The predominant theme which runs through ‘Cosi’ is one of love and fidelity, and the opera ‘Cosi Fan Tutte’ parallels these ideas by following a similar story line, particularly in the way Guglielmo and Ferrando’s acts…
The predominant theme which runs through ‘Cosi’ is one of love and fidelity, and the opera ‘Cosi Fan Tutte’ parallels these ideas by following a similar story line, particularly in the way Guglielmo and Ferrando’s acts of deception in ‘Cosi Fan Tutte’ are somewhat connected to Nick and Lucy’s betrayal of Lewis in ‘Cosi’. It is a clear example of life imitating art as the drama in the opera matches Lewis’ challenges with fidelity in his ‘real life’ relationship. ‘Cosi Fan Tutte’ roughly translates to ‘women are like that’, and it is this notion that women are unfaithful that Mozart presents in this opera. Knowing this, Nowra purposely mirrors certain elements of the opera in his play, in order to portray the…
The most obvious structural feature is the ‘play-within-a-play’, which highlights the parallels between the characters and themes in Mozart’s opera, and those in Nowra’s play.…
‘Cosi’ is a dramatic play written by Lewis Nowra, which is set in the early 1970s in the midst of the Vietnam War. The inmates in the asylum are to performance of Mozart’s opera ‘Cosi fan Tutte’ as a therapeutic technique to the patients and is directed by an insecure university graduate Lewis, who brings the patients together and becomes as involved into the play as every other member of the cast and gets labelled as ‘one of them’ by society outside the asylum.…
Each text is constructed in different contexts, however have shared themes. Although the 19th-century novel Emma and the 20th-century film Clueless depict vastly different social and historical settings and societal values, the stories in both are essentially the same. Through the portrayal of different texts i.e. Film and Novel, the themes will be presented and received differently. These themes include social status, wealth and personal growth. This essay will explore and investigate the varying techniques utilised by each composer to represent the shared themes.…
Love is not just the central theme of the opera, but also the central theme of Cosi. The particular aspect of love that is the focus of both musical and play is fidelity: the notion of faithfulness, commitment and loyalty. The play explores many aspects of the theme of love and fidelity, and the characters present slightly…
Mozart’s legacy will forever live on. His play “Marriage of Figaro” will be in remembrance of him. “This play was his big hit, a stage comedy with his music in the musical” says songfacts.com. This play will be a progeny of him and his life and hard work. The libretto in the play described his life and will forever live on in his…
Mozart’s Life in comparison to the movie “Amadeus Mozart was a supreme melodist and is one of the most popular classical composers of all time. “Mozartean” is practically synonymous with elegance and grace.…
Discuss how composers influence responses to events, personalities or situations through representations of conflicting perspectives.…
Throughout history, child prodigies have been celebrated as objects of envy and adulation. Rarely, however, have they been understood. Often taunted by peers, hounded by the press, prodded by demanding parents and haunted by outsize expectations of greatness, they are treated as wondrous curiosities. But their stories are often a sad and captivating one, marked by early achievement and the promise of something greater. The letters exchanged between Mozart and his family reflect a wider story of how complications arise during a prodigy's transition into adulthood with evidence of immense pressure from his father, immaturity, and the eventual need to lead a normal life.…
Made in 1984, Amadeus the film focuses on Mozart’s life while representing the 18th century European Enlightenment through social class, politics and social history. Firstly, through the life of Mozart, we saw how difficult it was to survive in society. There was a complex hierarchical structure, which did not allow individuals to upgrade their social class. Therefor, even though Mozart was a brilliant and well-known artist, he lived a mediocre life and his life ended with a below average funeral. Secondly, throughout the movie, we saw how not only the Emperor Joseph II was influenced by Mozart’s music and his new cultural ideas but he also played a big role in the entertainment business. Joseph II, himself, played music and had intellect in different aspects, which can be explained by the cultural movement in Europe, Enlightenment. Mozart to compose an opera to portray the banned Marriage of Figaro play, the Emperor changed his mind about this forbidden play and allowed it in his national theater, in Vienna, because he simply wanted to depict his political empire as a culturally rich environment. Lastly, Amadeus was an excellent portrayal of the 18th century in Europe. It showed us visual aspects such as the clothing of members of different social classes or how people lived and interacted with each other. For example, Constanza was well aware of Mozart’s financial situation, which was a new ideology that women were implicated in economic matters. Also, the way Mozart acted around the King was very different from the way he was around his friends due to the fact that his musical intellect was greater then the King but out of respect he humbled himself. To conclude, Amadeus was a great depiction of the 18th century European Enlightenment in relation to cultural, political and social…
In the following, three operas will be compared by their ability to effectively tell stories through music. The three operas that will be discussed are: “Don Giovanni” by Mozart, “La Boheme” by Puccini, and “Wozzeck” by Berg. All of them represent a different era in classical music, and have similarities and differences. The music will be analyzed both instrumentally and vocally, to show how each is able to communicate to the audience, and tell a story.…
It was exposed that Beethoven, at an extremely young age, was forced to have to support his mother and two younger brothers due to his father’s constant drunkenness. Not even at the age of maturity yet, Beethoven was the assistant organist in the court chapel. A single year later, he advanced to become the harpsichordist in the court orchestra. A talented young man, Beethoven was privileged enough to perform for the infamous Mozart at the tender age of seventeen. Mozart too noticed that this young man was unusually gifted, commenting to his friends, “keep an eye n him- he will make a noise in the world some day”. And that, he surely did.…
All Antonio Salieri longed for was to be a brilliant musician and represent his faith through music. He devoted his life to the study of classical music. Salieri hoped and prayed that he would the best and even. Salieri became the king’s concert master so he was living the life he wanted. Then came along Wolfgang Amadeus Mozart. His music was the voice of God according to Salieri. Salieri deeply envied Mozart’s natural skill and talent. Salieri was upset with God because he gave his talent to this immature, juvenile, infant who devoted his life to a life of debauchery and contempt. Even through all his hate and envy for Mozart, Salieri possessed a secret admiration of Mozart. He did not miss a single one of his plays and tried his best to imitate his style of music. Very soon after, Salieri vowed revenge and planned to murder the “instrument of god”; which is Salieri’s actual plan. Salieri found Mozart’s weakness and of which inspired the foundation of his plan. He dressed as Mozart’s father, knowing that Mozart would do anything to please his recently passed father. Salieri, dressed as Amadeus’ father, asked him to compose a song for a funeral. Little did Mozart know that he was composing for his very own funeral.…
The family as a unit was vital to Italian society, and the class system of these families was in full effect. (Mandel). The Renaissance masters represented the woman’s role in very interesting and strange ways within their paintings. Even though women were seen as domestic creatures, rarely were they depicted in domestic settings. Instead, they were shown as Biblical figures, in high society portraiture or, most interesting of all, as nudes portrayed in a very sexual manner. These representations are almost the exact opposite of their daily role and this could be an interesting examination on the psychology of the Renaissance male artist. It is possible that the representation of women were projections of what men wanted Renaissance women to be, or an unconscious rebellion of what society was like at that time. Whatever the reason, the depictions of women during the Renaissance are vital to the study of women in art as they reveal the way Renaissance life was and how women were viewed during these…