane spends more and more time in the room, where she is locked away from society and social interaction. Gilman writes that Jane sees that the wallpaper has, “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (“The Yellow Wallpaper” 611). Jane begins to see patterns and images within the wallpaper because she is confined by her husband’s treatment. When John stripped her of the opportunity to write, Jane was forced to find a new way to engage her mind and express herself. Jane wants to keep this new found way of expressing herself out of the hands of her husband and his sister, Jennie. Gilman writes, “I have watched John when he did not know I was looking, and come into the room suddenly o the most innocent excuses and I’ve caught him several times looking at the wallpaper! And Jennie too. […] I am determined that nobody shall find it out but myself!” (“The Yellow Wallpaper” 615). Jane slowly comes to the realization that there is not only a pattern within the wallpaper, but also a woman trapped behind it. Rula comments on the woman within the wallpaper and how it affects…
The Yellow Wallpaper: A Woman 's Struggle Pregnancy and childbirth are very emotional times in a woman 's life and many women suffer from the "baby blues." The innocent nickname for postpartum depression is deceptive because it down plays the severity of this condition. Although she was not formally diagnosed with postpartum depression, Charlotte Perkins Gilman (1860-1935) developed a severe depression after the birth of her only child (Kennedy et.…
The different types of elements help show the reader what the author is trying to say in their story. Character is a big element in “The Yellow Wallpaper”. There are many different characters in “The Yellow Wallpaper” including: John, her brother, John’s sister, Weir Mitchell, the woman in the wall and Jane. Most of these characters are not mentioned, but once in the whole story and they still make an impact on the meaning. The narrator's brother is a physician just like her husband, John, she listens to what her husband says, because her brother agrees with him and she can’t go against either one of them. John’s sister is their housekeeper and she doesn’t like the narrator writing, because she thinks that's what made her sick. The woman in the wall is someone that the narrator sees while she is staring at…
The Dynamic character was mostly Madison. Because as she learned and searched for answers, she became more mature and took total responsibility for the hack, because it was partly her fault too. Shy, another one of Madison’s closest friends, and Lissa, are the Static characters because they stayed the same through out the whole story. Shy was the one who had multiple personalities, (Round Character) and Lissa mainly had one. (Flat Character) This story mainly was Indirect Characterization; you had to pick out how they were by how they acted. The author never really told you how they…
The most obvious conflict the narrator has to deal with is living in the room with the yellow wallpaper and differentiating creativity from reality. The narrator becomes fond of the wallpaper and feels an excessive need to figure out the pattern. She says, “I know a little of the principle of design, and I know this thing was not arranged on any laws of radiation, or alternation, or repetition, or symmetry, or anything else that I have ever heard of” (Gilman 224). Her days become preoccupied with the wallpaper and she feels a distinct connection to it. While she tries to decode the wallpaper’s pattern, her creativity allows her to see a face in the wallpaper. She says, “There is a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes stare at you upside down” (Gilman 223). As she continues to study the wallpaper, she comes to believe that she sees a woman creeping in the chaotic wallpaper who is trapped behind it: “The front pattern does- and no wonder! The woman behind shakes it!” (Gilman 227). She begins to have a bond with this woman and can relate to her. The woman in the wallpaper is essentially the narrator. They are similar in the sense that they are both trapped and unable to escape. Towards the end of the story, the narrator reaches a state of insanity where she can no longer differentiate herself from the figure she sees in the wallpaper. She tells us, “I suppose I shall have to get back behind the pattern when it comes night, and that is…
As the story progresses, the narrator identifies more and more with the figure in the wallpaper, until she refers to herself in the third person. In this statement the narrator says, “‘I’ve got out at last,’ said I, ‘in spite of you and Jane’”. This her breaking free and realizing that madness it her only actually escape from her controlling husband. Once her husband realizes that she completely mad he the switches roles with her. “Now why should that man have fainted?”. He is now the women in distress with no…
The narrator provides evidence that classifies the figure she sees as a real being: “I see her in that long shaded lane, creeping up and down.” This quote reveals how close the narrator is to completely being insane. When the narrator tears down the wallpaper in an attempt to free the trapped figure she states, “I’ve got out at last,’… ‘in spite of you and Jane? And I've pulled off most of the paper, so you can't put me back!”. At this moment, the narrator has been completely consumed by her own reality. She names the figure Jane and states that she is Jane. The figure behind the wallpaper symbolizes the narrator. The figure is trapped behind the wallpaper as the narrator is trapped in her own reality and in the nursery by her husband. Jane’s “temporary nervous depression” is at its peak at this point because she cannot distinguish her own reality from actual…
In the “The Yellow Wallpaper,” Charlotte Gilman writes about a woman who sees herself in a haunting wallpaper and she wants to be free, and the struggle between her and John. John treats her like she is his child instead of his wife. By any man treating their wife like John does will drive her insane. That is exactly what John did, drove his wife crazy enough to make her want to stay in her room, lay in the bed, and stare at the wallpaper. Her husband does not treat her right, talks to her like a child, and makes her stay in her room all alone.…
Life as it is, can be full of ups and downs. Through time, individuals have lived healthy lives and life has treated them well, but also there are sicknesses in life that can be detrimental to ones-self. Individuals have different coping mechanisms that help with tough situations through life. Charlotte Perkins Gilman, in “The Yellow Wallpaper,” portrays how one is able to go about dealing with an illness that ends up being detrimental to the narrator. Gilman, in the “Yellow Wallpaper,” through the use of the setting, symbolism, and point of view, conveys the message that the narrator suffers from an awful illness.…
Initially, Jane describes the paper as “repellant, almost revolting...a dull yet lurid orange in some places, a sickly sulphur tint in others.” (Stetson 649). John initially intends to repaper the room but later decides not to, stating that “[Jane] was letting it get the better of [her]” (Stetson 649). Stetson starts to show that the wallpaper represents the manner in which the needs, opinions and voices of women were suppressed by men in society. John continues “nothing was worse for a nervous patient than to give way to such fancies...after the wallpaper was changed, it would be the heavy bedstead, and then the barred windows, and then that gate at the head of the stairs and so on.” (Stetson 649). The quote shows the internal fear in men that led to the inferior treatment of women and discrimination in society in an attempt to prolong the patriarchy. Therefore, the yellow wallpaper essentially represents the domestic prison that prevented social mobility amongst women. The woman behind the wallpaper that Jane sees as her condition worsens is an attempt by the author to paint a vivid picture of the injustice against…
In the short story a Wall of Rising Fire, Guy’s character is an example of a complex character that is part of a dynamic plot. Guy loves his son and is a great father to him. He is very proud of him, “the speech made Lili and Guy stand on the tips of their toes from great pride” (p. 57). Even though he loves his family and has so much to live for he ends up committing suicide because he wants more, he wants to free, “He crashed not far from where Lili and the boy were standing, his blood immediately soaking…