She completely disregards the signs of Mr. Elton’s affections towards her in order to script her own imagined, perfect love story between Mr. Elton and Harriet. She believes his attentiveness and praise during the painting session is directed towards Harriet’s beauty, instead of her skill with watercolors. Mr. Elton's offer to have the painting framed in London is taken by Emma to be the highest compliment to Harriet. We instead see this as an attempted on Mr. Elton’s part to impress Emma even more. Mr. Elton would certainly be aware of Emma’s reputations in Highbury as a matchmaker. Yet, he is blinded by his infatuation with her. What other characters see as obvious signs of Emma encouraging a relationship between himself and Harriet, Mr. Elton sees as Emma accepting and reaffirming his flirtations. As his belief that Emma is enjoying his advances grows, so does his infatuation. This blinds him further, thus creating a continuos circle of flirting, misinterpretation, and lack of
She completely disregards the signs of Mr. Elton’s affections towards her in order to script her own imagined, perfect love story between Mr. Elton and Harriet. She believes his attentiveness and praise during the painting session is directed towards Harriet’s beauty, instead of her skill with watercolors. Mr. Elton's offer to have the painting framed in London is taken by Emma to be the highest compliment to Harriet. We instead see this as an attempted on Mr. Elton’s part to impress Emma even more. Mr. Elton would certainly be aware of Emma’s reputations in Highbury as a matchmaker. Yet, he is blinded by his infatuation with her. What other characters see as obvious signs of Emma encouraging a relationship between himself and Harriet, Mr. Elton sees as Emma accepting and reaffirming his flirtations. As his belief that Emma is enjoying his advances grows, so does his infatuation. This blinds him further, thus creating a continuos circle of flirting, misinterpretation, and lack of