In the essay "Georgia O'Keeffe" Joan Didion's thesis is that style is character, and what you create reflects who you are. I do agree with her thesis; everything you do is a reflection of yourself. There is no way to have something you say or do or create to not have some part of you included. Your clothes, your art, the way you talk, everything that originates from you shows your character.…
Entering the season of Santa Ana winds, local residents brace themselves. Citizens become cautious and fearful with their lives when facing “something uneasy in the Los Angeles air…some unnatural stillness, some tension.” When the winds make their stealthy presence people become afflicted by it. Didion’s intellectual diction expresses exactly this. She uses these specific words; “uneasy”, “unnatural stillness”, and “tension” to describe the wind and stir up the reader’s emotion making them aware and awed by the situation. Didion draws one in by setting up the story with something abnormal that is bound to happen. These chosen words to depict air, ironically, are the opposite of how air is portrayed in society. Air is something calm and gentle that we routinely inhale; it is our life long companion.…
To begin the passage, Petry sets a dark, desolate mood as she personifies the wind as relentless and assaulting. It is made blatantly clear that the weather “did everything it could to discourage the people along the street” and is restraining to the inhabitants of the city. Petry utilizes vivid words to enhance the strength and vigour of the wind, further adding to the life-like qualities that the wind possesses. The first encounter between Lutie Johnson and the wind is at line 34 which aids in effectively establishing the persona of the wind, and its relationship with the city. Again, Petry exercises the use of personification in making their first meeting uncomfortable and chilling. As Ms. Johnson is introduced, the wind is molesting her in a way. One can imagine that the wind is a man that completely disregards those on the receiving end of his actions. It lifts the hair away from her neck and she feels “suddenly naked”. Once more, the wind is personified as having fingers which “[touch] the back of her neck [and explore] the sides of her head”.…
Throughout the entirety of the piece, Didion uses apprehensive diction to depict how the Santa Ana winds are changing the citizens and fluctuating them with varying emotions. Didion’s apprehensive diction highlights the Santa Ana winds effect on the mechanistic behaviors of humans by using words such as “eerie”, “ominously”, “uneasy”, and “tension”. Didion uses similar diction in order to put emphasis on her anxious tone. These words are used to establish a sense of cautiousness and mystifying feelings into the audience, pushing an awareness of the winds and how the winds are affecting everyday lives and contributing to the inhuman-like actions.…
In conclusion, the sympathetic effect that the passage has is due to the writer’s use of animalistic imagery, diction, and similes. "And…
In Joan Didion’s Los Angeles Notebook, she depicts the wind’s presence as sinister, however, her description clearly shows that she believes this is an incredibly mysterious and foreboding occurrence. Her use of diction and imagery set the tone for the essay, while her use of detail supports this claim.…
The greatest symbolism that the reader finds in the novel is Esch’s body. Esch is the eldest sister of her siblings. She gets pregnant with Manny’s child, and the reader finds that she views the world through her bodily existence. She wants to touch the world, see it, hear it, taste it, and smell it, in order to love it. The bodily existence of everything is important to her. She says, “For though I’m small, I know many things/ And my body is an endless eye/ Through which, unfortunately, I see everything” (Ward 66). Esch calls her body an endless eye, with which she sees hunger, poverty, dog fights, devastation, accidents, thefts, and finally, the Hurricane. She has seen how it is being motherless, and now she is experiencing the pregnancy from a man who has fallen in love with another woman. So, her body has also made her seen un-faithfulness from somebody she loved. She describes her brother’s muscles, dogfights, and hunger in such a descriptive language that the reader feels as if he is seeing over her shoulders into her world. The reader finds that Esch narrates about her world through instinctive vision, making a blend of what she sees around her and her instinctive thoughts, and describes that blend through symbolic, evocative language.…
One common theme between the two pieces is the miscommunication between those in need of guidance and those who are able to assist them. This issue can be seen in Yeats’s poem’s first stanza: “The falcon cannot hear the falconer” (Yeats Line 2). The significance of this metaphor is that those in need of a helping hand, the falcon, are not listening to those attempting to give it to them, the falconer. This issue is also addressed through dialogue in Slouching Towards Bethlehem. Didion interviews some of America’s runaway youth that had settled in San Francisco, many of whom were ingesting illegal substances severely detrimental to their health. These adolescents would not pay attention to their parents’ rules and expectations, and as a result, they fled from their loved ones. Didion encounters a couple, Debbie and Jeff, who have run away from home.…
Moral; of or relating to principles of right and wrong in behavior. Often people attempt to press their morals onto others in the belief that their morals are superior or use their morals to justify their wrongdoing. In Joan Didion's piece On Morality, she claims that there is no such thing as a moral code that everyone should abide by; we each have our own individual set of morals that we believe is right. The problem with this idea that Didion expresses is that the word moral is often used in an abundance and with an incorrect meaning. In Didion’s piece, she suggests that we are using the word morality so frequently we seem to lose the meaning of it.…
The Santa Ana make people feel very malicious and cruel. Joan Didion used subjective description by displaying the wickedness in the hearts of the people who got hit by the Santa Ana winds when Raymond Chandler said “meek little wives feel the edge of the carving knife and study their husbands’ necks. Anything can happen(36)”. It comes to the point that the humble and harmless women even feel a little evil in them and think of the worst things they can do to people they once cared about. Another example of how Joan Didion used subjective description is when she states how her neighbor would “roam the place with a machete” and how “he would tell [her] that he heard a trespasser, the next a rattlesnake(36)”. It seems as if the Santa Ana winds create visions and thoughts of fearful and overwhelming ideas. The neighbor had not physically seen the rattlesnake or a trespasser because he says he “heard” them. His mind makes him believe they are there and it is difficult to ignore something your mind knows so clearly. The winds affect people so much that it comes to the point where people go to the doctors and complain “about headache and nausea and…
In Joan Didion’s memoir, she outlines the events of a painfully tragic experience in her life. She takes the reader through her dismal attitudes of embarrassment, uneasiness, and eventual enlightenment. Didion explains how her distorted view on self-respect from her childhood is morphed into life’s reality when she is not accepted into Phi Beta Kappa. Strong comparisons and distinct diction engulfs the reader and leads them through a journey in Didion’s life.…
One of the most notable literary devices used in the novel is that of metaphors. The metaphors in this book delve into the meaning of life. My favorites include; ‘I felt as a bird must feel when it has flown across the ocean and comes upon a creature…
Through her use of imagery, the reader is able to depict and create images of the women rushing through the airport and how she felt and what she saw when she finally arrived to the plane. Her parallelism added meaning to her poem when she repeated action words such as “ran” because this allowed the readers to convey the frantic state of mind the women was in to desperately catch the plane to see her father. Finally use of tension allowed her reader to react to the climax of the situation. Her audience felt the same relief the women felt when she boarded the plane and was finally on her…
Joan Didion had messed up on a job and had nothing to do since. So on the cold spring of 1967, she decided to go to San Francisco, where her essay Slouching Towards Bethlehem takes place. San Francisco is a place where there are full of hippies. In her essay, she illustrates the detailed encounters with the hippies and portrays their personalities and lifestyles. Although Joan Didion describes the hippies as immature, she also feels pity for their situation at the same time.…
the idea that nature is indifferent to man by showing that it is as randomly helpful as it is hurtful. For every malevolent whim that the men suffer, they experience an unexpected good turn in the form of a favorable wind or calm night. The fact that the men almost seem to get assistance from nature destroys the notion of nature as an entirely hostile force. Nothing highlights this point so much as the…