Joyful And Triumphant Analysis
JOYFUL AND TRIUMPHANT
1.)I believe that Joyful and Triumphant was a magnificent piece of music because of the sections that went marvelously. The first demonstration is between measures 23 through 31. The clarinets and the bass clarinet sounded harmonized together. Between those measures, it felt like it was precisely chorale style. Another demonstration is between measures 75 through 83. The few instruments that played their small solos, like chimes, and bass clarinet did a spectacular job. And that the bass clarinet didn’t create any mistakes in measure 77. The final demonstration is between measures 93 through 96. Everyone had a wonderful sound. It also sounded synchronized all together. These demonstrations are why I believe that Joyful and Triumphant was a magnificent piece of music.
2.)Although Joyful and Triumphant was a magnificent piece of music, sections had mistakes in it. The first illustration is between measures 1 through 9. The trumpets didn’t make the introduction sound as great. It’s as if the trumpets were lacking confidence, and it made the music bend around. Another illustration is measure 47. The bass clarinet suddenly came quiet with a big drop, without diminuendoing. …show more content…
The first demonstration is between measure 1. There was a grand big entrance to the music, which made the music lead to an impressive start. Another illustration is between measures 118 through 124. In the beginning, everyone began slowing down, which was superb because there was a gradual ritardando. Everyone was at pace with the change at measure 102 “a tempo”, which was great. The final demonstration is between measures 186 through 190. Loud from the previous 4 measures of 186 to becoming quiet again was excellent, since it suddenly dropped to piano making the music sound more interesting. These demonstrations are why I believe that Invicta was a spectacular piece of
1.)I believe that Joyful and Triumphant was a magnificent piece of music because of the sections that went marvelously. The first demonstration is between measures 23 through 31. The clarinets and the bass clarinet sounded harmonized together. Between those measures, it felt like it was precisely chorale style. Another demonstration is between measures 75 through 83. The few instruments that played their small solos, like chimes, and bass clarinet did a spectacular job. And that the bass clarinet didn’t create any mistakes in measure 77. The final demonstration is between measures 93 through 96. Everyone had a wonderful sound. It also sounded synchronized all together. These demonstrations are why I believe that Joyful and Triumphant was a magnificent piece of music.
2.)Although Joyful and Triumphant was a magnificent piece of music, sections had mistakes in it. The first illustration is between measures 1 through 9. The trumpets didn’t make the introduction sound as great. It’s as if the trumpets were lacking confidence, and it made the music bend around. Another illustration is measure 47. The bass clarinet suddenly came quiet with a big drop, without diminuendoing. …show more content…
The first demonstration is between measure 1. There was a grand big entrance to the music, which made the music lead to an impressive start. Another illustration is between measures 118 through 124. In the beginning, everyone began slowing down, which was superb because there was a gradual ritardando. Everyone was at pace with the change at measure 102 “a tempo”, which was great. The final demonstration is between measures 186 through 190. Loud from the previous 4 measures of 186 to becoming quiet again was excellent, since it suddenly dropped to piano making the music sound more interesting. These demonstrations are why I believe that Invicta was a spectacular piece of