do.
Vonnegut goes on to describe where some of the ideas in the novel are from. One of the main characters in the novel, Dwayne Hoover, is going insane, and his insanity was catalyzed by an idea presented in one of Kilgore Trout's
science-fiction novels- that all humans are actually robots, and that Mr. Hoover was the only real human. Vonnegut says that he thinks of humans as "huge, rubbery test tubes." (86) By telling the history behind one of the central elements of the plot, Vonnegut makes the novel more personal to him. This adds more to the direct nature of the novel- he lets the reader know that the novel isn't based on a bunch of things that he made up, but it is based on things that have happened to him, that he has seen, and that have meaning to him. Vonnegut's style differs slightly between the preface and the first chapter. He becomes more playful (not to say that his drawing of an asshole in the preface isn't playful), and looks at things with deep-rooted meaning in a very simplistic nature to illustrate the ridiculousness of the modern United States. He calls the national anthem "pure balderdash," and says that most of what US citizens are "expected to take seriously" is just as ridiculous. There are doodles throughout the first chapter, which are of symbols, numbers, and objects which Vonnegut describes. Vonnegut does this to remind the reader that he is not actually making direct insults at the United States and its history, but that he is writing jokes for his own sake. After all, Vonnegut says in the preface that the novel is his fiftieth birthday present to himself. Vonnegut's style in Breakfast of Champions is playful and direct at the same time. He addresses the reader in a no-nonsense sort of way, and leaves little to the imagination of the reader. The playfulness in his style is seen in the various drawings and observations of the United States. By adopting this style, Vonnegut establishes himself as a person with a rich past, with his own sorrows, and with a sense of humor. Doing this makes the reader see Vonnegut as a real person, rather than just the name listed on the cover of the book.