On Tuesday, April 20, 1999 two students ( Eric Harris and Dylan Klebold) of Columbine High School in Columbine, an incorporated part of Jefferson County, Colorado, killed 12 students and one teacher, and injured 21 other students. After the massacre the pair committed suicide.…
Act Three of Othello begins with Othello having no doubts at all concerning his wife’s fidelity and the happiness of their marriage, and ends with him almost totally convinced of her false guilt of being in an affair despite having very little evidence to prove it and no reason to want it to be true. His complete certainty comes rather from the manipulative skill of his ensign Iago who uses three principal broad categories of tactics to convince Othello of Desdemona’s culpability.…
Othello is a tragic hero whose jealousy is cleverly manipulated by the maleficent Iago, transforming him from a noble figure to a disturbed murderer. In keeping with the tragic genre, Shakespeare depicts a sequence of events through which bring about Othello’s decline. The playwright slowly escalates the emotional intensity of the play as Othello becomes more obsessed and less rational. The audience experience a range of emotions as the emotional escalation created is at last over.…
The reader is revealed to a noble man of the Northern African decent, an outsider who has come to be well regarded as a leader of Italian military might. He notably outwits Iago’s first attempt to separate him from Desdemona. Othello sways the duke’s opinion through eloquent speech and a steady hold of composure even when confronted with Brabanzio’s absurd accusation of witchcraft. Othello has wooed Desdemona through his rousing tales of adventure and war. As the seed of doubt grows and plans of revenge stem Othello loses his articulate speech and compelling words. As the reader is led up to the climax of his dreadfully evil action, it’s seen that Othello’s speech becomes sporadic and full of unwarranted emotion. Sentences are full of hiatuses and exclamation points; this ruins the sense of coherent flow of thought. Othello has become deeply rapt in the tales of the Iago, his distracted mind becomes more and more confused and overwhelmed by the supposed deception that is taking place out of his control. Othello is engrossed in…
In Shakespeare’s “Othello,” Othello is highly respected and looked up to but later is influenced by the antagonist, Iago, resulting in a jealous insecurity ultimately leading to his murdering of his own wife and the plotting of murdering of his ex-lieutenant, Cassio. The reader first notices Othello’s shift in character…
Iago throughout the story has been known as “Honest Iago.” As you read the piece he is clearly not honest and speaks of his fiendish plans to ruin Othello’s relationship with Desdemona. In this act Iago’s plans really start coming together and are unfolding before him and he hardly has to say a thing.…
In Othello, Shakespeare adheres to some of but ignores some of the rules set from A Discourse of Marriage and Wiving, while he creates conflicts in Othello’s marriage to Desdemona. While everything starts out great with Othello’s marriage to Desdemona, things slowly unravel when Iago, the villain of the play, begins to fill the heads of his ‘friends’ with lies. Othello is boastful of the beauty and gentleness of his wife, causing the work for Iago to be minimal. Othello allows his sweet Desdemona to be around his friends more often than he should and by doing this Iago finds it that much easier to make his plan fall in place. Othello grows very jealous as Iago fills his head with lies of his sweet Desdemona and from there everything goes spiraling downward into an awful fate.…
Later, chapter 3 will be based on an analysis of gradual behavioral changes in Othello, with regards to Act 3, Act 4 and Act 5. Moreover, this chapter will disclose the impact of Iago’s insinuations in manipulating Othello’s mental state, which will be observed by analyzing Othello’s rage, and his work sheet for revenge on infidelity of Desdemona.…
With these final words, Othello stabs himself in the chest. In this farewell speech, Othello reaffirms his position as a figure who is simultaneously a part of and excluded from Venetian society. The smooth eloquence of the speech and its references to “Arabian trees,” “Aleppo,” and a “malignant and a turbaned Turk” remind us of Othello’s long speech in Act I, scene iii, lines127–168, and of the tales of adventure and war with which he wooed Desdemona. No longer inarticulate with grief as he was when he cried, “O fool! fool! fool!,” Othello seems to have calmed himself and regained his dignity and, consequently, our respect (V.ii.332). He reminds us once again of his martial prowess, the quality that made him famous in Venice. At the same time,…
Throughout act one, two and most of three, Othello is the same calm, strong character who is in love with his wife. In Act 3, Scene 3 is where everything changes, Othello goes from being a noble figure to a disturbed murderer, Iago is to blame for this. Iago pushed Othello to turn his feelings into jealousy and anger, this lead to him wanting to kill his wife and Cassio. Othello also says that when he stops loving Desdemona, there will be ‘chaos’, by the end of this scene he is already plotting her death.…
“Othello, the Moor of Venice”, tells the tragic story of a noble hero that is undone by his own fatal flaw. Othello has a blinding trust in those closest to him, and he leads with his heart, not his mind. This fatal flaw is exploited by a supposedly loyal friend and Othello's trusting nature and inability to separate what is in his heart and what is in his mind dramatically results in tragedy. With a running theme of perception versus reality, Othello's refusal to accept the difference between them foreshadows the tragic ending. The play begins with Othello's Ensign, Iago, hatching a plot to destroy the life of Othello and he has recruited Roderigo to help him carry out his devious plan. Iago has everyone fooled into thinking he is of noble loyalty to Othello further supporting the perception vs. reality theme. The reality is that without this belief, he would have been unable to dupe Othello, with these lines “Were I the Moor, I would not be Iago” and “I am not what I am”(59-60). He hates Othello for not being promoted to Lieutenant, a position he felt he earned. Iago's first act of deceit is an attempt to deny the validity of Othello and Desdemona, who recently eloped and to plant the seeds of doubt by having Roderigo tell Senator Brabantio that his daughter Desdemona has eloped with Othello. The Duke believes that Othello has bewitched Desdemona with magic. Desdemona and Othello deny the claims, and she openly declares her love for Othello. The perception versus reality theme is fully explored here. The perception, instigated by Iago, is that the marriage is a sham since the courtship was brief but the reality is that Othello and Desdemona truly love each other and feel they belong together. The Duke sums up the theme very well with “When remedies are past, the griefs are ended/By seeing the worst, which late on hopes depended”(202-203); if you can't change something, don't cry about it. When you…
Language is, arguably, the primary defining feature that separates humanity from the rest of the animal kingdom. It has allowed the classification of our known universe, and the subsequent formation of an abstract body of collective intelligence. Language also has the power to persuade and seduce, which has resulted in a dynamic understanding of our feeling and emotions. Due to the fundamental function of language to interpret and understand the complexities of our own social system, it follows that ways of speaking about specific ideas and beliefs are instrumental in the formation and manipulation of ideologies in such a system. In the context of Othello, Moor of Venice, discourse around gender works to both reinforce and challenge the dominant assumptions of patriarchal society through the marginalisation and empowerment of primary female characters.…
Through extensive critical study of William Shakespeare’s play Othello, taking into account the countless productions of the play over the years, which reaffirms its status as an enduring valued text, it becomes distinctly evident that part of its ability to continually engage readers is drawn from its treatment of themes universal to the human experience , such as verisimilitude and jealousy. Society’s constant struggle with what is real and what is not in our modern world, coupled with our everlasting battle with human emotions such as jealousy, give the play textual integrity, ensuring that the play is reputable of critical study. This can be specifically realised through the close analysis of Act 3 Scene 3, Act 1 Scene 1, and Scene 3 in which Shakespeare utilises his art to replicate life and verisimilitude to confront the audience’s perception of reality and jealousy. Close examination of these pivotal scenes in regards to the key thematic concerns not only accentuates the interpretation of the play as an Aristotelian tragedy, but also draws attention to why Othello continues to engage and enthral contemporary audiences.…
In the play Othello written by Shakespeare, Iago is characterized as an individual who is both manipulative, egoistic and troubled. He had previously suspected that Othello, otherwise known as Moor had slept with his wife Emilia. Leaving Iago with a strong desire for revenge. Shakespeare successfully uses diction and symbolism throughout the passage. These devices are used to provide the reader insights regarding Iago’s character and motivation.…
Shakespeare's 'Othello' is the study of how a seemingly successful Venetian general, is skilfully manipulated by the cunning Iago, who by exploiting Othello’s insecurities transforms his identity into a jealous murderer. At the beginning of the play, Othello’s identity is that of an assiduous black general who fought exceptionally hard to gain respect in a white dominated society. In marrying Desdemona, Othello adds to his identity by being a lover and husband and his identity is portrayed to be interconnected to his love for Desdemona. Iago is jealous of Othello’s high standing and greatly respected identity and therefore undermines Othello’s confidence in his wives faithfulness and turns his identity into an irrational jealously. Shakespeare utilises a number of key techniques in ‘Othello,’ to indicate the extent of Othello’s identity changes. These changes are effectively conveyed to the audience through the contrast of Othello’s outward appearance with his affable interior. They are further…