“I bet there were a lot of people mad at Shakespeare, too, but aren 't we all glad that he wrote Hamlet?" Yolanda 's sisters said in trying to make their tight situation with their little sister Yolanda just a little bit lighter. Even during the days the Garcia family had resided in the Dominican Republic, and Yolanda had always had a cause to tell her stories in either fact or fiction form. The family had to be cautious in the dictatorship, which in turn, had caused many sleepless nights in the Garcia household. When the family had immigrated to the United States her mother still had to worry about the stories that Yolanda would go on to write. Would she have to wait around for a social worker to stop by the house if Yo were telling her fiction stories at school? Yolanda had to write her stories about the…
In Macbeth, Salome, Havisham and Stealing, there are a variety of ways in which disturbed characters are presented through both language, structure and context. In this essay, I will convey the various ways in which disturbed characters are shown throughout the written pieces such as violence, death and loneliness.…
Subordinate characters, whose roles are seemingly unimportant, are thermically critical in Richard Connell’s and Eudora Welty’s short story. A subordinate character often either motivates or challenges the protagonist to do something. The subordinate characters from “The Most Dangerous Game” and “A Worn Path” help the reader understand how the protagonist feels and believes. Both stories are similar since their subordinate characters help express the protagonist’s thoughts, mindset, and characteristics.…
John Misto, the person behind the play The Shoe-Horn Sonata, uses his distinctively visual text as a memorial for the Australian Army nurses who died in the war, as they were refused one by the government. “I do not have the power to build a memorial. So I wrote a play instead.” This drama illustrates the way the women were treated in the Japanese prisoner of war camps, during World War II through the two main characters Bridie – an Australian army nurse and Sheila – an English woman. The different dramatic techniques used in this play aid in the manipulation of the audience’s emotions and sway the preconceptions of the group. Misto utilises projected images and the emotive dialogue to create a vivid image in the viewer’s mind that is both distinctively visual and evokes emotions from the audience.…
In George Gascoigne's “For That He Looked Not Upon Her”, the speaker's complex relationship with a lover is revealed through diction, imagery, and metaphors.…
This essay endeavors to explain the role of Nanabush, who appears in both of The Rez Sisters and Dry Lips Oughta Move to Kapuskasing, while asserting that Nanabush is actually the principle focus of the playwright, although he or she often only stars in limited scenes. Nanabush is a mysterious character, radically different from many other spiritual figures. In the native tongue, Nanabush is not ascribed a gender. He or she is principally described as a trickster, not necessarily harmless but neither ill intentioned. He or she can shape shift, assume people’s appearance, and deviate moods as quickly and effortlessly as the situation calls for. At times Nanabush is peaceful, others vicious, still others graceful, romantic, and aggrieved. He or she covers entire gambits of emotion and yet always remains silently inscrutable. This essay acknowledges that Nanabush’s roles in the plays are multi-faceted, but asserts that the primary reasons behind Highway’s emphasis on the character derives from Nanabush’s role as a symbol, plot motivator, and an audience director.…
In order to create a representation of Ned Kelly that the responder is likely to accept and sympathize with the composer has positioned the responder to view Ned as a loving son, protective brother and lover. This was achieved with the introduction of a love interest, Julia Cook.…
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They live in illusions, with the memories of reality in the past, similar to 1984, where history is important to accepting of their reality. This play shows how characters distort truths to accept the fact that they cannot understand each other. Amanda alludes to her past, and is untruthful to herself in order to cope with her reality. She cannot understand her children's’ ways. As a mother, she remembers her youthful experiences, and longs for the same for her children, Tom and Laura. When talking of her past, she has an elated diction, happier than that of when she talks of the present: QUOTE AND EXPLAIN. Her past has become an illusion and is not the truth of her reality, yet it influences her language. Amanda was outgoing in her youth and desired much attention, differing tremendously from Laura. The language when she describes her lifestyle is a zealous tone, showing excitement and eagerness for her daughter to feel the same. She often tries to live vicariously through her daughter, in denial of the…
Our society’s gender roles are constantly evolving and changing, all in the name of “progressive thinking”, though not all for the good. With a new “social norm” appearing every few years or so, it comes as a surprise that it has been a relatively short time since women have broken through their defined roles to be seen on the same level as men on a social basis. Many of history’s pages are written from a patriarchal perspective, opening the way for the female protagonists and complimentary characters in Susan Glaspell’s “Trifles” and Henrik Ibsen’s “A Doll’s House” to make us rethink those gender roles through the events that occur during the plays and through their own complexity, providing interesting points of comparison and contrast between the plays and challenging audiences to think about gender roles in a new way.…
We examined the burgeoning relationship with George which is cut short by his illness. We see Anna’s passion for her children (challenging God’s edict that none be placed before him) and her desire to be with a man again. We learn a lot about the lives of women in puritanical society in this chapter, and how Anna is already different from them.…
1. Character a. Ann – John and Ann have been married for seven years. Although it may seem after that many years of marriage, the spouses would have great communication with one another, but that isn’t what it seems to be. Ann feels desperate and isolated in what seems to be an unhappy marriage. Ann is labelled as the temperamental and unsatisfied farmer’s wife. In the story, Ann is very selfish and feels no one is ever there for her, which leaves her vulnerable and desperately wanting company. While John is away, his friend Steven drops by to keep Ann accompanied. As time passes, Ann is convinced by Steven that John will not be returning due to the wicked blizzard. Ann compares Steven to John and becomes very attracted to Steven’s handsome looks. As John plans on spending the night, Ann gives in to the temptation and then crawls in to bed with him because she is exceedingly lonely.…
By showing the struggles of Antonio’s day to day life Anaya gave the readers the experience of battling between the dreams of the adults and the children. This was mostly illustrated in the tussle that Antonio faced because of the pre-made future plans of his parents. His mother dreamed of him being a priest or a farmer like the Lunas, while his father dreamed of a life on the road with his kids. Parents tend to do this, conversely causing a battle in the head of their child; sometimes children must choose their own path.…
In tragic plays it appears that women, more specifically mothers like Gertrude of Hamlet and Jocasta of Oedipus the King, are plagued by decisions that are made with good intentions, but end up destroying their lives and the lives of people around them. Women are also under the burden of strict societal expectations when it comes to the decisions they make. These two tragic plays illuminate a human being’s capacity for suffering. Gertrude and Jocasta both care deeply for their sons. However, this care unintentionally causes harm to both of the mothers and their sons. For these two women, marriage is regarded as a societal expectation. Under the societal norms of their time, they are required to marry people to preserve their kingdom. Also, in both of these tragic plays, Gertrude and Jocasta plays are largely characterized by their emotions. Lastly, it is evident that often times women inadvertently bring about the destruction and chaos that is central to the play. Jocasta and Gertrude both engage in decisions that may seem trivial, but end up being very important on a large scale.…
In the text entitled Anansi and his visitor, Turtle, the author denounces Anansi’s cunningness by using an ironic tone. Indeed throughout the text, the author uses sarcasm and parallelism to talk about cunningness. For instance Turtle said to Anansi “thank you for your wonderful hospitality” (619).The combination of the words wonderful and hospitality highlights Anansi’s inhospitality. This oxymoron expresses Turtle’s disappointment about Anansi’s inhospitality which provoked selfishness and cunningness. Besides, the author uses a parallelism to show how Anansi suffered from his tricks.…