Act 2 scene 1 starts by introducing king Marraco, who is one of the suitors of Portia. Right after Morraco’s entry he starts to boast about himself, and also claims that luck is the only thing which can help him in the game of casket. After Morraco speaks Portia says that there would be a penalty if you don’t win the casket that would be not to ask a women for holy Matrimony, and Morraco replies that he won’t ask women ever again.…
In these lines, we get the first glimpse of where the setting is. The readers get a chance to see the descriptive environment of Italy with the “pleasant garden”. We are also introduced to Lucentio and Tranio in this part of the play where they are visiting this part of Italy because they had that desire to go there.…
| 1. When I was younger, if I had lost an arrow, I would shoot another one in the same direction and follow it to find the first. In the same way, give me more money and it will lead me to get you back all the money I owe.2. Pleading; vying for second chances. Shakespeare introduces Bassanio’s character as one who feels strongly for the influence of second chances. He uses persuasive and self-denouncing diction to influence Antonio’s decision on how to deal with his debt, comparing himself to “a willful youth” in order to display that his character was out of the norm when he lost the first batch of money. By degrading himself, that will prove that he does not usually act that way and deserves a second chance to prove his true character. The author’s use of desperation on Bassanio's part enhances the reader’s eagerness to read on and discover whether he will make do on his promises, seeing that he did not the first time.2. Metaphor: a direct comparison between two things. Shakespeare’s direct relation of the situation of finding the first arrow through the shooting of the second to the lending of more money in order to “rest debtor for the first” serves to intensify Bassanio's pride that the plan will ensue successfully. The point of the story is to calm Antonio’s worries of Bassanio’s plan, and to give Antonio no…
The prince studies the inscriptions on the three caskets and chooses the gold one, which proves to be an incorrect choice. In Venice, Shylock is furious to find that his daughter has run away, but rejoices in the fact that Antonio’s ships are rumored to have been wrecked and that he will soon be able to claim his debt. In Belmont, the prince of Aragon also visits Portia. He, too, studies the caskets carefully, but he picks the silver one, which is also incorrect. Bassanio arrives at Portia’s estate, and they declare their love for one another. Despite Portia’s request that he wait before choosing, Bassanio immediately picks the correct casket, which is made of lead. He and Portia rejoice, and Graziano confesses that he has fallen in love with Nerissa. The couples decide on a double wedding. Portia gives Bassanio a ring as a token of love, and makes him swear that under no circumstances will he part with it. They are joined, unexpectedly, by Lorenzo and Jessica. The celebration, however, is cut short by the news that Antonio has indeed lost his ships, and that he has forfeited his bond to Shylock. Bassanio and Graziano immediately travel to Venice to try and save Antonio’s life. After they leave, Portia tells Nerissa that they will go to Venice disguised as…
I should have been the one to confront Macbeth. I should have been able to figure out what Lady Macbeth and Macbeth did. I spent hours upon hours analyzing and scrutinizing the Lady’s strange speech from her sleep. If only I had realized it sooner, if only I had just put the pieces of the puzzle together quickly I could have been king. But no, Malcolm took over, and Malcolm got the power. But, I cannot think this way, just look at what happened to Macbeth and his wife. “Stars, hide your fires; Let not light see my black and deep desires.” But it was so obvious! The washing of her hands, her cries over the blood and her stained hands, her eagerness to hide or cover up what she had done. If only I had put the parts together I could have realized…
In the play The Merchant of Venice Shylock, a rich Jewish moneylender in Venice agrees to loan Bassanio three thousand ducats on Antonio’s guarantee. Shylock is made to be the villain in the Merchant of Venice because of some of the things he does. But even though he may not have been the only one in the wrong, he is still guilty of the deadly sins of, avarice, envy, and wrath.…
75 years ago, Winston Churchill had only been Prime minister of Great Britain for 5 weeks when he addressed a nation. Their Finest Hour was one of Churchill's most powerful speech. At the time France had just fallen to the Germans. So Churchill had to explain the situation while remaining positive and willing to confront the Nazis.…
The choosing of the three caskets is used as the main explanation of appearance versus reality in “The Merchant of Venice”. The suitor of Portia must choose either a gold, silver or lead casket, where the right choice will allow the suitor to marry her. The Prince of Morocco, on choosing the beautiful gold casket with the inscription, "Who chooseth me shall gain what many men desire," sees the message, "All that glisters is not gold," and is thus turned away by Portia. The Prince of Arragon, on choosing the silver casket with, "Who chooseth me shall get as much as he deserves," receives a fool's head, and is told that that is what he deserves. Bassanio however, on correctly choosing the lead casket with the inscription, "Who chooseth me must give and hazard all he hath," says, "The world is still deceived with ornament." He chooses the lead casket so as not to be fooled by the dull appearance, and receives the beautiful Portia and all her wealth who, in reality, contrasts with the ugly lead. The two princes, however, were deceived by the ornament of the gold and silver caskets.…
In this film there were several social norms that we had seen that we were unfamiliar with. For example, when the film began Raimunda, Paula, and Sole are all meeting at their mother’s tomb stone to clean it. In their culture doing this is normal. In the film there were several families doing the same thing. When a loved one has passed away they make sure that their tomb stones are clean/polished and well taken care of. It is kind of like paying their respects. In the United States we personally don’t go out to clean the tombs of our loved ones. We expect the others to do it for us. We don’t think of it as a responsibility that we need to do. We just visit the tomb bring flowers to set next to them.…
“We put the cover on, but I’m supposed to unscrew the casket so you can see her.” He was moving toward the casket when I stopped him. He said, “You don’t want to?” I answered, “No.” He was quiet, and then I was embarrassed because I felt I shouldn’t have said that. He looked at me and then asked, “Why not?” but without criticizing, as if he just wanted to know. I said, “I don’t know.” (Camus 6)…
This vital speech by Iago taken from Act 2 Scene 3 occurs just after the brawl between Cassio and Montano, where Othello is disgusted with his lieutenant's behavior and dismisses Cassio. From the beginning Iago behaves in this way because of his intense jealousy he has at Othello for promoting Cassio over him.…
Aside from the most obvious difference of one being alive, and one dead, the true shift in actions of the women to their fathers comes in the way they follow their orders in reference to the men they love. Portia does not tell Bassanio which casket to choose, nor make any attempt to have it made known to him. She is thoroughly adamant about following her father's will to the fullest degree despite his death. In opposition to this, Miranda twice disobeys her father directly, even as he is watching. When she tells Ferdinand her name and again in a few lines where she announces "But I prattle / Something too wildly, and my father's precepts / I therein do forget."…
Portia, asking her would-be suitors to choose one of three caskets, to see which had her portrait, and her hand in marriage.…
In the beginning of act 1 scene 2, Macbeth’s bravery and his heroic skills are being mentioned by the wounded sergeant. The reminiscent diction, imagery, allusion, and symbolism of the battle, narrated by the sergeant reveal Macbeth’s bravery and his loyalness towards King Duncan at the beginning of the play, but it changes afterwards. Through the imagery and the symbolism used, it is revealed that both armies were almost equally strong, but the battle was won mainly because of Macbeth. The heroic character of Macbeth is revealed, which leads Macbeth to ambition of being the king.…
uses more imagery in lines 21 and 22, saying, “And I am dumb to tell the lover's tomb / How at…