The significance of allusions in literature is further seen in One Flew Over the Cuckoo’s Nest. Kesey’s most apparent biblical allusion is seen within Bromden’s depiction of the Combine, he states, “... endless machines…swarming with sweating, shirtless men running up and down catwalks, blank faces and dreamy in firelight thrown from a hundred blast furnaces,” (Kesey 86). The gloomy atmosphere as well as the mechanical and brutal nature of the ward, is perhaps an allusion to Hell and Dante’s novel Inferno, as the character Virgil guides people through Hell which parallels the role of the Public Relation’s man who guides visitors through the ward. The ward, of course, is symbolic of Hell itself as it is the center of the machine which attempts…
The Princess Bride is fantastical novel written by William Goldman. The novel is written under the façade of being an abridged version of S. Morgenstern’s fictitious “classic tale of true love and high adventure”, which Goldman has generously decided to abridge and cut the “boring parts” out of. Goldman’s journey to abridge the timeless classic provides the frame story for the main story, which is set in a semi-historic medieval society, utilizing multiple POV switches throughout the novel as well as an an omniscient narrator—Goldman. The inner story follows Princess Buttercup, the most beautiful woman in the world, as she is kidnapped by a trio of hired bandits posing as circus performers—Vizzini, the devil Sicilian, Fezzik the Giant, and…
Even though Marlow’s unrealistic depiction of Kurtz has been shattered by Kurtz’s cruelty, he believes that Kurtz achieved a “moral victory” in the battle with death. In a contest “without clamour, without glory, without the great desire, without the great fear of desire,” Kurtz achieved what Marlow fears he may not be able to do: “He had something to say. He said it.” In his final moments, Kurtz realized the cruelty of his own actions and, in this realization, weakly speaks the words “The horror!” When Marlow came within “ a hair’s breath” of death, he faced the humiliation that he might have nothing to say; therefore, Kurtz’s final “pronouncement” is of so much value to Marlow that it keeps him “loyal to Kurtz to the last.” Marlow believes that life is a riddle which baffles all men and that death is an adversary that every men must wrestle with. Conrad’s use of metaphor to depict Kurtz’s final struggle with life highlights the importance of Kurtz’s “moral victory” to Marlow. The notion of defeat or victory in the “unexciting contest” of life emphasizes that Marlow admires the strength Kurtz shows in his final…
In Section 1 of Night, Wiesel uses imagery and direct characterization to develop the reader’s impression of Moishe the Beadle through Wiesel’s eyes. Although at first glance Moishe may seem insignificant, He was described from the very beginning of the section because the advice and teachings that he had given Elie will stick with him for the rest of his life.…
The mind of man, as he soon comes to know, is capable of many things, and is to be perused by man himself. Marlow is a very wise man, and loves to explore and learn things both about others and about himself. He learns that the evil desires that lie within every man are able to be overcome and avoided, whereas Kurtz and many others do not and fall victim to them. Society in the Europe and eventually in the Congo was trying to pull Marlow down to its levels of corruption and darkness, but Marlow learns that he was able to avoid it as best as he could, and that he has evil inside of himself as well. When Marlow first hears of Kurtz, he hears only good things; Kurtz is a hard worker, an ivory specialist, and an honorable man. However, when he reaches the inner station and gradually spends time with Kurtz, he sees the clear faults in him. When…
Staring up at the high ceiling of his bedchamber, his hands resting behind his head, the king thought back to earlier in the day when he’d picnicked with the attractive and vivacious Princess Mithian. Not only was the woman a dark-haired beauty and a royal, she was witty and a fine conversationalist. Even though she made every effort to put Arthur at ease, the king found himself completely awkward around this charming princess who had just arrived at the castle of Camelot.…
They began their long journey to the mesmerizing castle but time caught up to both the fairy and troll and they were forced to stop and rest. They decided to sleep in an abandoned cabin that was made of candy. When Larry fell asleep on the muffin couch, Lucinda ran out and tried to find her own way to the castle. She knew that her beauty was only going to enchant the troll for a little while, so she decided it was going to be best for her if she left.…
Ignorance is the lack of knowledge or information; as humans are always lacking knowledge, humans are often afraid of the unknown. Lord of the Flies by William Golding has many symbols and events that represent things and real events in our world, such as various religious allegories. Many of the events in Lord of the Flies are related to the stories in the Bible. The stories about the Garden of Eden, Cain and Abel, and the temptation of Jesus are similar to certain events in Lord of the Flies. Through religious allegory of Bible stories related to paranoia, Golding proves his message that when people are paranoid they tend to make poor decisions and act hastily which leads to negative effects on them.…
Throughout the passage the author uses emotive words and phrases that express his attitude towards the authenticity of fairy tales. Firstly, he portrays sarcasm in his criticism of the Grimm brothers by using phrases with negative connotations like “remarkably unaltered” (para.1), “unremittingly sexist” (para.2) and “in abrupt contrast” (para.3). They demonstrate the writer’s biasness against the Grimm brothers’ tales, thus exposing the author’s skewed judgment. Furthermore, it is evident that the author favors Schönwerth 's tellings as he uses words like “thankfully” (para.9) and “enchanted” (para.9) to portray a better imagery of Schönwerth as compared to the Grimm brothers. Thus due to the author’s prejudice against the Grimm brothers and favoritism for Schönwerth, his integrity as an impartial writer is questionable.…
Kurtz is carried out on a stretcher the evil has so overtaken him that, "I…
I was intrigued by how these stories that we now tell to children in simplified, cute versions were once incredibly violent and dark, and I wanted to use the style of the Gothic to revitalize these elements in a new rendition of the story. The presence of dark, creepy settings (instances of pathetic fallacy) in the “barren” castle and untamed wilds respectively are definite Gothic elements, as is the inclusion of supernatural beings to create a heightened sense of terror in the audience. One of the most prominent Gothic elements that I used throughout the story is the idea of the “uncanny”—that the princess’s appearance, thought to be beautiful in its individual elements, is considered “a stroke away from beautiful”; when these elements are placed together, the contrast between them is far too unsettling. The feeling of the uncanny caused by the princess is further augmented by the association of her physical features with death and decay, causing them to further recoil from her, rejecting her from society and casting her out into the “wilds.” This rejection of a monster due to its uncanny physical appearance and association with death is similar to Frankenstein, a paramount Gothic work. “Rumors” and “whispers” mentioned throughout the story are references to the effects of folklore and legends about supernatural creatures, and factor into both Dracula and The Legend of Sleepy Hollow. Additionally prevalent is the theme of maternal relationships and rejected creations. Much of the “Female Gothic” (Gothic novels written for any by women) related to the struggles of women’s condition in society and as mothers. The story emphasizes how the princess is limited by her condition as a woman, and is thought less of because she lacks the “femininity” and “softness” expected of her. It is for these reasons that she decides to prey on the men of the forest and…
The children’s book The Very Hungry Caterpillar and the adult novel Winter Draft are almost impossible to relate in obvious terms, for one character is a man coming of age, and the other is a caterpillar. Both stories however are able to be compared and contrasted when both themes are put back to back for examination. Ultimately, Winter Dreams and The Very Hungry Caterpillar are compatible to each other through the theme of why they desired what they desired, the object being desired, and the character’s outcome and how it affects the theme.…
In the first stanza, the poem begins in a fairy tale-like fashion. By stating events in order, using pleasant and unpleasant images, and invoking emotion in the reader, the speaker begins his or her comparison of the character’s life to a Barbie doll’s life.…
Off he rides, on his noble steed, a valiant figure, straight and tall! To wake his love with "loves ' first kiss"! And prove that "true love" conquers all! – Sleeping Beauty…
Pizer’s claim centers around the disenchantment of these iconic princesses who embody society’s ideals. Through this, Pizer makes the claim that Barthelme’s Snow White perfectly captures…