In this text I’m going to talk about two stories; “Cujo” and “The Diary of Anne Frank”, both of the stories talk about different problems and how the characters act in different ways, and how they resolved it. I’m going to compare and analyze how they respond to their conflict. Starting with the Story of “Cujo”, the main problem is that Donna and his son, Tad, were trapped in a car in a remote repair shop, and a rabid San Bernard was attacking them. Donna reacts in a desesperated way and was really scared. His son was also really scared and he won’t stop screaming and crying.…
A cultural issue that has led to many controversial topics is the stature of good versus evil. In other words, the argument suggests that novels and history itself demonstrates the blurred lines of good versus evil. In my opinion, good versus evil can never just be “good” or “evil”, but instead should be determined on the effect that the situation causes as a whole. Throughout society and in literature, the evidence to support my viewpoint is pervasive.…
The motion picture Casablanca spotlights its characters as the main focus, but as the film rolls an underlying tale of some [thing] deeper emerges. In many ways, the elements contained within the storyline are an Archetypal anecdote for all ages in which love conquers evil. In a time where malevolence and iniquity seemed to prevail, Casablanca is a theoretical passage of hope. In the essay Good and Evil: an Analysis of Casablanca, I will relate character selections and scenarios to Immanuel Kant (e.g., deontology), and John Stuart Mill (e.g., utilitarianism). Furthermore, I will exemplify the concepts of good and evil to character selections and scenarios within Casablanca.…
In reading chapter 4 in working in the shadows we have seen that Gabriele is on his last week of training. Gabriele is giving the job to cut the four rows of lettuce that are in the path of the machine where the lettuce is stored in the boxes. Gabriele is realizing that 4 rows is a lot and his has to get them done. In this chapter you as the reader really realize all the courage, ambition and strength that Gabriel has. Gabriele has started cutting the lettuce the first day Gabriele couldn’t cut 25 heads before having to stand straight up and relax and stretch his back.…
One question has puzzled men who try to answer it since the beginning of human existence, this question being which of the two is stronger, good or evil. The question has been addressed throughout history in many cultures and in many different ways. It is seen often in literature and can be presented through many techniques. In Bram Stoker’s Dracula, the eternal struggle between good and evil is played out between two characters who are sharp contrasts to one another, Count Dracula and Abraham Van Helsing. These foil characters are used by the author to illuminate an important theme of the novel, the power struggle between good and evil.…
People aren’t all they appear to be. Shirley Jackson’s story, “The Possibility of Evil,” is told from the perspective of a 71-year old lady named Adela Strangeworth. Miss Strangeworth is an old woman who has lived in this town all her life. Miss Strangeworth’s character can be analyzed by considering what she does, what the narrator says about her, and how other characters interact with her.…
In any work of literature, there is always an antagonist to a protagonist but it isn't often that a protagonist will be their own antagonist in a piece; acting their own source of conflict as well as possible downfall. However, in both Magic Chalk and Dhowli it can be seen that the protagonist goes through a series of events that leads to their inevitable downfall, many of which are actually dealt not by fate, but consequences of the choices they make. Argon and Dhowli, though of different cultures and circumstances, both struggle to deal with misfortune after misfortune, most seemingly by their own hands, essentially reaping what they sow. In this paper, the focus will be on how these two seemingly different characters can be tied together…
When the inherent dualistic nature of man can no longer be extinguished or suppressed, the parallels between separate identities, the id and superego, become blurred. This notion is explored in Audrey Niffeneger’s ‘Her Fearful Symmetry’, through the characters of Elspeth and Edie, as well as their perception of one another; both of which become a pastiche to Robert Louis Stevenson’s original gothic novella, ‘The Strange Case of Dr Jekyll and Mr Hyde’. Although the initial outlook for the other is hatred, their inextricable connection compels for an acceptance; which is elucidated when Elspeth remarks “But I never hated Edie; that would be like hating myself”. This coincides with the gothic concept presented in Stevenson’s novella; Jekyll is…
In classical as well as modern literature, the battle of good versus evil is a recurring theme. It was once said, “In literature evil often triumphs but never conquers.” This statement is correct. Despite the winning streak dark forces often hold over the plot of the story, their success is only temporary because by the end of the story, good always overcomes the obstacles in its path to reign victorious. This concept is well demonstrated in the works Macbeth by William Shakespeare and To Kill a Mockingbird by Harper Lee. In both works of literature, wickedness holds a provisional sway over the story’s outcome, but loses its title when the forces of good snatch victory from the fangs of defeat.…
This paper will present a rhetorical context for the use of violence in the short story, "A Good Man Is Hard to Find," as she presented in her essay "The Element of Suspense." The form of classical tragedy in this story will also be analyzed from the critical theories of Aristotle and Longinus. Tolstoy will be used to examine the use Christian symbolism. Nietzsche will provide a more well-rounded universal conclusion to the uses of tragedy and spiritual elements in this classic story.…
As soon as my eighth grade English teacher told me the reading assignment for school this year, I knew I wanted to read “Night” by Elie Wiesel. Night is a narrative all about his experiences during World War II and the Holocaust while he was stuck inside of a concentration camp. Eliezer was just a young man when the Nazis invaded Germany and took them from their homes. He explains the stories of him and his father's experiences in the concentration camps. I think it is extremely amazing and impressive that Eliezer survived in the concentration camp. That is the main reason I decided to read this book. Eliezer went through so much, and his life changed so drastically in such a short period of time. He lost his entire family, went through extreme malnourishment, and was treated inhumanely by the Nazis. Although all this, he tried his best to keep his spirits up and be positive.…
In this paper, the researchers aim to relate the state of the community in the novel to the present state of the society today. The significance of the character’s abilities, strengths, as well as weakness will also be analyzed.…
Patrick Modiano relies heavily on symbols throughout Out of the Dark. Some of these symbols are quite obvious, like the use of the clock, while others are more subtle. These more subtle symbols normally double as plot devices. As the symbols, and the details surrounding them, progress through the book, they get increasingly more interesting. Drugs also play a huge role in the book, especially how they are presented to the senses. Through Out of the Dark, both the drugs and their representation change.…
I love the writer’s extremely descriptive writer’s style; it paints picturesque scenes of this exotic land and enabled me to visualise the characters while learning about their personalities. “The sheen of Christa’s skin, the colour of honey from bees feeding on wild marigolds… and no less golden and beautiful was her hair” – this allowed me to effortlessly visualise Christa and Glinton describing her personality as being “sweet” told me she was a kind-hearted character. On the contrary, the author used words like “jealous” and “spiteful” when describing Anacarla and this, to me, denoted a vicious character. Christa was portrayed as a becoming yet humble girl with a kind personality while Anacarla on the other hand, was portrayed as “a cruel viper of a princess”. This made me despise Anacarla but feel nothing except fondness and sympathy toward Christa.…
Introduction: The one-act play “The Bishop’s Candlesticks” is McKinnel’s adaptation of the opening chapter of Victor Hugo’s celebrated novel Les Miserable. The play is based on the concept that no man is a born offender. It is the embodiment of a true Christian. The Bishop has all the virtues which a bishop ought to have −− he is selfless, kind, generous and charitable. He has a childlike innocence and does not understand any ‘dupe’. His absolute faith in God has made him fearless. The convict’s treats to kill him fail to unnerve him. He hates sin but loves sinners. The way he restores the convict’s faith in Christianity is remarkable. Even the convict recognizes his goodness towards the end of theplay, “… but somehow I −− I … know you are good…” He is the most adorable character in the play. No wonder person calls him the best man in the whole of France.…