Shylock does not get on with many of the characters in the play even his servant leaves him to work for someone else. There is some competition between Shylock and Antonio because Antonio because Antonio is lending money to people, like Shylock, but doesn't charge them interest, Shylock believes Antonio is jeopardizing Shylock's job. Shylock tells the audience how much he hates Antonio when he is invited to a party."I hate him for he is a Christian; But more, for that in low simplicity, He lends out money gratis and brings down, The rate of usance here with us in Venice” (I.3.36-39). This makes Shylock seem like a villain because he is insulting Antonio behind his back and by that time in the play we have seen Antonio only being kind and we take Antonio's side. Shakespeare makes Shylock seem like a villain at the end of Act 3 Scene 1 just by the language he uses because he has Shylock using many words from the semantic field of death and ill-work. Most of the characters in the play really dislike Shylock and he dislikes them also. Lots of the other characters say things about him behind his back and Shylock also says things about the others behind their backs. Most of the things he says make him look like a villain because they aren't kind things whereas when the other characters say things about him he seems like a victim. When Shylock says his speech about hating Antonio he seems like a villain because he isn't being kind about Antonio who is a respectable merchant who the audience likes at the time of the play. Also, his servant Lancelot didn't want to work for him anymore and went to work for Bassanio instead, he tells him that Shylock has been a rude and unkind master." To be brief, the very truth is that the Jew, having done me wrong . . . "(II.2.116-17). The way Lancelot speaks about Shylock makes him seem even more like a villain. The trial scene itself shows how Shylock can be seen as both villain and victim at the same time. At the beginning of the trial scene Shylock is presented as villain however the end presents him as a victim. The trial is Shylock's only chance for justice, but the court is very one sided from the minute Shylock is ordered in by the judge "Go, on and call the Jew into the court"(IV.1.15). This clearly shows us that the judge is biased against Jews and Shylock even before it starts, and this influences the court. I believe that it also changes people into beliving that Shylock is somewhat of a victim again because Shylock is already having an unfair trial. Then, during the trial scene Shylock loses the audience's sympathy by what he says and by sharpening his knife on the sole of his shoe. The insults that are thrown at him and the pleas from the other characters don't even stop him from putting the knife near Antonio's chest ready to take a pound of his flesh, and when the sentence is given against Antonio he repeats the words of the bond slowly and with great pleasure. "Ay, his breast. So says the bond-dot hit not, noble judge? “Nearest his heart”; those are the very words"(IV.1.259-61). When he is ready to cut into Antonio's flesh, Portia stops him, because there is a flaw in the bond. "The bond doth give thee here no jot of blood. The words expressly are “A pound of flesh"”(IV.1.314-315). This scene in the play makes the audience realize he is in a trap because if Shylock enters Antonio's skin blood would definitely come out. He is then offered the money but he wouldn't take it, which turns him back into a villain because the only thing he wants is Antonio's flesh. However the tables are then turned because the law states that anyone who attempts to kill someone must be punished. Shylock's punishment is having his possessions confiscated. Also Antonio makes two conditions: firstly Shylock must become a Christian and secondly he must make a will leaving all of his possessions to Jessica and Lorenzo. Then at the end he has lost all his confidence, feels sorry himself and realizes that he has been defeated and finally tell that audience that he is content. When you realize he has lost everything even his religion, he then becomes a victim and gains a lot of sympathy. The extreme nature of the punishment shocks us and you feel really sorry for him, but then again at the same time its pretty easy to realize that he got what he deserved for playing with the life of Antonio as he did; which in my mind, turns him right back into a villain. “The most painful question of all, for us, is to wonder whether the play assumes for its own dramatic purposes a Christian point of view, however much it sees a genuine and understandable motive in Shylock’s desire for revenge. The problem of divided sympathies is exacerbated because Shylock’s structural function in the play is essentially that of the villain in a love comedy. His remorseless pursuit of Antonio darkens the mood of the lay, and his overthrow signals the providential triumph of love and friendship, even thought that triumph is not without its undercurrent of wry melancholy” (Bevington 74). I absolutely agree with Bevington because I see Sylock as a villain. I believe that the character of Shylock is very strategically placed in the novel as well as the Christian points of view, which play out very well together and create great arguments, which make for a great and entertaining play and storyline. By the end of the play the audience in the 16th century would have been quite happy as the character they didn't like had been defeated and been made to change to a Christian. The audience in the 16th century would have believed Shylock is a villain. However the audience nowadays would be glad that Shylock had been punished for being a really rude and unkind person, but believe that making him change his religion as well as having all of his possessions takes off him is going to far. Making him change his religion is a big thing now. Shylock has really bad manners, he is rude and only thinks about money, however he is treated really badly just because he is a Jew, which is unfair and unjust. Therefore, Shylock’s can be seen as both a victim and a villain, depending on your own personal opinions.
Works Cited
Luxon, Thomas. "A Second Daniel: The Jew and the "True Jew" in The Merchant of Venice." Early Modern Literary Studies. Dartmouth College, Jan. 1999. Web. 4 Dec. 2010. .
Shakespeare, William, and David M. Bevington. "The Merchant of Venice." The Necessary Shakespeare. New York: Pearson/Longman, 2005. 74. Print.
Shakespeare, William. "The Merchant of Venice." The Merchant of Venice. Ed. Leah S. Marcus. New York: W.W. Norton, 2005. 3-75. Print.
Siemon, James E. "The Canker Within: Some Observations on the Role of the Villain in Three Shakespearean Comedies." Shakespeare Quarterly 23.4 (1972): 435-43. JSTOR. Web. 5 Dec. 2010. .
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