The Annunciation with Saints Ansanus and Margherita is proclaimed to be one of the greatest if not the most magnificent art piece of the Gothic time period. This piece was originally created for the side alter in the Sienna Cathedral but after being passed on to many different Churches it is now located in the Uffizi Gallery in Florence, Italy. In this piece the artist has placed a large amount of iconography into it. The Easiest hidden icon to distinguish is the lilies in the vase in the middle of the picture showing the purity of Mary. Along with the Lilies the artist also has the Archangel Rafael holding an olive branch which is the symbol of peace showing he means no harm to Mary. Lastly, the author also has the Holy Ghost coming down from Heaven surrounded by eight angels representing the Holy Spirit or God is coming into her. Along with all of the iconography there are many other unique characteristics of this picture. For example, it as Mary looking as if she is afraid or startled by the Archangel Raphael coming into her house where as in the majority of the other annunciation pictures Mary is almost welcoming Raphael into the building. Another significant characteristic of this picture is the architecture and…
In 1979, Miyako Ishiuchi received the Kimura Ihei, the most notable Photography Award in Japan, which brought her international recognition for her captivating post-war japanese photography. Many years later, with much more artwork in her portfolio, the Getty Museum in Los Angeles opened an exhibition with the largest collection of her work outside of Japan (Tate). This is where I encountered and became enamoured with her dynamic work. Miyako Ishiuchi’s emotional and intimate photo’s express her japanese identity, womanhood, and mourning over the effects of war on Japan. The series, Scars, is one of many collections that use the body as the subject and reflects her interest in how the body records our life, past trauma, pain, and growth. She…
The Museum of Fine Arts in Boston contains some of the greatest treasures of the Italian Renaissance, and not least among these is Presentation of the Virgin in the Temple, painted in 1467 by Bartolomeo d. Giovanni Corradini, better known as Fra Carnevale. This Urbinian painter and architect produced some of the greatest architectural paintings of the early Renaissance, and his techniques expressed an interest in the progression of the Italian Renaissance style of classical idealism. The Presentation, measuring 57 5/8 x 38 in., depicts the apocryphal story of the Virgin Mary’s Presentation in the Temple of Jerusalem by her parents at the age of three. Executed in oil and tempera on panel, the work frames a young Virgin in purple by the grand, classical architecture of the Temple. The entire work confers an atmosphere of contrast: the softness of Mary’s companions with the sharply defined, half-nude beggars, the religious with the classical reliefs, the tiny Virgin with the enormous architecture, and the brightly lit interior with the cloudy sky. Fra Carnevale creates a mysterious, yet orderly, scene of subtle emotion and veiled heterogeneity.…
The first panel is the donors that commissioned the painting by Campin, the second panel is the same Annunciation scene of Mary and Gabriel but depicted quite differently, and the third panel is Saint Joseph. This painting pays close attention to clarity and detail, with varying colors and realism. The painting is in oil, and has a style that reflects the Northern Renaissance period. For example, the angel and Mary do not have halos, and it lacks linear perspective. The lack of halos, as well as Mary’s face (which doesn’t seem too happy about the fact that she is about to conceive Christ’s child) could relate to the religious separation that Northern Europe was experiencing during the Renaissance. Northern Renaissance art is very well known for its symbolism, and in this painting nearly every object is symbolic of spiritual ideas (Harris). For example, lilies represent Mary’s virginity, Joseph’s tools represent the Passion of the Christ, and the extinguished candle represents God taking human…
In the first panel of the Merode altarpiece a messenger is depicted on his knees seeming to be looking into the room depicted in the center panel. Behind the messenger is a woman kneeling and a guard towards the wall. There seems to be a wall around the house and plenty of plant life. The colors used are bright and reminiscent of springtime. The roses are in bloom, a blue sky and bird perched on the tops of the wall. In the second and center panel there are two people, the Virgin Mary and the angel Gabriel. There are also plenty of things in the panel hinting at the virgin’s divinity such as white lilies, the vessel of water and the white towel, the small windows at the side of the room…
The small size of the panel suggests that it was used for private devotions, and also prized as a highly finished collector’s item. The Annunciation scene would place emphasis on its sacramental and communal…
One work of art commissioned by a patron is the Merode Altarpiece. Since this is a triptych, it has three panels. The patrons, that are identifiable as bourgeoisie from nearby Mechelen, appear in the…
During our tour at the Legion of Honor, we observed art starting from the early and High Renaissance. Next, we went to the Dutch Baroque period, British art, and ended at the impressionists. A most notable work of art from the tour was “The Annunciation” by Master of the Retable of the Reyes Católicos. This oil on wood panel painting was created in the late 1500s, during the High Renaissance period of the art historical cannon. It portrays the biblical event found in the Gospel of Luke in which the archangel Gabriel announces to Mary that she is pregnant with Jesus, the son of God. “The Annunciation” is a religious painting and is an example of the many great works of art from the High Renaissance.…
Often, the paintings of Mary and Jesus used mainly red and blue and are used interchangeably with one another. Red symbolized the blood and the martyred heroes, whereas the blue stood for heaven, serenity and calmness. Mary was crowned as the queen of heaven when she died and Jesus brought her up to heaven to stand with him in the kingdom of God. Likewise, Romulus and Remus would’ve done the same and bring their mother to live with them in their kingdom/city. In person, it is more stunning to witness not only due to the size, but also because of the vividness the painting still holds after all these years. It seemed as though it was done almost yesterday due to the freshness the content displayed and in comparison to all the other artworks in the area, this stood out to me due to the colors itself. Mignard’s choice to bring attention to the individuals’ clothing by surrounding it with darker colors in the background created a contrast that was not too harsh to view and the bright colors lures one’s eyes into it. Also, his choice of the lighting created a focus that draws the viewer in so they would not have to look elsewhere to determine what the “thesis” of the artwork is. Lastly, the details of the painting are astonishing to see up close. The brushstrokes of the dog’s hair looked as if you could touch it, the muscles in the shepherd’s legs and arms…
The shimmering golden highlights from the halos behind their heads were captivating. The Mystic Marriage of Saint Catherine is an altarpiece that was painted by Benozzo Gozzoli and his assistants in 1490. Benozzo Gozzoli was an Italian Renaissance painter who is particularly known for his fresco painting style and his murals. This riveting piece he created only 7 years before his death, encapsulates the essence of the Renaissance time period. This paper will discuss in detail, a depiction of the painting, the historical context of the painting, and how the imagery and colors were used to give an impression of the celebratory ceremonial essence of the unification of Saint Catherine of Alexandria and Christ. The vivid pigment and bold colors…
Art is everywhere; from architecture to sculptures, paintings, pictures and even flower gardens. There are many styles and techniques used by artists to capture the eye of a viewer and draw them into the artwork. One such art piece that has this effect is: Mérode Altarpiece (Triptych of the Annunciation) by Robert Campin (Master of Flémalle), circa 1425-1430s. This beautiful triptych was painted in oil on oak panels, with the center panel measuring 25 1/4 x…
The paintings illustrating Christ’s crucifixion emphasize both his sacrifice to rid the world of sin, as well as the idea of everlasting life after death. For example, the Triptych with the Crucifixion, an oil painting on panel, illustrates the portrayals of Christ that were commonly repeated throughout the medieval period. The scene of the Crucifixion in the middle is supported by a scene of Pope Gregory the Great experiencing a vision of Christ during Mass and a scene of Saint Christopher carrying the Christ Child. The closed side panels also show a scene of the Annunciation, in which the angel Gabriel announces to the Virgin Mary that she would conceive the Son of God. These four scenes all share the common purpose of reinforcing the idea of Christ as a man, but also briefly suggest his transcendence. Although he is not the most imposing or impressive character in each scene, from conception to posthumous miracle, Christ is the clear subject matter in every case, demonstrating the dual nature of his divinity and…
The image #3.10, The Apparition, by Gustave Moreau is different than Impressionism and Post Impressionism because in this piece there's great quality in the woman, Salome, a princess who appears to be dancing among the head of St John the Baptist. The bloody head seems to be the main focus in the image with it’s appearance radiating throughout the entire composition. Impressionism usual doesn't focus much on detail or order, but rather than expressing the subject through a matter of techniques exposing an natural appearance becoming an abstraction. Compared to The Apparition, it definitely doesn’t show any sort of abnormal qualities, instead it has precise features showing the details on woman’s clothing and the blood dripping from the baptist's…
The painting is inspired by the view outside of van Gogh’s asylum room in Saint-Rémy-De-Province, with an addition of an ‘ideal village’ taking up space in the downward periphery of the artwork. There are small houses and buildings drawn at the bottom of the painting, a half crescent moon at the top right corner and the depiction of a church with a broad steeple.…
This painting was painted around the 1550’s and it was in a chapel. The “Renaissance” is very different from the Medieval art because it has more depth and more details to the painting. In the painting the way the people are drawn looks so real and very detailed. The people have muscles and ABS, the shadow that it makes while they are falling down to the underworld. You can tell the difference where the jaw line starts and how the neck and chin is separated to each other. You can also see skin the sensuality that the Renaissance painting has and not the Middle Ages painting didn’t…