The romantic period in literature started in roughly the 1790s and ended around the 1830s. This was a period when people’s imagination and love for nature flourished, prospered and then sky-rocketed. When comparing the two poems The Ropewalk and Because I Could Not Stop for Death for theme and tenets of romanticism, it is evident that both poets’ exemplify the power of imagination and the weight of nature through poetic devices. While one poet expresses the individual-self the other contradicts with a more social mindset. These comparisons help reveal that the poets’ purposes are to notice the influence of imagination and to also relish nature.…
In the poems, “Mont Blanc” and “Tintern Abbey” their is a description of a landscape that, for the writer, the sight brings upon a philosophical questioning and reflection in which both writers gain a better and deeper relationship with nature. In “Tintern Abbey”, Wordsworth writes:…
The poem, "Birches," by Robert Frost evokes all of the senses. Whether it is the rhythmic flow of the poem or the mere need to recite the words for a clearer understanding, the images that flood the mind are phenomenal. Imagery is an essential part of poetry. It creates a visual understanding of the overall meaning of the poem and gives a glimpse into the unsaid mind of Robert Frost. The imagery also paints a scene of cold wintry days and warmth of summer nights. Robert Frost, while knowing the realistic causes behind the bent birch trees, prefers to add an imaginative interpretation behind the bending of the birches. He also uses the entire poem to say something profound about life. The message that Frost could be implying is that life can be hard and people can lose there way, but there will always be innocence, love and beauty in the world if people look for it. Frost uses imagery to convey this meaning throughout the poem.…
The reason Wordsworth wrote this poem was to express the beauty of all nature and how we take its beauty for granted. He is wishing to convey that we should acknowledge nature because we are nature and nature is in all of use. Also that we should admire its beauty before the image is gone and it’s too late.…
In the poem the narrator observes and appreciates his love for the simple things that he is seeing while walking in the street. The narrator is falling in love with everything around him, but he is yearning for a meaningful, loving relationship. Through the use of imagery and allusion Collins creates the theme that the little things in life are the things that truly matter, even though we yearn for more. In this poem, the imagery is quite plain and concise. Collins was very straightforward when describing what he saw. He says, “I walked along the lakeshore,/ I fell in love with a wren/ and later in the day with a mouse” (Collins 1-3). The “Aimless Love” that the narrator has for these things does not last for very long because he moves right on to loving the next thing he sees. He continues on when he “fell at a seamstress/ still at her machine in the tailor’s window,/ and later for a bowl of broth,/ steam rising like smoke from a naval battle” (6-9). The narrator is very clear and concise when describing what he saw. The narrator is still yearning for something more, but he can’t find it. He goes all over town searching, but he can't seem to find what he is looking for. He notices that he enjoys the simple things in life more than the “unkind words” (12) and the “silence on the telephone” (13) that comes along with relationships. He is not telling the reader to…
In these lines Wordsworth writes about when he was younger and the memories he has which he can never replicate. He's haunted by the beauty of the the rocks, the mountains and the woods. He thinks about the charms of the scenery, how it looks at the time, how it looked in the past and it’s gifts. He gains pleasure from the scenery and reminisces about how nature inspired him even in his younger days, how it what he was looking at would possibly inspire him in later days.…
In the first stanza, the walk through the woods is set up, and the choice he faces is presented. In the first line, "Two roads diverged in a yellow wood", he words "yellow wood" indicates a "scared world". When having to make a big decision in life, having to choose which way to go, many are scared. Line two shows that the option of taking both paths and shying away from making the decision is not an option, which is unfortunate. The last three lines of the stanza really indicate he is by himself and he thought long and hard about the decision. Lines 4-5 show that he tried to "look down one", meaning he tried to see his future if he followed the path. He looked down "to where it bent in the undergrowth", meaning he could only see as far as to where it was time to, in a sense, grow up. Frosts use of narration is quite helpful in this because it makes relating to the poem easy for the reader, as he is in an almost "all mighty" narrator, speaking for himself and everyone else.…
As is typical of much of Dickinson’s poetry most of the rhyme is ‘slant’, or words that do not quite rhyme such as wood and road. Composed of five, four line stanzas, with the rhyme scheme abcb defe, etc. for the first three and last stanza, with the third stanza’s scheme of jklj. With this interruption of the meter she effectively stresses a break in the poem’s imagery development to stress a change. It is also a pivotal point in the poem’s theme, too, as she reflects on the barren land after the autumn harvest. It almost can be sung, the flow of the words’ sound almost as pleasing as the imagery of the snowy countryside scene she depicts. With heavy use of metaphor she describes the winter scene while never using a word that normally is associated with weather such as frozen, snow, or temperature references. In the last two lines of the first stanza, she cleverly uses the cold, white marble like stone alabaster and blanket of wool to represent snow with the words “It fills with Alabaster Wool The Wrinkles of the Road-” (Dickinson lines 3-4). Her puzzling use of punctuation and hyphenated pauses mostly creates metrical rhythm throughout and adds to the lilting qualities, although the pause at the end of the poem leaves question as to the author’s intentions. With assonance and…
The poetic language and writing in these two poems “Stopping by woods on a Snowy Evening ” and “Loveliest of Trees” describe man's attraction to the beauty of the nature outside. Robert Frost and A.E. Houseman each use different types of sentence structure, imagery, and diction to depict the environment and feelings of the narrators in their poems.…
Nature, Passion, and Religion are three themes that typify romanticism in a profound sense. In his book ‘Romanticism: Keywords,' Fred Burwick discussed those three words and gave some examples on how they typify romanticism. Firstly, when Burwick started talking about nature in his text, he began by explaining that the concept of nature went through a drastic change through time. Then, Burwick moved on to show us some examples of authors who recognized nature, including William Wordsworth and made a point to inform us that in the romantic period authors emphasized a lot on nature, gave it importance and recognized that some people were violating and polluting nature. In William Wordsworth’s poem, ‘Tintern Abbey,’…
Dickinson's poems share a theme of the romanticization versus the reality of nature although they contrast in their differing overall messages. She represents in her poetry what humans romantically sense as nature and the natural world while allowing her readers to ponder upon the sensibility found in the analyzing of the works.…
One of the finest qualities in most of Frost's poems is the liberal use of nature for setting. Along with the use of seasons for backgrounds, he also utilizes trees and leaves to transfer human feeling onto them. Frost delivers his poetry in the easily comprehensible, conversational style of New England inhabitants of the twentieth century. The use of simple English metrics is admirably suited to the subjects and themes Frost presents.…
One element in Romantic literature that is very prevalent is images of nature and the speaker embracing it. William Wordsworth's "Lines Composed a Few Miles Above Tintern Abbey" is a poem about a man who comes back to natural setting and realizes its profound beauty and him praising its great effect on him. This is one poem that contains enormous amounts of images of nature. Throughout every stanza the speaker describes the woods, hill, meadows and streams. In the poem the speaker also speaks of his love for nature in lines 103-105 stating, "Therefore am I still/A lover of the meadows and the woods/And Mountains." Wordsworth further embraces nature near the conclusion of the poem where he in line 153 calls himself, "A worshipper of Nature." The poem closes with the speaker reflecting and acknowledging the greatness of nature's effect on him using both natural images while embracing it, "Nor wilt thou then forget/That after many wanderings, many years/Of absence, these steep woods and lofty cliffs, /And this green pastoral landscape, were to me/More dear, both for themselves and for thy sake!"…
The child’s imagination allows them to form an intense bond with nature. In Tintern Abbey, Wordsworth has several boyish encounters where his emotions are prime as opposed to intellectual endeavours. As a boy, he thought of and imagined the mountains and woods. Their appearance manifested to him as “an appetite” or “a feeling and a love” (line 80). These raw emotions, which Wordsworth experiences is not due to external influences but because of the child’s imagination. Having “no need of a remoter charm” (line 81), nature appears to Wordsworth solely based on his youthful imagination and senses. It is an ecstatic exchange, in which all of nature seems holy and sacred to Wordsworth. This allows him to immerse himself in nature and truly become one with it.…
The poem follows the narrator’s internal monologue as he revisits a place of nostalgia that ignited his love of nature. His fears that the picturesque scene of his childhood has been idealized are quieted as he sees the place for the first time in five years, falling in love with the environment all over again. He even credits nature as “The anchor of my purest thoughts, the nurse,/The guide, the guardian of my heart, and soul/Of all my moral being” (Wordsworth LL. 109-111). His ecological thinking recharges his soul and makes him feel joyful about life once again. Nature also connects the narrator to his sister, who he sees himself in because of their love of the countryside. He acknowledges his sister the first time in the poem as his “dear, dear Friend; and in thy voice I catch/The language of my former heart, and read/My former pleasures in the shooting lights/Of thy wild eyes” (Wordsworth LL.…