Preview

Madonna's Painting, The Ognissanti Madonna

Good Essays
Open Document
Open Document
528 Words
Grammar
Grammar
Plagiarism
Plagiarism
Writing
Writing
Score
Score
Madonna's Painting, The Ognissanti Madonna
In this beautiful piece of artwork the artist put many art elements into it. The artist uses many lines to help him bring this painting alive. On the edges of the painting lines can be seen forming a pentagon. The platform the main figure is sitting in also has lines helping it look like a throne. There is also shapes in this painting one easy one would be the pentagon shape throne the lady sits n then there are squares, circles, triangles, rectangles, and few biomorphic shapes. The texture the viewer can see are skin, shiny, and wood. The skin is from the peoples faces, the wood can be seen on the throne, and the shiny texture in the faces and in the eyes. The painting also poses light, medium, high contrast values in it. Most of the light and high contrast is used in the background and the peoples faces. Especially the baby and the woman carrying him. The final most important element is the color. Many bright colors are used yellow ,red, white. The yellow is primarily used then the red. It also possess dull colors of blue and black. Which is used for the women in the chairs clothing. …show more content…
The largest part of the painting is the Virgin Mary she is the biggest figure in the middle of the painting. The smallest part is Baby Jesus carried within her arms. Both Virgin Mary and Baby Jesus are the most important part of the painting. The painting is dedicated to them showing his faith to them. The most important art element is the texture without it the painting would not look as realistic. The painter added no movement because he wanted to give it a peaceful look to it. The figures were often stiff, two-dimensional and did not evoke emotional involvement with the

You May Also Find These Documents Helpful

  • Better Essays

    The centerpiece of the piece is obviously Mary, though she is on the right side of the painting. In one hand she holds an open bible, and she holds her other hand up in prayer while she is looking down with her eyes almost completely shut. She has a halo surrounding her head as gold rays shine down on her from god, carrying Jesus to her. There is also a dove surrounded by gold above her head. This was a very common Christian symbol used to represent the Holy Spirit.…

    • 1571 Words
    • 7 Pages
    Better Essays
  • Good Essays

    The four figures take up most of the frame, and no other objects can be really seen. Most of the painting has very curved shapes, apart from the girl's triangular mouths and patchwork on the ground. Apart from that most of the features of the clothes are very simple and curved.…

    • 594 Words
    • 2 Pages
    Good Essays
  • Good Essays

    This technique is not quite as naturalistic and realistic as European art of this time, but it is drastically more naturalistic than the traditional indigenous art. Figures depicted in native indian art were solid, bright colors with harsh black outlines, creating an almost cartoonish effect. Additionally, indigenous artists had different conceptions and depictions of the human profile; often times the directions that different body parts were facing would form a composite profile that was not physically accurate. This depiction of profiles and figures is more anatomically correct than most original indigenous works. The dark coloring of the painting reveals indigenous roots, and allows for lighter parts of the piece to become the focal point. In this work, the light shines primarily on the foreground of the painting and consequently the eye of the viewer is drawn to the figure in the…

    • 607 Words
    • 3 Pages
    Good Essays
  • Good Essays

    For example, the iron that the ferry is made of. This is seen on the walls of the ferry, the pillars, the floor, and the chairs. Because there are light bulbs in the ceiling of this ferry’s deck, the light of these are then reflected on these surfaces by using lighter colors, mostly white, which through this noticeable and shiny reflection along with the long brush strokes add smoothness to these, it makes the texture of these appear like iron. Another example is in the floor of the boat’s floor, where we can tell that there are water puddles because of the texture depicted in them, which is done through the reflection of the lights again made with lighter colors and mostly white, the irregular randomized brush strokes as well as the different colors used to portray how certain parts of the floor are wet (with the use of darker colors) and others are dry. Then there are also the buildings in the back which we can see are made of glass because of again the use of reflection made with different colors, especially…

    • 868 Words
    • 4 Pages
    Good Essays
  • Good Essays

    Light and Saint Luke

    • 851 Words
    • 4 Pages

    Perhaps the most noticeable part of this painting is Saint Luke’s piercing gaze. I believe this to be the focal point of the painting. His large gray eyes seem to looking to the right, not right at the viewer, his stare is slightly eerie. He is an older man; the signs of age can be seen on his forehead and the graying in his facial hair. Saint Luke’s beard is long, like you would expect of the time. It is very wavy and seems to curl in places. His head seems to be large which during the time this piece was painted was a common style toward the end of that century was. Saint Luke is wearing a vibrant blue robe like the types you would see in religious artworks. The detail in the color of his robe stands out. For instance, darker shades were used in parts of the folds of the material. The lighter parts are the outside, it gives the illusion that there may be a light facing the painting and the light is reflecting off his robe. Another important detail is in front of his heart is a cross painted in the lighter shade of blue of the robe. The placement of the cross is situated over his heart. Under the cross his hand is extend out of the robe. His hand has long boney fingers with blue veins on the top of his hand. It doesn’t give the impression of someone that is elderly…

    • 851 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The first thing to note is the overall composition of the painting. First and foremost it is a landscape painting. The colors are very monochrome; the space is stretched to reveal a depth to the painting that the eye cannot capture; and there is stillness to the art that embraces nature and serenity of life. In the right-hand corner of the painting there is calligraphy. The calligraphy lacks the precision, but is very clear in its form, much like the depiction within the painting itself.…

    • 1032 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The first panel is the donors that commissioned the painting by Campin, the second panel is the same Annunciation scene of Mary and Gabriel but depicted quite differently, and the third panel is Saint Joseph. This painting pays close attention to clarity and detail, with varying colors and realism. The painting is in oil, and has a style that reflects the Northern Renaissance period. For example, the angel and Mary do not have halos, and it lacks linear perspective. The lack of halos, as well as Mary’s face (which doesn’t seem too happy about the fact that she is about to conceive Christ’s child) could relate to the religious separation that Northern Europe was experiencing during the Renaissance. Northern Renaissance art is very well known for its symbolism, and in this painting nearly every object is symbolic of spiritual ideas (Harris). For example, lilies represent Mary’s virginity, Joseph’s tools represent the Passion of the Christ, and the extinguished candle represents God taking human…

    • 804 Words
    • 4 Pages
    Good Essays
  • Good Essays

    The use of shapes and lines in the painting itself is quite interesting and unique as well. Soft, fluid lines of light green amorphous shape on the green canvas are opposed by the angular shape and assertive lines in the leftmost upper part of the blue canvas. Murray also balances out this straight almost rectangular shape by using curved line to create an oval shape that joins the rectangle making it look like a leg of a table. In fact, the focal point of the composition, the black oval shape in the center of blue canvas with tentacle-like extensions looks like a stylized table itself. This black shape links blue and green canvas, adjoining them, ties the entire work together by flowing from one canvas to the other, and creates a sense of overall unity in the composition.…

    • 529 Words
    • 3 Pages
    Good Essays
  • Good Essays

    The figures in this painting are portrayed as perfect, it is seen in Jesus body as it looks realistic because of how his body is formed and how his clothing sits.…

    • 479 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The painting is flat and contains 2-dimensional forms but portrays a 3-dimensional scene. The way that Colescott composes the various forms and shapes…

    • 348 Words
    • 2 Pages
    Good Essays
  • Good Essays

    The Branchini Madonna

    • 1432 Words
    • 6 Pages

    Every artist has their own interpretation, style, and meaning for any subject they paint, and as for the Madonna and child, Giovanni di Paolo and Raffaello Sanzio da Urbino (Raphael) have only showed the viewers one of the many depictions of these religious icons. In 1427, Giovanni depicted Mary and the child with tempera and gold leaf on a panel known as The Branchini Madonna. In the painting, Mary is painted with a gold crown surrounded by wings from angels on her sides as well as holding her off the ground. She is painted carrying baby Jesus on her lap while looking off into the distance or towards the audience. At the top of the piece, our father is painted with wings around him also. The painting represents the Virgin Mary and Christ in…

    • 1432 Words
    • 6 Pages
    Good Essays
  • Good Essays

    The shapes used in the painting are circular, triangular and square. The square forms emerge in the windows as well as the shutters. The circular forms emerge from both the man and the woman’s bodies as well as the in the man’s glasses. We can also see the round, almost perfect, trees in the background. The triangle appears from the top window.…

    • 1195 Words
    • 5 Pages
    Good Essays
  • Good Essays

    The lines in this work of art are of a large variety. On the right side of the painting a lot of the objects are horizontal. The woman though is sitting up vertically, along with the flame. There are a few diagonal lines also, for example; the position of the woman’s head, one of her legs, and her arm resting on the skull. Everything in this painting is realistic and the shapes are organic. The texture in this painting is two-dimensional. Almost all of the objects seem to be smooth, for example; the books, the wall, the table, the woman’s skin and dress, and so on. Warm colors are used in this painting. The value in this shows the lightest point being the center and from that going outward, it gets darker.…

    • 537 Words
    • 3 Pages
    Good Essays
  • Good Essays

    El Graco

    • 521 Words
    • 3 Pages

    Two things I think are very important to the perception of this painting are the color contrasts and size. When I look closer I'm able to notice brush strokes, textures, and an attention to detail. Analyzing "Feast in the House of Simon" at this scale, 59"x 39," has a much more profound effect on me. This painting would not have the same effect if it was smaller or viewed from a book or website. I also notice the addition of two more disciples and a women, whom I believe is Mary Magdalene. I believe Judas is sitting on the opposite side of the table from Jesus. He…

    • 521 Words
    • 3 Pages
    Good Essays
  • Good Essays

    Madonna and Child by

    • 610 Words
    • 3 Pages

    The subject of the work I observed was a Madonna enthroned painting, a pictorial representations of Mary, the mother of Jesus, with her child. The event depicted shows baby Jesus sitting on his mother's lap. As for symbolism and representation, “The significantly larger size of the Madonna and child group indicates that they are more important. Her traditionally red gown signifies the passion of Christ and her blue mantle that she is queen of Heaven. Her ornate throne, which repeats aspects of Gothic architecture, signifies that she is not only the queen of Heaven but represents the Catholic Church itself. The golden star that falls on her shoulder derives from her title "Star of the Sea" (Latin Stella Maris), which is the meaning of the Jewish form of her name, Miriam (Minneapolis Institute of Arts)”. The work is representational, somewhat non realistic because of fine visible brush strokes. The work is large and the size did affect the impression this work made on me. I like big art works because it's just that much better to look at, being able to observe many details of the artist. The work stands at a height of 5 feet tall and almost 2 feet in width. The painting does look a bit flat and doesn't really have any space. By this I'm referring to character's face, hands and feet. Proportions of the face were off which caused it to look flat. The reason I said this painting is somewhat unrealistic was because of the black brush strokes. Despite it being flat, Buonaccorso did a good job of shading. The gown of Mary and baby Jesus' clothing shows a bit of volume. From my observation, the colors I see on this painting are yellowish-gold, dark-blue, reddish pink and black. As for it's overall composition, I didn't really like it because it's so small in terms of width. So everything was squeezed into such a small space. Unlike other Madonna paintings, this one doesn't have any angels or other characters besides Mary and Jesus. In my opinion, the artist combined the…

    • 610 Words
    • 3 Pages
    Good Essays