The French artist Marcel Duchamp was the creator of the “Fountain”, a porcelain urinal that was entered into the art world as a major art piece in the conceptual era of 1917. The urinal, which was turned in a 90 degree angle, was white with black writing on one side which read “R. Mutt-1917”. The Fountain was approximately 15in. x 19 ¼ in. x 24 5/8 in, As Duchamp shocked the art world with this Dadaism/ conceptual artwork the question arise, what is it? The piece inspired heated argument among the society's directors for which it was presented and was finally rejected an hour before the exhibition opened. Fountain is one of a group of objects that Duchamp called "readymades," works with which he challenged traditional notions of making and exhibiting art. Anonymously defending the work in the press, Duchamp claimed he had "created a new thought for that object”. The original Fountain disappeared shortly after its creation, but in 1938 Duchamp began issuing subsequent versions of the piece, reinforcing his fundamental questioning of originality and authenticity. The picture shown on the last page is the fourth full-scale version, fabricated in 1964.…
Call it baby talk “Dada”, abstract, or ready-made, Marcel Duchamp, Fountain (Fig. 32-30) remains one of the most risen works of art of the twentieth century.…
When doing portraiture artists tend to exaggerate colour and tones to get across the feelings in a picture or to exaggerate the importance of something or someone in a picture. I have chosen to compare and contrast the work of two portraits, first of all I will talk about ‘weeping woman’ by Pablo Picasso and I will secondly talk about ‘Woman with a veil’ but Raphael Sanzio.…
The purpose of this assignment is to compare and contrast Giuliano Bugiardini’s Madonna and Child with St. John the Baptist, and the Master of Frankfurt’s Holy Kinship. Both are examples of Renaissance paintings, however, Bugiardini’s piece is an example of southern Renaissance, where the Master of Frankfurt’s is one of northern Renaissance.…
The painting in the Mint Museum of Art Collection that I have chosen for my paper is titled Philip the Fair, by Kehinde Wiley. He painted this piece in 2006. He portrays a naturalistic style of an anonymous young African-American male model. It’s a larger than life painting standing one hundred and twelve inches by eighty-six inches tall. One must look up at the painting if not standing far enough away to view it entirely. This piece is an oil and enamel on canvas resulting in intense colors with a lustrous surface.…
The Dadaism art movement is part of history now. The movement began in Zurich and New York around the time of the First World War. ("Dada," n.d.) Dadaism was aimed at the artists who felt art created spiritual values. There was a focus on the failure of this by the endless days of war, the art of previous era’s had done nothing to create spiritual values in the followers mind. Dada was a protest against what they felt was the root cause of war. Dada was an “anti-art” according to Hans Richter, one of the founders of this movement. Dada was used to offend people; it ignored aesthetics and was generally preposterous in form. Many of the art displays were made of different mediums such as urinals, garbage, bus tickets, even snow shovels. One of the more known pieces from the Dadaism period is from Marcel Duchamp “Fountain” in 1917 it was simply a urinal. This shows us that with Dadaism they were able to create art even from objects that would normally not be considered art.…
Some of the important pieces of art that were on display were Madame Louison, which was painted in 1935 as a color etching on aquatint wove paper. It depicts a woman dancing, with one arm over her waist. Another painting that jumped out of me, was Georges’s Tristes Os, which was painted in 1934. It also was painted as a color etching on aquatint wove paper. It depicts a man posing with his hands on his hips. Another great painting that I liked was his Master Aurthur, which was painted in 1934. It was painted as a color etching on aquatint wove paper, and depicts a man posing with his hands on his hips in front of a woman sitting on a chair.…
Marcel Duchamp was one of four siblings who contributed to the art of the twentieth century, though none were as significant as Marcel. He asked himself, “Can one make a work of art that is not of work of art?"; then he bought this piece at a bazaar in the Paris Town Hall and did not alter it in anyway, making it the first of the ‘unmodified’ readymades. Many people would view this piece and see it for its obvious functionality, where you hang wet bottles to dry; however, Duchamp saw possibilities of multiple connotations. He claimed that an artist’s act of choice is sufficient to transform any functional object into a functionless sculpture, altering the object conceptually. He also believed that the “discovery” was what made a work of art and not the uniqueness of the object; where he found delight in paradox, the play of visual against verbal, and the penchant for alliteration and double and triple meanings. Bottle Dryer has multiple implications, especially sexual innuendos of empty erect spikes awaiting empty and wet bottles; however, it never actually dried bottles, which some believed reflected on Duchamp himself who was living a bachelor life. It was Duchamp’s readymades that baffled the art world and demonstrated that art could be made out of virtually anything, and that it required little or no…
CIMABUE: Virgin and Child in Glory surrounded by six angels, c. 1280, wood, Musee de Louvre…
Here is an image. I do consider the following picture art because of its elements and formats, its influence from the Northern Renaissance, its significance to the Impressionism Movement, and its similarities to the Egyptian movement.…
Demonstrated competency through appropriate assessment or earning a grade of “C” or better in ENG 025 Introduction to College Writing II and ENG 032 Reading Strategies for College II…
Amanda Herring, from Loyola Marymount University, came and spoke to us about the Gate Keeper and Key Master Hekate of Lagina. For a little background, the sanctuary of Hekate was structured in the second half of the BC in Lagina Lagina was occupied by a single sanctuary at the time. The only people who lived on the site were people who lived in the temples. Hekate has a conspiracy over her origin. She first appeared in the literature, the Theogany. In this entry of poems, she had the the second most spaces dedicated her poem, being only after Zeus. This shows the relevance and impact she had in the Greek world, at the time. She was said to have been greatly involved in affairs to humans. She helped out all sorts of people, whether it was children, students, athletes, etc. She was not really depicted in Greek art, but when she was, it was only in limited space.…
9. According to Johnson, the foreign military bases of two cold war superpowers, the U.S and the Soviet Union became the characteristic institutions of a new form of imperialism T…
Pretty much as Vincent Van Gogh, I likewise thought amid his period that present-day life, with its steady social change and concentrate on advancement and achievement, estranged individuals from each other and from themselves. As we all know individuals experiencing an unbalance mental condition as Van Gogh did were not in contact with the truth. I think Van Gogh unbalance condition was overpowering while he searched for a puzzling impact to his depiction. Concerning myself, it is difficult to center when I drink alcohol so contrasting it with Van Gogh mental condition must had likewise been troublesome for him to center which is the reason he paint expressionism conceptual. The Starry Night, 1889, oil on canvas, 28 ¾ x 36 ¼", by Vincent…
There have been many skilled artists that have been able to create beautiful pieces. However there are others who are able to create a work of art that is so interesting that it is able to catch the viewer in its world and captivate them into looking at the piece for a long period of time. One of these works is the Persistence of Memory by Salvador Dali.…