Metaphors are commonly used by writers to explain the reality of double-consciousness. One such method is the image of a "veil," or a boundary between the white world and the black existence (Du Bois 614). Du Bois describes this "vast veil" as able to "shut out" the black man from the white "world," while simultaneously isolating him from everything "beyond" that boundary (614). In The Man Who Killed a Shadow, Saul's sight is obstructed by this veil; thus, he perceives everyone around him as "shadows" of their real identities (Wright 185). Even his parents are distorted by the veil. His mother is a "vague, shadowy thing," while his father dies before he can "retain a clear picture of him in his mind" (Wright 186). He even declares that there
Metaphors are commonly used by writers to explain the reality of double-consciousness. One such method is the image of a "veil," or a boundary between the white world and the black existence (Du Bois 614). Du Bois describes this "vast veil" as able to "shut out" the black man from the white "world," while simultaneously isolating him from everything "beyond" that boundary (614). In The Man Who Killed a Shadow, Saul's sight is obstructed by this veil; thus, he perceives everyone around him as "shadows" of their real identities (Wright 185). Even his parents are distorted by the veil. His mother is a "vague, shadowy thing," while his father dies before he can "retain a clear picture of him in his mind" (Wright 186). He even declares that there