Facing adversity is hard, but you can get through it. Two girls had one of the hardest adversities to overcome and they did it. While both Bethany Hamilton and Aimee Mullin have adapted to their disabilities, they are different in the ways they approach them.…
Have you ever found yourself doing something not just what you believe in but because you feel that if you didn’t it could be a life or death situation? Elisa Lindheim has found herself fighting for people she loves and the underground. She will risk everything and put everyone she loves in danger to extinguish Hitler’s madness. Elisa Lindheim is the main character in Vienna Prelude by Bodie and Brock Thoene, an exciting and courageous historical fiction book. I believe that courage is not just knowledge but it is also will, as long as you're doing it for what you believe in.…
Love, loyalty, trustworthiness, friendship, and compassion - all these traits describe what is needed to have a healthy and close relationship If a marriage does not have these qualities then there will be conflict and strife. Khaled Hosseini explores this concept in A Thousand Splendid Suns by providing examples of strong and poor marriages.…
Out of My Book is a television series concerning eight book characters who are marooned on an island called Eithiola. In the exposition of the show, which is about two or three episodes long, the main characters are introduced. Ava, Sophie, Prairie Evers, and Ivy are all from Earth and do not believe in magical occurrences. However, Sophie Foster, Fitz Vacker, Jeremy Thatcher, and Mary Lou Hutton have experienced the effects of magic and believe in its power. When the characters arrive, they are all spread throughout the island. Ava, Prairie Evers, and Ivy are on the southern end of the island while Sophie, Jeremy Thatcher, and Mary Lou Hutton arrive on the northern end. In the rising action, Jeremy Thatcher and Mary Lou Hutton explain to Sophie about the existence of magic. She chooses to believe them and they begin planning on exploring the island. Unaware of the other group’s presence, Ava, Prairie, and Ivy quickly find each other and decide to begin by building a shelter. Each group finds and teams up with natives on their side of the island. Unfortunately, they befriend opposing tribes.…
Duras redetermines the idea of the character in Savannah Bay. The three characters of Madeleine, Jeune Femme and Savannah cannot exist in their own rights. They all depend on each other’s action, memories, and admissions. Madeleine’s fragmented memories reflect her fragmented character. She is never a complete character, and the audience will never be granted a full picture of who she is. Jeune Femme is reliant on Madeleine for the representation of her mother, Savannah. Thus, it becomes unimportant to access the character of Jeune Femme, who, unlike Madeleine and Savannah, is not even accorded a name; she is merely a vessel present to retrieve information relating to the character of Savannah. Yet, Savannah is always absent. She is a character…
3. The reader realizes that Orgon is behaving strangely when Orgon asks the condition of his own family, and Dorine tells him that his wife has had a terrible fever for the past few days. Without expressing sympathy for his wife, Orgon then asks how Tartuffe is, and Dorine tells him that he is doing well as he being excellent fed. Orgon strangely sympathizes Tartuffe as if he deserves more than this, while not having the best interests of his family in mind.…
After I finished reading the play Tartuffe, I thought that it can be relatable to today’s society. People can easily fall under the false impression of someone and believe anything that person says, just like Orgon did with Tartuffe. Orgon was so blinded by a fake image of Tartuffe that he gave his back to his own family. In Act three, scene seven Orgon mentions that, “a faithful friend means more to [him] than any member of his family.” Even after his family tried to show Orgon the real Tartuffe, Orgon never questioned Tartuffe’s integrity. In our society, people can easily be misled by someone because many individuals are unscrupulous to take advantage of others. For example, propaganda is used by many people and corporations to persuade…
Tartuffe is made out to be a righteous and holy man; he loses his innocence once he is framed by Elmire. “Ah! Ah! You are a traitor and a liar!, some holy man you are to wreck my life.” Tartuffe originally lost his innocence once he coveted Orgon’s wife. His pursuit for the wife turned coveting into lust. Orgon can now see that Tartuffe was not as holy as his reputation made him out to be. In fact, Tartuffe has ultimately disrespected Orgon, Elmire, and their daughter.…
In Tartuffe, Moliere's use's plot to defend and oppose characters that symbolize and ridicule habitual behavior's that was imposed during the neo-classical time period. His work, known as a comedy of manners, consists of flat characters, with few and similar traits and that always restore some kind of peace in the end. He down plays society as a whole by creating a microseism, where everyone in the family has to be obedient, respectful, and mindful of the head of the home, which is played by the father Orgon. Mariane shows her obedience when she replies "To please you, sir, is what delights me best." (Moliere 324,11) Shortly afterwards, Orgon commands Mariane to take Tartuffe as her husband even though she is not interested in him at all. Orgon's command shows how men are dominate and have control over social order. Mariane's strong obedience to her father (Orgon) supports the Neo-Classical element that the individual is not as important as society. Moliere discusses logic and reasoning by blindfolding Orgon to the reality of Tartuffe's intentions that causes him to make dumb decisions. In the process, Orgon disregard's his family when told of Tartuffe's intentions. After Tartuffe cons Orgon into believing that Damis's accusation is false Orgon replies, "I know your motives, I now you wish him ill:/Yes, all of you - wife, children, servants, all - /Conspire against him and desire his fall." (Moliere 341-342,46-48) Orgon then excommunicates his own son, indicating that his reasoning is deferred due to his ignorance. This in due course challenges the Neo-Classical belief that logic and reasoning is more important than emotion because Orgon acts solely on his emotions. He feels as if his family has turned against his friend so he operates upon his feelings. When Damis returns home and Tartuffe (instead of Orgon) gets locked up, order is restored. At the end, the family commends the officer for apprehending the true criminal by saying, "Heaven be praised! / We're safe.…
Tartuffe is trying to gain the affection of Elmire despite the fact that he is betrothed to Marianne. He makes another pass at Elmire again in Act Four. In this scene, Tartuffe is trying to convince Elmire that they can have an affair. Tartuffe uses language and logic that betray that he is not in fact pious at…
In Tartuffe, the matriarch of the family is Madame Pernelle, and she does not hold her tongue when speaking her mind to her family. As she so states,“ You, boy, grow more foolish every day. To think my grandson should be such dunce! I’ve said it a hundred times, if I said it once, that if you keep on the course which you’ve started, you’ll leave your worthy father broken-hearted.” (Norton; Vol. D; 2nd Edition; Pg. 315) The family’s disregard for her decision making does not sway Madame Pernelle from speaking her truths about Tartuffe. Even though she is not the main character, her disposition towards her family reveals an unhealthy dynamic. As she converses with each character, she makes it a point to expose everyone’s faults to justify her stance on revering Tartuffe as a godly man. The father in the play is Orgon, and he too takes a notable stance against his family in regard to criticizing Tartuffe’s integrity. Though he is not as forthcoming as the grandmother, he voices his distaste for his family’s dislike of Tartuffe in a manner in which he shows his dominance over his homestead.…
In the play Tartuffe, Moliere comically portrays how religious hyporites preyed on innocent individuals of the French society for their own benefits to demonstarte how corrupted a theocratic government can get. Moliere uses common characters to effeicently illistrate his argument: Tartuffe satirically represents the church or rather the Charlatans (hypocrites) of the church, and Orgon represents a typical god fearing individual. The plot of Taruffe describes how attuned Orgon becomes with Tartuffe, who in return sees his commmitment as an advantage to make Orgon believe anything. Once Tartuffe had Orgon 's full trust he starts to make his moves. In the end Tartuffe double crosses Orgon, swindles his property,…
It is apparent throughout Tartuffe that Moliere has an admiration for religion, as practiced by genuinely pious and humble individuals. Cleante is a character who personifies rationality throughout the play. His character becomes the active voice and is used by Molier as an instrument to express his own ideas and to present several of the comedy's themes. In Act I, Cleante shares his views with Orgon, who is being fooled by the hypocrisy of Tartuffe, saying, "There is nothing I more revere than a soul whose faith is steadfast and sincere, nothing that I more cherish and admire than honest zeal and true religious fire" (p. 322). In this speech, Moliere's respect for religion is evident. Moliere believed in the value of sincere devoutness. While he felt that hypocrisy and corruption did exist in the Church, he did not advocate the abandonment of faith and religion. This contention is a primary theme in Tartuffe.…
Furthermore it didn't help that Orgon, a member of the upper class, was portrayed as a total fool and sometime as a complete stupid hypocrite. All of this "offensive" material caused the play to be banned. Many writers before and Moliere himself, decided not to be explicit in criticizing the religious establishment because they knew they would have been harshly punished, and even killed, if they did. As result of their fear of punishment, they preferred to create stories that secretly hided their problems with the church, which is what exactly Moliere tried to do in his Tartuffe. He masterfully tried to hide in irony and comedy his harsh criticism against the corrupt and hypocritical religious devotion of many members of the Church, and of others members of the royal society. Throughout the entirety of the play, Tartuffe, the symbol of these deplorable kinds of men, acts maliciously, trying to deceive everybody. He always uses his corrupted mind and his perfectly designed mannerism to manipulate people or to conquer with preys whoever was trying to oppose him. Surely he represents the perfect…
Lena Lingard intrigues me. She’s gentle even though she’s lived on the farm her entire life and she manages to make the littlest things exciting with her charisma. In ways, her adventurousness and excitement make her similar to Tony. However, they differ in that Ántonia possesses a quiet beauty and inner strength that contrasts with Lena’s liveliness. It’s strange-- I dream the same dream “a great many times, and it [is] always the same. I [am] in a harvest-field full of shocks, and I [am] lying against one of them. Lena Lingard [comes] across the stubble barefoot, in a short skirt, with a curved reaping-hook in her hand, and she [is] flushed like the dawn, with a kind of luminous rosiness all about her. She [sits] down beside me, [turns] to me with a soft sigh and said, ‘Now they are all gone, and I can kiss you as much as I like.’ I...wish I could have this flattering dream about Ántonia, but I never [do].” (109) I love Ántonia and her steady independence but I cannot see her in my dreams in…