and the band’s horn section had pushed Jenkins to work in “more difficult and interesting horn parts than the usual military band fare”. The name of the piece came well after the piece was written, with Jenkins stating, “it could have easily been Chesapeake Overture or Maryland Overture, but I settled on American Overture”. Jenkins eventually showed the piece to George Rochberg, of the Theodore Presser Company, and Rochberg immediately worked on a contract for publication. The work was published in the same year and originally featured a condensed score. Now, a fiftieth anniversary edition includes both a condensed and full score, with many part and score errors eliminated.
and the band’s horn section had pushed Jenkins to work in “more difficult and interesting horn parts than the usual military band fare”. The name of the piece came well after the piece was written, with Jenkins stating, “it could have easily been Chesapeake Overture or Maryland Overture, but I settled on American Overture”. Jenkins eventually showed the piece to George Rochberg, of the Theodore Presser Company, and Rochberg immediately worked on a contract for publication. The work was published in the same year and originally featured a condensed score. Now, a fiftieth anniversary edition includes both a condensed and full score, with many part and score errors eliminated.