One would think that since Henry and Lyman both worked so hard that they would have a car. Lyman says, "Don't ask me why, because we never mentioned a car or anything, we just had all our money" (Lamartine, 365). It was not until they saw this red convertible that they decided to purchase a vehicle. Lyman was very excited the first time he saw the red convertible. The brothers had been to busy working and living their day to day lives that they did not spend much time together but this red convertible was the rebirth or start of something new for them. Lyman felt as if the car was alive.…
The note said, “It wasn’t an accident.” The so called “accident” that killed Jake’s best friends turns into a question that Jake is desperate to find answers to. At this rough time in his life, Jake must deal with making a difficult choice. Jake is forced to deal with pressure when he meets suspicious FBI agents. He is convinced that they need one another to solve their respective mysteries, but they leave Jake wondering what their mystery really is. This is difficult for Jake considering he doesn’t know anything about these men. Because Jake is clueless about their problem, he makes the difficult decision to trust them and agrees not to collaborate with a detective he relies on and trusts with his life. The choice that Jake carelessly makes, shows that he is desperate to find answers to the mystery. Jake is taken advantage of because he is clueless about who they are, and turns out the hard choice Jake made, was the wrong one. Jake’s confidence about who to trust is broken when he ends up in a life or death situation. Jake starts to get too close to answering the mystery. He finds out the truth and Jake must fight for his life. Strange agents claim they need Jake’s help and that puts him in an uncomfortable situation, where he makes the wrong choice. He then realizes that the accident was never really an accident. Jake’s actions cause him to block out a trust worthy friend, as well as getting trapped in his wrong decisions. He gets too close to answers and almost loses his life. Jake put confidence in who he met instead of trusting what he knew. In the end, Jake was saved by the friend he decided not to trust.…
On the journey to their destination, the main characters: a boy, his father and a man named Lars, drive for “several hours on the highway” (para. 2). The highway gives them some problems as the “tires {of their pickup whine} on the dry grey pavement, sunshine glinting on the hood, warm on the dash” (para. 2). They also have to drive in a place where there’s “gravel road and dust” (para.2), which is also part of the conflicts relating to the setting.…
he has “the least amount of responsibility” and buys the car he’s always wanted. Lester’s emotional reactions to his problems turn into active manifestations of his desires.…
The narrative, The Driver’s Seat struck home for me because I just received my driver’s license this past May, 2015. I took time for me to actually drive and to become comfortable behind the wheel of a car. This piece of writing spoke to me and allowed me to review some of the identical thinking points that I went through while getting to the point of taking control of my dad’s car. The story effectively walked me through the trials of spirit and mental anguish that preceded me in taking hold of the vehicle with my dad as the co-pilot giving directions. This was the exact thing the driving instructor in The Driver’s Seat‘ taught the author. The routine of how to maneuver and throw caution to the wind- taking risks- to get the author over…
“A Street Car Named Desire” tells the traic story of a wom an running away from her life at home to an even worse life in New Orleans. Blanche moves in with Stella and Stanley which leads to her tragic downfall. This move results in her going insane and being commited. “A Street Car Named Desire” has many traigic elements that lead to an amazing, but…
At the beginning of the book, Jake and his friends are living in France in the 1920’s, most of them not originally from France and several of the World War I Veterans. Jake’s assorted escapades detail and depict the 1920’s nightlife for him and his friends, and the many people they meet along the way, which is little more than purposeless self indulgence. The prevailing problem for Jake is more of a psychological battle than anything else. Although ailed by physical disabilities from war, and perhaps worried about his own financial security, Jake’s personal demons lie more in his brain, plaguing him with self doubt and depression. Self conscious of his erectile dysfunction, depressed that Brett won’t fully return his affections, and prone to verbal lashings, Jake lives a…
teenagers is their passion and their lust just like the old cars. Once someone had a passion for the old cars, and once upon a time someone was in a lust by the old car as well. The speaker himself or should we say as readers James Dickey that he reads the lives of past generations into their wrecked vehicles. One example of the speaker putting lives into their wrecked and old vehicles is when he was in the front of the car imaging people in the car through the back window, and when he imagines the old lady taking toys to the orphanage. The type of symbolism that the author uses for putting people’s lives work in two different types of ways. The symbolism shows how the authors mind can make a setting or playgrounds anywhere it must a prime example of the author making a setting is when he turned the junkyard into a paradise. The symbolism of the author putting new lives or the owner’s old life’s into dead cars also shows how anything can become subject to age and deterioration.…
Unlike todays modern romance novels the short story “Love in L.A” by Dagoberto Gilb does not follow the typical path of boy meets girl, they fall in love, and live happily ever after. Instead it takes a unique path which portrays a more realistic way of love. It’s rare in reality one automatically finds the wealthy, well-dressed, well-mannered and handsome man driving a fancy vehicle. Sometimes he may be a little self-absorbed or tells a lie or two, just as the slouchy, wanna be superstar character of Jake in this piece. Gilb’s short story is still a love story just with a…
L.A. Story is a romantic comedy set in the city of Los Angeles which “tells the story of Harris K. Telemacher, an L.A. weatherman who falls in and out of love with the aid of a talking freeway sign”(wiki). The city is portrayed to be as a character itself with the ideas of the two people that created the story. Mick Jackson, the director, started out as a British television and movie director, while his partner Steve Martin, the screenwriter, is an American comedian and writer. With their differing perspective of the city, they are able to create a world for their Los Angeles resident audience and their foreign audience to fall in love with. Jackson and Martin use situational humor to portray exaggerated stereotypes of the film to convince those interested in Los Angeles of the possibilities the city has to offer.…
Gilb in “Love in L.A.” does not portray a person who is a working person but someone who doesn’t have a steady job. Jake, the main character in the story is stuck in traffic and daydreams about all the things he could have with a steady job but knows that…
Although many symbols drive the story, the most obvious is the red convertible. In the beginning of the story Henry and Lyman buy, restore, and travel around the country in the convertible together. This shows a normal relationship of two brothers before the effects of war. When Henry goes off to war, the relationship changes, and not for the better. Lyman took care of the car and made it almost perfect while Henry was away. When Henry returned from war he lost all interest in the convertible, as well as in Lyman. Lyman beats up the car as a result of feeling neglected by Henry and so Henry would emerge from his pain and fix it. The car portrayed the broken relationship that Lyman feels between him and his brother. Henry was so consumed with other thoughts and memories he was unable to function properly. It took Henry nearly a month to discover the car had been damaged and to confront Lyman, “ That car’s a…
Many times throughout the story he speaks of the people he has lost in his life and about how he once drove around the lake with them. He specifically speaks of two people, Sally and Max. He said, “Back in high school, at night, he had driven around and around it with Sally Kramer”. Sally Kramer was an ex-girlfriend he had before the war, who is now married, which marks an end to that relationship. He brings up his friend Max also, who drowned in the lake when they were younger. He says, “Before the war, they’d driven around the lake as friends, but now Max was just an idea”. Like the relationship he had that went nowhere, so is his life.…
Some things that contributed to Sarah’s attitude towards her curfew was peer pressure. I think that if it wasn’t for the peer pressure, Sarah would not have went out at all and would have stuck with her curfew. Peer pressure I think is the main cause of what teenagers do and what they do not do. A lot of teenagers are follow what is popular and sometimes they do not think of the that consequences can happen after they do something. I think that Sarah went with the peer pressure as they will all trying to get her to stay and talking to Jake, I believe did not help with making the right decision of not going home one time. I think that Jake was attracted to her because of the person she is and he liked that kind of person. They seemed to get along good and had something in common, which is a start of attraction. Another reason is that he could have been drinking, but I do not think that this is the case in this situation.…
The bumper stickers are not exclusive items, the access to them is rather easy as long as they remain on the market. As such, they create quite consistent image of population, based on popularity of particular bumper stickers. Seeing as the phrases that David Shileds collected and published before the year 2000, that still remain valid and common, the image of the society has not changed that much within these days. What the critics in 1996 did not, or rather did not want to ackcnowledge is the sterotypicallity of people. Life Story is an overview of a life, from the moment of birth until death, of an unknown individual whose life can be summarised by bumper stickers. Creating such an obvious stereotype is a way for the author to write an authobiographical piece but moreover, a chance to make a statement on the society. People create stereotypes and models, out of their behaviours and claims. Philip Lopate says in his foreword that “the white space between sections permits easy jumps from the personal to the impersonal, the trivial to the lofty, (2003)” claiming that the reception of the text can be dual,but at the same time it allows for creation of various smaller stereotypes that can be put together and as a whole make a rather mocking portrayal of a cliché American. The stereotypes that can be found in the text are more often than not degrading and quite…