Luis describes his life as part of the gang, saying that he and his friends are in a vacant lot they had claimed as their own, furnished with old sofas and covered by plastic to keep off at least some of the rain when an old car comes by. Two of the group go to the street to get a better look and one, Clavo, is shot in the face. Clavo loses an eye in the shooting.…
Description: A mob drama that was inspired by the novel written by an Italian American Author, Mario Puzo. A story of a family whose son was refusing to be involved in the famous Mafia which his family was engaged and how did he maintained the normal relationship with his wife despite the series of violence and betrayal involved and to continue the family business.…
In Fellini’s La Strada the main character, Gelsomina, is very innocent and child like. This is shown by often showing her by the playful sea as well as being followed by animals and children throughout the film. Then there is Zampano, a rather dull muscle man who doesn’t think much before he acts. Yet, Gelsomina follows him with unwavering commitment throughout the film. Only once does she appear to doubt her place with him and shortly after us seeing her doubt her place the Fool, an innocent playful man, puts her back in the mindset that that is her purpose. After all everything has a purpose, even a pebble.…
His assignment is to highlight the life of an impoverished father, but when he sees Flavio, he knows that he can learn much more about the poverty in the region from this boy.…
However, we see Flamineo fall from a strong ambitious character throughout the play to a vulnerable coward. He idiotically falls for Francisco’s disguise as a “moor” called Mulinassar. This vulnerability shows that even a Machiavellian character can be devillianised. This is seen again when he literally stabs Marcello in the back. This shows cowardice as he takes action from behind not giving Marcello the chance to fight back as he doesn’t see it coming. This is the turning point for Flamineo as he is now under Bracciano’s power and his ruthless attempts to…
(R) Antonio’s thoughts reflect the responsibility which he feels to live up to his mother’s expectations, even amidst the struggles of a desensitizing experience as he witnesses Lupito’s death. He displays a high level of maturity and experience as he thinks not just of the horror of the event, but also of the consequences and repercussions of this death.…
As you grow older it is inevitable that you will change in many ways. As a…
“I can’t stand real things. If I could put up with reality I wouldn’t be in here.” How does Nowra allow the real world to be escaped but also a constant presence in his play?…
This scene is very touching as the two characters drink wine and snack on mozzarella. "Let's forget everything, let's get drunk," says Antonio to his son. "We'll eat and be happy for now." Through the food, drinks, and cheerful songs, the two try to forget their problems of the day. This is a scene that everyone can relate to; when you are having a bad day or a bad time in your life, you want to go out and just forget, even if it's for a moment. Bruno keeps looking self consciously at a rich young boy dressed in black who sits near by. This young boy returns his glances with a snotty look. "Eat, eat, don't worry," Antonio says to his son. This scene demonstrates that even in childhood, it is hard to escape from the current conditions. As we saw in the earlier scenes, Bruno is responsible for many things at a very young age. He helps his father clean his bike, closes the window for the baby, and remembers to say goodbye to his mother. Bruno is a character of the middle class. He is not as hopeless as the two children panhandling on the street; one who receives a swift kick from Antonio's fellow employee. However Bruno is not as well off as the young boy at the restaurant. He is stuck in the middle, which is very frustrating because slipping into poverty seems so easy to do while becoming well off seems so far…
The character in La Strata Gelsomina, is an example of an innocent archetype because in the film there were many symbols such as children and animals always being around her, also around water such as the sea, as we found the same setting in the beginning of a film or a movie will be the same at the end. Gelsomina also has a sign of purity no matter what wrong she commits; it will be represented in the film as innocence. Zampano is worried about his physical outlook on life, and being accepted into society. Zampano also worries about his consequences of his actions. An example of his actions would be, in the scene when Zampano kills the Fool after that he worries about the possibility of going to jail; which is the climax of the film. This accidental killing and the emotional toll it takes on Gelsomina shows contact between Zampano and Gelsomina; despite the fact that Zampano sleeps with the mother figure Teresa in the film and when Zampano leaves Gelsomina for the night to be with a prostitute, despite those differences between Gelsomina and Zampano and the clear hatred in their relationship, they appear to always be linked together.…
Victor’s father sends a letter to him telling him to come home because his brother was murdered. Once he gets there the city gates are closed so he had to stay outside for a night. Out there he remembered that it’s been 6 years since he’s been home and 2 years since he left his creations. In the night he sees his creation between the lightning light. Once the monster sees him he runs off. Then victor begins to think that the murder of his brother was because of his creation. Victor knows that he cannot reveal the source of the crime without some serious inquiry about his creation. Thus, Victor is torn between revealing the monster and risking inquisition on his past or letting the criminal justice system free the accused. Once he is home he learns that Justine is accused for the murder because of the undeniable evidence. Justine is convicted guilty and goes to her death with no fear, leaving Victor to ponder the deaths of two innocent victims. He sinks into a deep depression from which he cannot escape. He tries boating on Lake Geneva and a trip into the Swiss Mountains. He escapes to the Chamounix valley region to rest and recover his senses. Victor takes a tour of a nearby mountain and glacier on Mount Montanvert to refresh his tortured soul. While on the glacier, the monster confronts his maker. Victor seems ready to engage in a combat to the death, but the monster convinces Victor to listen to his story. The two go to the monster's squalid hut on the mountain, and the monster begins to tell his tale. The monster begins his story by recalling his earliest memories and how he came to be. After fleeing the city and villages where he is not welcomed, the monster learns to live in the forest. Food is sometimes stolen, and shelter is scarce. He does manage to find a "hovel" attached to a small cottage. He fashions a way to see into the cottage and begins to observe the life of the De Lacey family —…
On the surface, Patria is portrayed as the most mundane of the Mirabal sisters because she is very religious and family-oriented character. However, Alvarez uses these characteristics and emphasizes on the events that led up to her loss of faith in order to shape her motivations for joining the revolution. In the beginning of the novel, Patria had no interest in being part of the revolution. However, her views change when surprise invasion when she was on a religious retreat. During the explosions, Patria witnesses a traumatic event when she looks out the window and witnesses the death of a young boy. She relates to this boy as if he were her own son and the terrible scene had a profound impact on her. After this traumatic event, Patria began to doubt God’s ability to protect her and her family. In her narration, she says, “I'm not going to sit back and watch my babies die, Lord, even if that's what You in Your great wisdom decide” (Alvarez 162). This event had a compelling effect on this character in two aspects. In one aspect, since Alvarez emphasized on Patria loss of faith, she was able to to transform the character, Patria from an ordinary, religious woman into a strong member of the revolution. In another aspect, by highlighting this traumatic event in Patria’s life, Alvarez was able to create depth in…
The monster constantly watches the DeLacey’s, longing to associate with these people. He starts to learn what is important to the family and what they value most. He learns the importance of kindness when Felix and Agatha give up their own dinner for their father. He copies their example, just like a baby would its parents. He wants to feel like a part of that kindness and a part of that family, so he starts cutting up the wood for Felix. In addition, he gradually starts doing other chores for the family too. He collects wood and brings home kindling to be used for many days. The monster’s love for the characters grows stronger every day. Through his consistent love for the DeLacey’s, the monster learns many other values and morals besides kindness. He learns to appreciate what he has because he sees the DeLacey family living in total poverty, but still living with pure hearts. He is able to relate to the family because he lives with nothing as well. Through his second-hand interaction with the DeLacey’s, the monster learns the true goodness of human nature. He states, “when they were unhappy, I felt depressed; when they rejoiced, I sympathized in their joys” (62). He learns to feel emotion through…
The exact moment still flashes before me, the shock in Hero's sweet, innocent eyes as Claudio aggresively shoved her like she was dirt. Her heart sunk into the ground just as my selfishness got the better of me. I still reminisce the memories of the young lovers, the way they dreamed into each other's eyes with love and affection. Though I must submit to the consequences, my fear of the punishment is leisurely overtaking me...…
1978 Southern Italy is where our story takes place; in particular a small village named Aqua Traverse is where we meet our protagonist Michele for the first time. Michele is a relatively quiet nine year old boy, however his ethics and compassion are far beyond his age. Indeed he shows much more courage and convictions in his morals than many of the adults in the story who are too blinded by lust for money and hope for a way out of Aqua Traverse to care much for morality. Michele demonstrates his understanding of right and wrong when describing Barbara’s forfeit, where Skull had ordered her to unbutton her shirt and show the group her breasts. “I felt bad as about it, the forfeit wasn’t fair.” Although he disagreed with the forfeit Michele did not speak up due to his own fear of Skull. What is important however is that he considered the right and wrong thing to do, even saying “I didn’t like my sister being there”. His protectiveness of his sister is the first sign of his wholesomeness and compassion, even in the face of bad acts.…