joyce and lacan
Background
Combining the unities of classical theatre and the style of Shakespearean drama, Dryden creates an elaborately formal production in which fashionable philosophies of the time could be discussed and debated in a public atmosphere. Dryden used the theatre as a forum for testing problematic philosophical, moral and political questions. The results of these investigations were to form the basis of his later works.
The original 1677 production by the King's Company starred Charles Hart as Marc Antony and Elizabeth Boutell as Cleopatra, with Michael Mohun as Ventidius and Katherine Corey as Octavia.[2] All for Love; also called, The World Well Lost is a tragedy by John Dryden, first acted and printed in 1677. Dryden deals in this play with the same subject as that of Shakespeare's Antony and Cleopatra. Whilst, however, the elder poet "diffused the action of his play over Italy, Greece, and Egypt," Dryden laid every scene in the city of Alexandria. Moreover, he "contents himself with the concluding scene of Antony's history, instead of introducing the incidents of the war with Pompey, the negotiation with Lepidus, death of his first wife, and other circumstances which, in Shakespeare, only tend to distract our attention from the main interest of the drama" (Sir Walter Scott). Dryden, says Saintsbury, "omits whatever in the original story is shocking and repulsive from the romantic point of view.... The best pieces of All for Love cannot, of course, challenge comparison with the best pieces of Shakespeare ... but the best passages of this play, and, what is more, its general facture and style, equal, with certain time-allowance, the best things of Beaumont and Fletcher, and therefore the best things of almost any English tragedian save Shakespeare." The original cast included Hart as Antony, Mohun as Ventidius, Clarke as Dolabella, Goodman as Alexas, Griffin as Serapion, Mrs. Boutell as Cleopatra, Mrs. Corey as Octavia. The play was revived at Lincoln's Inn
Combining the unities of classical theatre and the style of Shakespearean drama, Dryden creates an elaborately formal production in which fashionable philosophies of the time could be discussed and debated in a public atmosphere. Dryden used the theatre as a forum for testing problematic philosophical, moral and political questions. The results of these investigations were to form the basis of his later works.
The original 1677 production by the King's Company starred Charles Hart as Marc Antony and Elizabeth Boutell as Cleopatra, with Michael Mohun as Ventidius and Katherine Corey as Octavia.[2] All for Love; also called, The World Well Lost is a tragedy by John Dryden, first acted and printed in 1677. Dryden deals in this play with the same subject as that of Shakespeare's Antony and Cleopatra. Whilst, however, the elder poet "diffused the action of his play over Italy, Greece, and Egypt," Dryden laid every scene in the city of Alexandria. Moreover, he "contents himself with the concluding scene of Antony's history, instead of introducing the incidents of the war with Pompey, the negotiation with Lepidus, death of his first wife, and other circumstances which, in Shakespeare, only tend to distract our attention from the main interest of the drama" (Sir Walter Scott). Dryden, says Saintsbury, "omits whatever in the original story is shocking and repulsive from the romantic point of view.... The best pieces of All for Love cannot, of course, challenge comparison with the best pieces of Shakespeare ... but the best passages of this play, and, what is more, its general facture and style, equal, with certain time-allowance, the best things of Beaumont and Fletcher, and therefore the best things of almost any English tragedian save Shakespeare." The original cast included Hart as Antony, Mohun as Ventidius, Clarke as Dolabella, Goodman as Alexas, Griffin as Serapion, Mrs. Boutell as Cleopatra, Mrs. Corey as Octavia. The play was revived at Lincoln's Inn