In the beginning of both the poem and story the authors give a very visual description of the women. They are both considered to appear on the outside as if they are "a faerys child" - beautiful. But when you look into their eyes a sense of being "wild" is within them. The wildness that the men see in their eyes foreshadows their merciless nature. The wildness alludes to and foreshadows the womens animalistic and heartless actions. In both storys the women seduce multiple men with their physical attractiveness in order to gain control of them and make the situation benefit them. The authors use imagery in their texts by explaining in detail the womens outstanding physical features in order to make the reader picture the women in the same way that the narrator does. Steinbeck and Keats effectivly project the images of the women into the minds of the reader.…
Without a doubt, Gwendolyn Brooks, as she aged and time passed, her entire focus, content, and style in her poetry shifted into an entirely different direction. In the 1960s, the previously vague and universal poetry that had Brooks sought, soon vanished, her style, content, and focus now emphasis now “...towards black solidarity and black pride in her poetry from the 1960's, reflecting her increasing awareness of the political potential of poetry” (Commentary on 1950…). Now, her poetry concentrated on politics and the style of militancy, she only began to write such poems after being “Inspired by the black power movement and the militancy of such poets as Amiri Baraka (LeRoi Jones) and Haki R. Madhubuti (Don L. Lee)” (DISCovering Authors, 2003, Gwendolyn Brooks). Additionally, a good example of her newfound poetic change would be one her poems, “Gay Chaps at the Bar” which serves a brilliant gateway to introduce features that she included in her poems at the time: “...family life, war, the quest for contentment and honor, and the hardships caused by racism and poverty” (Discovering Authors, 2003, Gwendolyn Brooks). Undeniably, the poem itself directly appeals to these ideas, for example in lines 11 through 14, “No stout / Lesson showed how to chat with death. / No brass fortissimo, along our talents, / To holler down the lions in this air.” (Lines 11-14). Or, even lines 1 and 2 “We knew how to order. Just the dash / Necessary. The length of gayety in good taste.” (Lines 1-2). Even, Line 8 where she writes “Knew white speech. How to make a look an omen.” (Line 8). Evidently, this is not a calm, fun central idea, it seems to sound almost angry, almost bitter, as it describes this situation that seems all but friendly or cordial to narrator speaking. Unquestionably, Gwendolyn Brooks’ poetry changed drastically as she grew up, time changed, and…
She sharply admonishes females who criticize her wild and passionate flings, choosing instead to honor the traditional rules of their maternal role models who are ‘long necks Of neighbours sitting where their mothers sat” (5-6). Millay is proud of the critically acclaimed work she accomplishes during the day within the boundaries of “the lofty tower [she] labour[s] at,” but she is clearly unashamed of the sordid affairs in which she engages in the evening (3). The author readily accepts full responsibility for both her accomplishments and her transgressions acknowledging, “To what it is, this tower; it is my own” (10). She reprimands her critics who condemn her insatiable sexual appetite responding that those encounters are the stimulants which create the passion for her poetry. While her contemporaries may offer a more sterile, less scandalous alternative to her work, Millay’s poetry is the result of her personal experiences of “anguish; pride; and burning thought; And lust is there, and nights not spent alone”…
Whitman broke the taboos about writing on sexuality. Although he was sexually frank in his poetry, he was strongly against whatever merely pornographical. He asserted, “No one would more rigidly keep in mind the difference between the simply erotic, the merely lascivious, and what is frank, free, modern, in sexual behavior, than I would: no one” (Reynolds, “Why I Write Cultural Biography: The Backgrounds of Walt Whitman’s America” 389). “Indeed, given the contemporary resistance to any published utterance that included sexual overtones, it is remarkable that Whitman was able to carry out his poetic project at all” (Mullins 164). He included a cluster of poems called “Enfans d’Adam” in 1860 edition of Leaves. It depicted sexual love between…
As a feminist poet, Beveridge commonly expresses the characters in stereotypical roles in a manner of females being innocent and kind whereas males are destructive and harsh.…
Tragic and disconcerted themes are continued throughout poems of Duffys such as ‘The Map Women’, ‘The Woman Who Shopped’ and ‘The Diet’; Duffy is trying to aggress to the reader the predicaments with the body being used as a key aspect of female identity in modern society. Fractious subjects like anorexia are used to address how extreme the pressures are to be accepted in society…
Feminism is a very prevalent theme in the book, present from the beginning chapters when we hear about Curley's wife, and his glove full of vaseline. In the book, the only females ever discussed are Curley’s wife, and prostitutes. The characters make women out to be sexual objects, and in general hold bad attitudes towards them.…
The complexity of sex played a role in the way society viewed women. For example, the poem states, “Crime…
During the 1920’s, emerging liberalist women; women who were referred to as “flappers”, the emergence of term coincided with the rise of a new generation of post war women who desired to shake off the shackles of Edwardian repression and establish themselves as an independent force. With this movement, women of all ages awakened to the idea of sexual liberation and empowerment. This encouraged a wave of change that would motivate women for years to come to live their lives independently from men and create a generation of bold and confident women. Among these women was the late Edna St. Vincent Millay, an American poet born in the late 1800’s. As Millay was entering her prime of both emotional enlightenment and sexual power in the 1920’s, she began creating a series works transformed from expression of strong-willed individuals and independent women in some works, (The Lamp and the Bell, 1921), to more of a reflection of human emotion in others.…
The article by Marcia Faulk talks strongly about how the play depicted women in a controlling and demeaning way. Stalk brings up many good points. She mentions that the only women who are seen in the book or movie are either “mindless whores, or if a women is not totally mindless, she is a direct threat to male life”. This is true but the same thing can be said about the male roles as well. The only male characters you see in this book are mental patients, who are weak. One male, Billy Bibbet, could not even stand up to his mother even at the age of 30. Nurse Ratched had so much power over these men that she belittled them. If people are going to argue that this book is feminist I would ask them to look at the one character that is in control. The person who is in control is Nurse Ratched. Everything the men do must go through her until Mcmurphy snaps and shows he has some power as well. The Nurse has so much control over Mcmurphy that she even…
In the poem there was no gender roles but in the movie there was more gender roles. The Angled Axation was more based on men than women. Women were treated bad and weren't really talked about but men were the main parts in the movie and poem. The men were treated better than the women and men could control the women. In the movie you can see that the women were treated bad and the men were taken care of and they could do whatever they want but the women were…
By many, poetry is looked upon as being a language of its own. It’s a way of creatively expressing unique emotions, thoughts, and beliefs with the use of many literary devices. American poetry has been the most important form of writing throughout history. Many famous authors, such as Lucille Clifton, used poetry to document the most major times in history in which they lived, such as the Feminist Movement in the 1960s. During this time, women experienced a significant amount of gender discrimination and harassment, which inspired Lucille Clifton to incorporporate metaphors, similes, and symbolism in many of her poems to raise awareness about the power of women.…
It can be said that society has always been quite judgmental, and at times misguided when it comes to women. The negative perceptions that society has towards females are often times directly related toward her actions. What a female does seems to degrade her identity and capabilities in the eyes of some men. In the poems “The Lady’s Dressing Room” and The essay “A Modest Proposal” by Jonathan Swift, we can see both authors use of tone, form and style to develop their works. These poems are mainly driven by men’s attitudes towards women. A man’s perceived opinion about women can negatively shape society’s views and perceptions of them.…
The poem is about a man who has killed his wife because she was having an affair. It is quite a serious poem, particularly in the first two stanzas. This is directly compromised with the amount of slang used in the poem, such as, “Banged Up” and “I slogged my guts out”. This makes the impression that the he has become mentally unbalanced by the murder of his wife.…
The debate of one’s sexuality has more commonly come into the picture of American society towards the very end of the 19th century. A captious discussion is the lifestyle of Walt Whitman: American poet, essayist and journalist. Though modern critics tend to debate his sexuality, there is great disagreement as to whether Whitman ever had sexual relations with men, expressed alongside his poetry.…