Laocoon's Influence on Renaissance Artists

The Renaissance was indeed a proud moment in history. It was a time of the revitalization of antiquity, breakthrough scientific discoveries, and profound, inspirational artwork. The desire and urge to establish stronger connections with the classical past brought about the search and discovery of many ancient manuscripts and artworks. One of the most celebrated discoveries occurred during the height of the Renaissance: The Laocoon. Perhaps one of the world’s most famous Hellenistic sculptures, it was originally located in the palace of Titus. It was then lost for over a thousand years before its rediscovery in 1506. Pope Julius II immediately acquired it, and displayed it in the Vatican Museums. The renowned discovery of one of the few Hellenistic sculptures had a profound impact on history. Its significance is unparallel to any other piece of art. In this paper, I will discuss the significance of the Laocoon: its celebrated discovery, its ability to raise debate even in the modern times, and lastly, its influence on Renaissance artists.
The Laocoon group is a large, white, marble sculpture. Measuring 242cm in height, it is virtually life size. It was discovered in 1506, and is currently located in the Vatican Museums. Portrayed is the death of Laocoon (the high priest of Troy) and his two sons. The sculpture is viewed only from the front, and has a very central balance; Laocoon is in the center and is flanked by his two sons. The three figures are integrated together by a coiling and writhing sea serpent locking its victims in a death grip. The serpent’s head is visibly shown with its jaws open, ready to strike again into Laoocon’s lower left torso. The overall piece shows an acute attention to detail: the muscular torsos are twisted and strained, the muscles are swelling from the serpent’s bites, and the veins are throbbing with venom.

The facial features in the Laocoon Group illustrate an emotional narrative to the viewer. Laocoon’s twisted torso and unnatural