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Joan Miro's Painting Theory

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Joan Miro's Painting Theory
“I try to apply colors like words that shape poems, like notes that shape music” ( source 7), this was Miro’s painting theory. Joan Miro was one of many famous artists. He and his paintings both changed from time to time. Joan Miro was a great artist who went from rags to riches just like his artwork.
Born on April 20, 1893, Joan Miro was the first son of Michel Miro Adziras and Dolores Ferra. Miro loved his homeland of Catalonia in Northern Spain and his hometown, Barcelona. Miro came from a family of artisans. His father was a goldsmith, and his mother’s father was a cabinet maker. Miro wanted to be an artist from childhood, but his parents disagreed. Miro attended many different schools. As a teenager, Miro attended the official academy
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Joan Miro was famous for his many different types of artwork, such as his sculptures, textiles, pottery, theater, and enormous public monuments that expressed his ideas. Most of all Miro was famous for his paintings. He started out by producing portraits and landscapes in a fauve manner. This style of painting was popular around the 1900s and emphasized the bright aggressive colors. In 1918, Miro started out on one show and later became a member of Agrupacio Courbet. Later, him and his friends painted the mystical dimensions of Catalan temperament. “Miro believed that there were two sides to the Catalan nature-passion and down to earth approach”(source 1). In 1921, dealer Dalmau organized a solo exhibition for Miro, but Miro was unable to sell a single piece of artwork. Miro did not lose hope. In 1922, Miro painted The Farm. In 1925, The Farm was sold to a famous American writer, Ernest Hemingway, for 5000 Francs. Today, it is viewed in the National Gallery of Art in Washington, D.C.. After a while, Miro started to search for a new way of painting. He began to paint his subjects with great detail. He would not paint shadows because it would cover up parts of objects. This type of artwork went against all ideas of the time, such as impressionism. Miro even painted the less pleasant things in scenes, such as sewers. He also used surrealism and dadaism. It was not until after World War II that Miro became …show more content…
People such as Francisco Gali, Paul Cezanne, Vincent Van Gogh,and even children influenced how Joan Miro painted. How he lived also had a major effect. For example, when Miro was poor “He drew wild paintings that had large, monstrous beings formed by harsh lines and ugly colors” (.....). Not only did things influence Miro, but Miro also had a major influence on the art of the 20th century.
Miro had many famous Paintings, but his most famous painting was Harlequin’s Carnival. This oil painting almost seems unrealistic. It was painted from 1924 to 1925. This painting had no specific meaning and did not use the traditional painting rules. The images are random and there is no specific arrangement. Miro used symbols instead of accurate drawings. Most of these images are shades of blue, brown, yellow, red, black, and white which helps other images stand out.it is believed that Miro was trying to paint the bizarre and creative dreams people have. This painting showed the childish side of Miro’s artwork.
Miro and his paintings were both bizarre. He changed his style of art many times, and he changed his way of life even more. He was know as the greatest master of art in the twentieth century. His paintings still are famous today just like his

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