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magic realism
Gabriel Garcia Marquez

In my essay I want to talk about Gabriel Garcia Marquez two famous works “One Hundred Years of Solitude” and “Love in the Time of Cholera”. Gabriel García Márquez was born in 1928, in the small town of Aracataca, Colombia. He started his career as a journalist. When One Hundred Years of Solitude was published in his native Spanish in 1967, as Cien años de soledad, García Márquez achieved true international fame; he went on to receive the Nobel Prize for Literature in 1982. One Hundred Years of Solitude is perhaps the most important, and the most widely read, text to emerge from that period. It is also a central and pioneering work in the movement that has become known as magical realism, which was characterized by the dreamlike and fantastic elements woven into the fabric of its fiction. Even as it draws from García Márquez’s provincial experiences, One Hundred Years of Solitude also reflects political ideas that apply to Latin America as a whole. Latin America once had a thriving population of native Aztecs and Incas (of the many complex civilizations to arise in the ancient Americas, the Aztecs, the last ancient Mexican civilization, known for their huge city-on-a-lake of Tenochtitlan and for the practice of mass human sacrifice; and the Incas of Peru, whose rigid state structure and many golden treasures so amazed the Spanish invaders.) but, slowly, as European explorers arrived, the native population had to adjust to the technology and capitalism that the outsiders brought with them. In addition to mirroring this early virginal stage of Latin America’s growth, One Hundred Years of Solitude reflects the current political status of various Latin American countries. Just as Macondo undergoes frequent changes in government, Latin American nations, too, seem unable to produce governments that are both stable and organized. The various dictatorships that come into power throughout the course of One Hundred Years of Solitude, for example,

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