The Oxford Dictionary defines Journey as “an act of travelling from one place to another”; this could, of course, be taken literally. Instead, why not think of “places” as emotional or mental situations? So you take a journey between different emotional states. “The journey, not the arrival, matters.” This statement is correct for all four texts I will be discussing. The journey is more important than the arrival because it is the journey that makes people who they are. On a life journey there are tipping points that define who we become. On our life journey, what is the end, death or something beyond? What significance does death have to the person you have become? Nothing; in death we look back at who we’ve become, but we have become like that, not because of the situation that you are in at that moment in time, but the choices or paths that we took on our life journey. A life journey has bumps and dips that can sometimes feel like mountains or craters as deep as hell, but the journey will always continue. It could be argued that we never really have a specific arrival point in the journey, but have multiple points of arrival and departures. Does a life journey ever really end? The journeys that are shown in the texts are inner journeys (spiritual, mental and emotional) that revolve around certain significant points in the subject’s life journey. The four texts that will be compared are; “God’s Grandeur”-Gerald Manley Hopkins, “I wake and feel the fell and dark, not day”-Gerald Manley Hopkins, “Reign Over Me” written and directed by Mike Binder and a visual representation of journey.
“God’s Grandeur” contains a significant inner journey. In the first four lines of the octet Hopkins describes a natural world through which God’s presence runs like an electrical current. Alternatively in the last four lines of the octet he talks about how humans are robbed of their sensitivity to the beauty of what is left in nature, people have