Larry Gerstner builds the high-flying ziplines. He goes to the wildlife park to build his ziplines. When Larry designs his ziplines he looks for tall towers so it could go in a downwards position. The tall towers allows you to see the animals and the landscapes around you. If you want to ride in the ziplines you will need protective harness and safety gloves. The harness is connected to the trolley which allows it to roll on the cable. To stop you need to put the glove in front of the trolley…
James Marsh saw the film as something to give back to the city of New York as a New Yorker himself. Marsh explains in a private interview that Philippe Petit’s act was “incredibly beautiful.” A lot of planning and practice was put into the act, Philippe’s crew that were also from Paris and good friends of Philippe including his girlfriend put everything they had into his dream of walking that tight rope across the famous Twin Towers. Philippe Petit said many times over the years that “life is like walking on a tight rope.”…
The “Necklace” story is about greed, passion for more that what one can have. In this short story, French Writer Guy de Maupassant writes about Mathilde Loisel who is consumed with the desire to have everything that she cannot have. Despite the fact that she has a nice home and a great spouse, she is unsatisfied with everything in life. All she is a think about is riches and privileges that other people have. Her craving for riches is a steady torment and turmoil. Whenever she visits her rich friends she cannot help but overcome with desire to possess of these costly garments. Sometimes the desire even put her to tears. I think craving for these things is a way to complement for things she could not afford. She so obsessed of looking better…
Marie- Laure would go with her father to work every single day. He gave her expensive books about the ocean that she loved. Papa also helped her with getting around the streets of the city, even with no sight, by building the models of the city that they were living in. Losing sight was not easy for Marie- Laure, but her father gave her hope that she would be able to know everything around her, just as if she had perfect vision. Other residents of Paris felt pity for Daniel LeBlanc and said things like, “Poor Monsieur LeBlanc” or “His father dead in the war, his wife dead in childbirth.…
Michel is not the kind of person who cares about tomorrow. He does not have a legitimate occupation, nor a moral awareness. He steals his mistress’s wallet while she is changing clothes, grabs cars and robs money scrupulously, and even shoots the police only for escaping the speeding penalty. This wandering criminal seems to have never been serious on his own life, but to regard it as a risky journey. In the film, he kept running, hiding, mocking everything. Finally, one day comes when he feels exhausted and has no strength to run, his existence also ceases. The only certainty is that he loves Patricia, and wants to leave with her to the sunny Italy. It is this "only" becomes his fatal…
French writer Guy de Maupassant would eat lunch at the Eiffel Tower’s restaurant out of pure necessity, because as he often remarked, “it’s the only place in Paris where I don’t have to see [the Eiffel Tower]” (Barthes 3). Wherever you are in Paris, whatever the weather, the Tower is always there; the only spot in Paris blind to the Tower is the Tower itself. The Eiffel Tower is constantly seeing all of Paris, and in return, being seen by all of Paris. Robert Delaunay’s piece “Champs de Mars: The Red Tower” (Figure 1.) was painted in celebration of the Eiffel Tower’s structure as an engineering and architectural miracle as well as a symbol of modernity in the nineteenth and twentieth…
Main Point 2: The documentary, Man on Wire, sheds light on Phillippe Petit’s thoughts, justifications, and experiences in a way that reflects the symbolic nature of the tightrope walker’s scenes in the novel.…
When Philippe first gets word that the two largest buildings in the world are being built right next to each other in New York City, a fire was ignited in his soul. He soon started focusing formulating a plan to make this dream become a reality. The first thing he realized he needed was a team of supporters to help him do this. It became a long tantalizing process for the team from beginning to end. Although his team members supported him, they did presume problems. Philippe and team member Jean-Louis started getting into heated arguments when they would meet, because Jean-Louis began to feel that Petit was becoming unrealistic about his goal, making it harder and harder to accomplish without full compliance (Man on Wire, 46:46). But, as the planning became more intricate, everyone around him realized how insane this idea was, because it was truly like assisting his suicide (Man on Wire, 51:55). As the tensions rise between the group, members started showing up to meetings high on marijuana and unable to even respond to everyone. All the time that was lost during the unsuccessful meetings pushed Petit further and further away from his dream. Due to the fact that it was illegal and extremely dangerous, without a cooperating team, Petit had nothing. Aside from those…
pissoirs in the Paris streets (why this should have impressed him so, I've never figured…
“I was ratting on myself all them years, and I didn’t even know it.” Terry Malloy’s eventual realisation in Elia Kazan’s film, On the Waterfront (1954), reveals the philosophical nature of allegiances that the story of an exploited waterfront community’s resistance to an oppressive mob is centred on. Set on the docks of Hoboken, New Jersey, the film explores how certain loyalties are detrimental to one’s dignity and integrity but necessary for survival. Whereas other loyalties are often innate to one’s being, born out of love and protectiveness. Kazan argues that ultimately, it is our moral conscience that decides where our dominant loyalty lies. Using a variety of personalities with conflicting morals and fluctuating loyalties, the director suggests to audiences that the most important loyalty we owe is to ourselves, that is, our moral conscience.…
The television industry has been exploited to get into the details of the sad, painful compromises women are seen to make so as to cover distance and make headway in the world of careers that has traditionally been the domain of men. In the process we are also given the gift of hope for the often-encountered hopeless, dead-end streets of the maze called gender relations and cross-gender communication, pithily summarized at the end of the movie by the lead character Michael Dorsey (Dustin Hoffman) when he tells Julie Nichols (Jessica Lange) that he was "a better man as a woman, and I need to learn to do it without the dress."…
“I don’t understand a thing about this world: about people, the and why they do the things they do. The more I find out, the more I uncover, the more I know, the less I understand.”…
Joseph Glidden was born January 18, 1813 in Claredon, New York. He moved with his wife and two sons to Illinois. Soon after, his sons and wife died. He then remarried to Lucinda Warre who had farmland. Through his life, Joseph Glidden had many jobs within the government and teaching. In 1873, Joseph Glidden attended the county fair in DeKalb, Illinois. He saw a wooden rail with nails sticking out and decided to use this to start his design of barbed wire. His wife’s garden needed protection and that started his invention process. One year later in 1874, the barbed wire fence was patented. Glidden became a millionaire with assets. His company, with partner Issac Ellwood, The Barb Fence Company made 10,000 pounds of barbed wire the first year and 600,000 pounds by 1875. When Glidden died, he was one of the richest people in America. Although he wasn’t the first person to create the idea, he patented it, made it affordable, and made it a successful business.…
Obsession can control someone’s entire life. If people are unable to handle their fascination it can alter their reality. Obsession leads people to extreme acts. Edgar Allan Poe’s “The Tell-Tale Heart” shows how a man becomes controlled by his roommate’s eye so much so that he commits murder so he does not have to see the clouded eye every day. Correspondingly, Dennis Villeneuve’s Prisoners is about a father who is so determined to find his daughter that he goes to extreme measures. Both stories depict the concept that obsession can control and leads to severe deeds in the plots, the conflicts and symbols.…