An example of this within Havisham would be “I stink and remember” which illustrates the female voice’s paralysis from her experiences of the past, causing her to linger to the point of not changing her clothes or washing herself: thus disallowing herself to speak out. This is equally shown in Medusa as she is also paralysed from her past at the level in which she “stared in the mirror”, saying only “love gone bad”. This acceptance of her current appearance reveals that Duffy’s Medusa is heavily conscious of her looks as she ends her relationship with Poseidon on the assumption that her looks were all that the relationship was built on. The quote “but I know you’ll go, betray me, stray from home” implies that she only assumes that her current partner will leave her, demonstrating that she can only see herself as the victim of a crime, the result being her appearance “gone bad
An example of this within Havisham would be “I stink and remember” which illustrates the female voice’s paralysis from her experiences of the past, causing her to linger to the point of not changing her clothes or washing herself: thus disallowing herself to speak out. This is equally shown in Medusa as she is also paralysed from her past at the level in which she “stared in the mirror”, saying only “love gone bad”. This acceptance of her current appearance reveals that Duffy’s Medusa is heavily conscious of her looks as she ends her relationship with Poseidon on the assumption that her looks were all that the relationship was built on. The quote “but I know you’ll go, betray me, stray from home” implies that she only assumes that her current partner will leave her, demonstrating that she can only see herself as the victim of a crime, the result being her appearance “gone bad