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Claudio and Benedick are foils of each other,Claudio is a person who is looking for love “didst thou note the daughter of signior Leonato” (shakespeare 8). This shows how claudio is interested in people, Also in the book much…
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In the very beginning of the story when the men first arrive in messina we see two clear examples of their personalities and dialogue. In the very beginning when they first arrive Don Pedro greets Leonato as so, “Good Signior Leonato, are you come to meet your trouble? The fashion of the world is to avoid cost, and you encounter it.” (Shakespeare 8). He is outgoing and greets everybody while Don John sits in the back and keeps to himself. Later, when Leonato invites Don John to come inside into his house with the rest of the group and he responds with, “I am not a man of many words, but I thank you.” (Shakespeare 10). You can clearly see how the two are opposites in their dialogue and personality. Don John only speaks when spoken to, and has a very melancholy personality; While Don Pedro is a people person who loves the center of…
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seem. Claudio doing his part tricking Benedick, “Come hither, Leonato. What was it you told…
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One reason of how Benedick and Claudio are foils is how different their personalities are. Claudio is submissive, backing down against a fight, while…
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Benedick has probably had a lot of experience with women, only one of whom was Beatrice. He vehemently declares his intent to remain a bachelor and disparages Claudio for wanting to marry Hero, "Leonato's short daughter." He restates his disdain of love and marriage in a monologue alone on stage — even more likely to express his true feelings than his teasing comments to a companion he will lose through marriage. Throughout the early scenes, his exchanges with Beatrice create a feeling that he "doth protest too much" — that is, he really harbors at least affection for Beatrice.…
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Well, this was signior Benedick that said so.”. (2.1.27-29) This quote is Beatrice acting as she does not know it is Benedick who is under that mask. It is debatable whether Beatrice knows that Benedick is the stranger behind the mask but if she does happen to know this then she is deceiving him to make a fool out of him. Of all of deception and trickery that runs through “Much Ado About Nothing” one of the most prominent is the love affair between Beatrice and Benedick. It starts of as “a merry war” that goes on with both Benedick and Beatrice denying the fact that they have romantic feelings towards each other. The signior Benedick and Beatrice first hide their love/feelings with each other. They have a love hate relationship in the beginning as Beatrice says, “What should I do with him? Dress him in my apparel and make him my waiting gentlewoman?” (2.1.34-35). Her meaning of this is that she has no interest in him only using him as a follower. This all changes with the help of being deceived by Hero, Ursula, Don Pedro, Claudio and Leonato lying telling Benedick and Beatrice are strongly in love with each other. With them thinking that the other is in love with them they start to show their true feelings towards each other on their…
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Deception is defined as the act of deceiving someone and tricky is the practice of deception. Shakespeare’s ‘The Tempest’ uses deception in the themes of power through his magic and control, even if this involves betraying his adored daughter, Miranda. However, in comparison to Marlowe’s ‘Dr Faustus’, deception has more negative connotions which involve cruelty, particularly in 3:2, with the treatment of the Pope, whereas Shakespeare focuses more on the positive outcomes that may occur from attempting to control and trick people, with the constant references to fertility and marriage mentioned throughout the play between Ferdinand and Miranda. Trickery and deception is used in ‘Dr Faustus’ to create a comical effect, which the audience would have found funny, but it is also an instance of petty power, whereas Prospero’s power in ‘The Tempest’ is great, and he has the ability to control the elements and the people around him through his manipulation and magic. Faustus has the illusion of power, and is corrupt unlike Prospero, when given the opportunity to exercise his power, he abuses it and puts it to bad use therefore the two characters contrast greatly in their motives and actions. Trickery, also used in ‘The Tempest’, similarly creates a comical effect as magic is used to create dramatic irony, therefore the audience are aware of the theme of trickery in the play and therefore Shakespeare is able to dis-credit and criticise particular characters (such as Antonio, Trinculo and Stephano) as a sub-plot as means to get revenge. Act 3 scene 2 shows the Jacobean attitude to the Pope at this time through Faustus’s attitude and the way he treats the Pope, which would have provided entertainment, as at the time Marlowe was writing, Elizabeth was in reign and to be Catholic would…
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The Shakespearean comedy, Much Ado about Nothing encompasses themes such as the importance of honour, the ideal of social grace, nevertheless uses a plot which primarily revolves around the theme of deception re occurring in various forms. On one hand deception is used throughout Much Ado About Nothing in a malicious manner, however on the on the hand it can be portrayed in a benevolent and beneficial manner such as the fooling of Beatrice and Benedick and deceiving them into proclaiming their love for each other. The use of both forms of deception often makes it difficult to distinguish between the two, such as when Claudio announces his desire to woo Hero, however Don Pedro takes it upon himself to woo her for Claudio. However Shakespeare’s use of deception is neither completely a means of malice nor a mean of showing traits of kindness between characters, the use of deception aids the development of the plot and creates a path for other elements necessary in the play such as its comical elements.…
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Within the play, Much Ado About Nothing, there is a central theme of deceitfulness, as a way to solve a problem or an issue amongst the characters. Though deception is inherently perceived as evil, it led to positive endings after several conflicts throughout the play. In the creation of this theme, Shakespeare uses both negative and positive examples to contribute to his lesson on ruses. Within this particular scene, all of the cons that the various characters have put on are officially disclosed to each other. This scene highlights that deception is not always evil, nor is it always moral, but can be means to an end that can be beneficial or detrimental to a character’s arc. Shakespeare’s use of honesty within this particular scene, establishes the deconstruction of illusions within human relationships in order to complete a story.…
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During a masquerade party, Don Pedro insisted to try and whoo hero for Claudio. Don Pedro stated, “I will assume thy part in disguise, and in her bosom I’ll unclasp my heart, and take her hearing prisoner with the force and strong encounter of my amorous tale. and tell fair Hero that I am Claudio, Then after, to her father will I break: and the conclusion is, she shall be thine.(Act I, Scene I: Lines 276 - 282). Don Pedro is giving out his plan that he will execute. Saying that he will disguise and act as Claudio.…
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The storyline of Much Ado About Nothing revolves around the drama that occurs over slight misunderstanding; a whole lot of fuss about matters that are ultimately not all that important. Shakespeare’s use of comedy in the play transcends time by dealing with issues in a comedic way that always has and always will be relevant and universal. In Much Ado About Nothing, William Shakespeare is successful in humouring and entertaining the audience from any time period. With the use of witty dialogue, animal imagery, sexual innuendo, malapropisms and including funny situations and characters, Much Ado About Nothing is similar to modern day comedy movies and TV shows. This proves that the type of humour Shakespeare strives to attain is carried out well into the 20th and 21st centuries.…
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The plot of the play is based upon deliberate deceptions, some bad natured and others well mannered. The deception of Claudio and Don Pedro results in Hero's disgrace, while the hoax of her death prepares the way for her redemption and reconciliation with Claudio. Lines like "men were deceivers ever" bring about the fact that the deception is a key theme in the play. Nothing shows that deceit is essentially evil, but in the play it is sometimes difficult to…
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The betrayal of a friend occurs again when Beatrice asks Benedick to "Kill Claudio". Even though he refuses after this and says "Not for the wide world", he eventually changes his mind after Beatrice says, "You kill me to deny it". He goes to Claudio and threatens to "protest [his] cowardice" if he refuses to fight and if it had not been proven that Hero was innocent, Benedick could have possibly killed his friend.…
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Appearance versus reality is one of the central themes of Shakespeare's play, Hamlet. The characters frequently put on guises which conceal their true intentions. For example, Claudius, in reality a murderer and usurper, plays the roles of grieving brother and rightful king and the adulterous Gertrude plays the role of a virtuous queen, when she is, in her son's view, a truly insidious woman. Even Hamlet himself assumes the role of a madman in his attempt to establish the reality of his uncle's guilt. This essay will examine this theme throughout the play, focusing on these examples.…
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In The Tragedy of Macbeth by William Shakespeare, the characters are not really who they seem to be since they disguise themselves to hide their dirty deeds or to remain oblivious to those who are dubious. Everyone has a mask, a cover, a veil, it is a play that has a powerful theme, that the surface only shows so much revealed, in the opening scene. Masks provided the path to destruction for Macbeth but they also allowed for other characters to survive by disguising their true feelings toward the tyrant ruler.…
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