Medea was in a normal house on a street in Corinth, with an elderly nurse that used to take care of her.
Medea was in a normal house on a street in Corinth, with an elderly nurse that used to take care of her.
Use this cover sheet when faxing documents back to your loan officer. Faxes that do not contain this cover sheet…
On January 1, 1990 David Dinkins was sworn in as the 106th mayor of New York. He was the first African American mayor for New York. This was important at the time because New York City was racked with racial tensions and crime statistics rose while he was in office. When he won he ended Edward Koch's bid for reelection for a fourth term. Dinkins won against former U.S. Attorney Rudy Giuliani. Due to a recession Dinkins could not do many of the plans he wanted to instill as mayor. Dinkins reduced crime a great deal but never got reelected.…
Euripides constructs Medea to be a powerful voice in a world of silent women. All women of the time were treated the same way, and they weren’t valued. Medea was a King’s daughter, sorceress and Apollo’s granddaughter, so just those factors made her different. Medea was not herself when she was with Jason, she changed when she became Jason’s wife living as a foreigner in a ‘civilised’ land far from her native home. As “an exile,” Medea has been self-contained and submissive, she has “won a warm welcome from her new fellow citizens” and has been “complete support” to her husband. Despite this, Jason shows “criminal behavior” and leaves Medea for a “princess’ bed” in order to further his own social position. As Medea reminds Jason, he “owes his life” to her; she has helped him gain the Golden Fleece, even killing her own brother to ensure their escape and then tricking Pelias’ daughters into killing their father the King. Medea’s sense of betrayal is then amplified when Jason tries to convince Medea that he did it for…
Medea is driven mad by her love and hatred for her husband, Jason. In the story, Medea plans to kill Jason, Creon, and Creon’s daughter who Jason plans to marry. She wants to kill him because he betrays her love; Jason is in love with the power he could possess once he marries the new bride. Medea vows to make Jason suffer the same pain she had suffered. In three particular instances of the play, Medea could have stopped her ploy for revenge, but she chose not to.…
One of the reasons as to why Medea is such a compelling character is because she does not have one particular tragic flaw. Her tragic condition is the result of a convergence of flaws. I think that these can be summarized by the idea of Medea not recognizing any balance in her emotions. She fled her father's home with an intensity of emotions invested in Jason that were never calculated nor any type of deliberation present. This same abandon is seen when Medea kills her brother. It is also evident when Medea cannot accept that Jason has stopped loving her and loves another. While Medea does consider the implications of killing her own children, it is to no avail as the intensity of her emotions overcomes all reason. When the Nurse understands…
Medea sits in her room all day sobbing loudly for the world to hear. She screams and cries as to capture everyone’s attention. As abnormal as it seems, the readers of Euripides’ Medea witnesses this scene at the beginning of the book. The Nurse and Chorus continually speak about the hardships Medea is going through, and tend to feel sorry for her. Euripides emphasizes the point that Medea is going through extreme pain internally with the thought and actions of her killing her own children. [Some may say that Medea is not sympathized with because she is full of so much grief, and her being a witch, is expected to do unexpected things.] However, readers can see that Euripides does sympathize with her because of the repetition of the Nurse and Chorus’s pity, as well as Medea’s own feelings. Throughout Euripides’s Medea, the Nurse and Chorus foreshadow Medea’s evil actions followed by their attempt at trying to stop and…
In the play Medea, the main character Medea is extreme on seeking revenge on her ex-husband, Jason. Jason has left her and their two sons Creon and Creusa for the daughter of the Cornith King. Medea is livid with this action from Jason. Since Jason and the Cornith King(Ceron) are frightened by Medea they decide that her and the children are to be banished from the kingdom. This just makes Medea even more furious towards Jason. The nurse characterizes Medea as being in pain and anguish that she is suffering through the terrible time of Jason leaving her. She also says how Medea is so angry with Jason and his betrayal she is treacherous. This is shown to be true when she plans to kill Ceron and Creusa to punish Jason for betraying her. Heartlessly she kills them to seek revenge on him. She thought hurting Jason meant more to her than her children did even though she loved them. Her plan was to seek retribution upon Jason as she did. Her seeking revenge hurt everyone even though she was proud that she had accomplished making Jason hurt, she had and domestic conflict killing her own children whom she loved very much.…
As the play opens, we hear Medea wailing in misery, “I…want to die…leaving behind this loathsome life.” Whether Medea is making an attempt to gain sympathy from the Chorus and the audience or she is genuinely in despair, it becomes apparent that Medea’s previous life with Jason was forged in circumstances of violence and betrayal, sowing the seeds for tragedy. The Nurse strings together a sad story of all Medea has done for the sake of Jason and their relationship, making us witnesses to how unjustly Medea has been treated. While Medea bears a sad history, Medea and the Nurse’s recount of the facts demonstrate how personally Medea has taken Jason’s actions, “I want you to die, along with your father.”…
In 1760, with Detroit being their last outpost, the French surrendered Fort Pontchartrain, by then called Fort Detroit, to the British—and in 1796, the British gave Fort Detroit to the United States. Detroit, in retrospect, was much like Alaska—nobody really knew what they had.…
In the Greek play Medea, there are two protagonists, Medea and Jason. Medea, who is the wife of Jason has fallen in love with him and has left her country to be with him. After all this loyalty, Jason decides to divorce Medea and marry the king’s daughter; Glauce. Medea becomes filled with fury and anger and wants to kill her husband and the king’s daughter. We can also say that she becomes suicidal. Jason on the other hand, only seeks his own benefits because he has married the King’s daughter just to gain benefits for himself and leaves the woman he used to love.…
Euripides and Ovid present two entirely different sets of motivations for Medea's behavior which surface through her attitude towards Jason. In the Athenian tragedy, it becomes clear from the onset that Medea harbors an unnatural and overwhelming hatred for Jason and anyone he is connected to. Granted, anger is a natural response when one spouse leaves his or her mate for another partner, but it should not consume the abandoned person's life. As the Chorus notes, "It often happens...You must not waste away" (156-158). Medea's stern rejection of this advice is puzzling to the reader, but her reasons soon become clear in a soliloquy following a meeting with Aegeus in which she states "Let no one think me a weak one" (807). Medea is a proud character whose self-image reflects an important person, but as was the case with her anger, she takes this idea to an extreme. The rage that follows Jason's threat to her authority motivates her to think and act destructively. Ovid, on the other hand, saw Medea behaving for a different set of reasons.…
The Montreal Massacre was one of the most tragic events of Canadian history. On December 6th, 1989, a twenty-five year old man walked into the Ecole Polytechnique in Montreal and shot to death 14 woman. He separated the men from the women and before opening fire on the classroom of female engineering students he screamed, "I hate feminists." The gunman then moved through the college corridors, the cafeteria, and another classroom, specifically targeting women to shoot. By the time Lépine turned the gun on himself, 14 women were dead and another 10 were injured. Four men were hurt unintentionally in the crossfire. The Montreal Massacre…
Throughout the play, Medea is driven entirely by her passion for revenge and does not stop to consider the consequences of her actions. Both Creon and Jason push Medea into her excessive nature which causes her to lash out leading her to make the choices she makes. By the end of the play Medea makes sure that Jason has no one left when she leaves him and proves that ,"When love is in excess it brings a man no honor nor any worthiness. But if in moderation Cypris comes, there is no other power at all so gracious"…
In the tragedy Medea by Euripides, Jason faces the death of his new wife and two sons that have been killed by his ex-wife Medea. Jason leaves Medea to marry the king of Corinth’s daughter; therefore, Medea takes revenge on him. Jason wasn’t always bad he was a good husband before he did what he did. Jason is a tragic hero because he fits the characteristics of a tragic hero.…
As the Nurse at the beginning of the story tells, Medea gave up everything she had to be with Jason. She left her family, and even killed her own brother to be able to run away with him. Medea, who has been dishonestly betrayed by her husband, uses revenge to punish him for his deeds and to seek the rewards which it offers to ones pride. The reader begins to feel pity for the main character and even excuse her actions. That is a result of identification with Medea, as a cheated spouse. In any kind of relationship during life, people expect fidelity, so they clearly understand why she wanted revenge.…